This Hispanic Heritage Month, we thought it’d be fun to have some of our staff, freelancers, and members of the community write up some magic items inspired by their background and culture to put into your games!
We hope everyone enjoys these items and ¡échale ganas en tus juegos!
Background illustration by Olivier Bernard
Kazutal by Ksenia Kozhevnikova
Yllaldo Monk by Sammy Khalid
Joseph Blomquist
As a Nuyorican, my relationship to Puerto Rico was challenging at first. Whenever I went to PR, I was the only cousin that barely spoke any Spanish. A real connection came with food—especially once my grandmother introduced me to a tiny local fruit, the quenepa. Each island has a different name for quenepas, and it was extremely difficult to get back home in NY. It was a great start to a lifelong love of Puerto Rico and a reminder of an amazing woman that never knew how much her grandson cherished every moment we shared.
Would you like to know more? Follow me on twitter (@DoctorMono) or check out my recent Paizo releases: SFS Scenario #4-13: Hard Reset and PFS Scenario #4-02: Return to the Grave.
Carlos Cabrera
Art in one form or another has always run in my father's side of the family. I have a younger sister who paints, my late father and one of my older brothers draw (cartoon art and comic book art, respectively), and I've been known to draw, write, and design games. I also have an uncle who can play Santana by ear, the musician by which I acquired my name. My father was a huge fan of Santana's music, and on my mother's side my grandfather's name was Charles, so they agreed. Over the years I've dabbled in music here and there, be it ukulele or electric bass, and most recently classic guitar.
I thought it would be a special idea to create a magical guitar: an instrument that not only played the piece of culture being performed but also granted a memory. This instrument can most often be found within the hands of a calaca, which I designed for the first edition of Pathfinder and Luis Loza brought into second edition here.
Luigi Lizza González
When I was a kid, I joined my school's music club and discovered the cajón drum: a wooden, box-shaped percussion instrument primarily used in Criolla and Afro-Peruvian music. You play it by slapping the sides and corners to mark the beat and guide the dancers. At first glance, it doesn't look like it could generate a great variety of sounds, but you would be surprised. Also, that instrument helped me realize how much I enjoy working in tandem with others to create something beautiful (in this case, music).
As a person born and raised in Perú, the dream of entering the gaming industry seemed so distant and unattainable that, for a long time, I didn't even think of trying to accomplish it. However, I was pleasantly surprised to discover that the Pathfinder community is one of the most welcoming spaces to be part of. So, now, as a published author and a co-owner of Eldritch Osiris Games (@EldritchOsiris on Twitter), I can explore my most quirky sides and put my love for arts, philosophy, and storytelling to good use. If you want to see my silly face and know more about my work, you can find me on Twitter as @LuigiLizza.
Luis Loza
When I was little, I would see people playing with trompos—wooden tops that were spun by pulling on a string. People could perform cool tricks with them including scooping them up into their hands or guiding along the string in intricate manners. Trompo tricks are similar to yoyo tricks in how much coordination they require and how impressive they can be to watch. It was only much later in life that I learned that trompos weren’t exclusively a Mexican toy and were actually common throughout Latin America and even in other parts of the world. Even knowing that, trompos still feel like a Mexican thing to me, so I wanted to make a cool item that made use of one!