Dragon#352: The World of China Mieville


Dragon Magazine General Discussion

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Scarab Sages

I'm wondering what the types would be of some of the races presented in the article. Are the Khepri and Vodyanoi Humanoid or Monstrous Humanoid and do they have any subtypes; or would it just be humanoid with the race as a subtype e.g.: Khepri (Humanoid) (khepri). Any help would be great!


John Tanzini wrote:
I'm wondering what the types would be of some of the races presented in the article. Are the Khepri and Vodyanoi Humanoid or Monstrous Humanoid and do they have any subtypes; or would it just be humanoid with the race as a subtype e.g.: Khepri (Humanoid) (khepri). Any help would be great!

They don't get any monstrous humanoid HD etc.

I think they're humanoids. The subtype thing is a good question, though.


hi, this is my first post and i hate to come across like a troll cos i'm not, but i really have to get this off my chest about the china mieville 'spectacular' in this month's dragon.

i've been reading dragon since about '91, and i've always appreciated that the guys putting it together have a hard time pleasing everyone, especially as in my experience us gamer geeks can be a tough audience. some issues i've found more inspiring or useful than others, (obviously!) but i've always enjoyed reading each issue... until this one.

i don't like china mieville as an author or a person. there is nothing in the huge amount of pages dedicated to his work that i want to include in my games. and i'm really disappointed with this issue. when i saw the preview in last month's issue i felt a sense of dread and some of my friends told me i should have not bothered buying it, but i didn't listen. i should have done!

see, i get that some people really dig his work and find it very radical and new and that's cool. whatever floats your boat. but it doesn't work for me. i could have happily turned a blind eye to a two-page novel approaches style article - but this was the lion's share of an entire issue!

i thought the novel approach articles were a great idea. really fantastic. i get loads of ideas from them, and odten end up rummaging on my bookshelves for a book i'd almost forgotten about.

and there are so many cool new fantasy books out there! a couple of days ago i started reading philip reeve's 'mortal engine's' series and they're way cool! delightfully imaginative and slightly askew, and real rip-roaring adventures.

but mieville doesn't do it for me.

see, there's a lot of fantasy out there that i don't like. i don't as a rule like tolkien clones (i don't particularly like tolkien), i don't like pretentiousness on the part of the author, i like fresh ideas and new ways of looking at things.

now i know mieville thinks of himself as a revolutionary, both politically and literally, but i don't view him as such. i find a lot of his ideas fairly prosaic, or dusted off from another genre and given a fresh coat of paint to make them look novel. same with his politics really, that he keeps banging on about. he styles himself a radical 'marxist', but really he's a posh boy whose politics are basically just liberalism dressed up in radical language and with a nasty elistist streak. and the unneccessary big words and the clunky prose? it's not big and it's not clever. that's part of the reason i read a lot of children's fiction nowadays - to my way of thinking it takes more skill to write a story that's accessible to as many people as possible.

sigh. sorry now i sound like a troll and that wasn't my intention.

see, i know from the other posts that are on this board that lots of people are really excited by mieville's work and i'm pleased for you. i really am. anything that inspires people to get together and run good fun games is a good thing.

i just wanted to get this rant off my chest (my mates are bored of hearing it already!) and just say that i, for one was very disappointed that so much page space was given over to one author (especially one i dislike ;-) ) when it would be cool to see a wider variety of literary fantasy represented.

cheers and sorry to anyone i've offended


First off, good to have you aboard, Jez.

You're take on China is an educated one so... fair enough.

I can write in layers of depth that choke the eye... and then I can write for kids as well.

All in all, you'll probably sell more books if you don't go around choking eyes. I try to write so that people will easily understand my concepts, but some of my concepts are not easily understood, and require a reader with greater acumen.

I have yet to read Perdido or Scar... but I'm going to give them a shot based on the many recommendations I've heard here.

Hate to inform you that in two months an entire issue is being devoted to... well... it's called Tolkienpalooza!

There's an anti-Sauron in there who is just so syrupy sweet neutral good. And his great eye just kinds winks at you flirtily.

The Exchange

I'm sure no one is offended, and your comments are of course welcome. I don't mind Mieville as an author (loved Perdido Street Station but haven't got on with the others) and wasn't really terribly aware of his politics (though most Marxists are walking, talking jokes - maybe there could be a Living Joke template similar to the Living Spell, though I digress.)

My view of the issue was that it didn't really rock my boat, but to be frank I only really subscribe to Dragon out of loyalty, as I really far prefer Dungeon, and most issues don't really interest me tremendously. However, I remember one issue on the Game of Thrones series which, never having read, left me very cold.

I think that, while it is brave to do issues like this, you are only really appealing to the fans of this work. While I respect Erik's views tremendously, it might have been better, as the poster above suggests, to have a couple of pages saying "Hey, China Mieville is great" rather than an extended adaptation of his work to D&D. I didn't think any of the monsters or other articles were bad at all, but nothing really got me going either. And for lots of readers, it was fairly dead space.

As stated above, Dragon hasn't interested me much as a publication for a while. I'm not sure why - it just doesn't seem to have bite in the same way as it did before, but I can't really put my finger on it as to the reason. But extended explorations of themes which are for maybe a minority of readers probably doesn't help.


thanks jade and aubrey. i was worried i just sounded like a bitter loon, but your replies reassure me that i got my point across without sounding too loopy!

i think i get what you say jade about how some concepts can be tricky to get across in simple language, but i mean, take philip pullman's his dark materials - there's some *way* complex ideas in there - but the books are easy to read in terms of the language used and the style, they just require you to think about what you're reading.

i love the idea of a flirty sauron giving me the eye!

i think aubrey makes the point i wanted to far more succinctly than i managed to.

i probably should also put my cards on the table and say that part of why i'm so conscious of mieville's politics is that i dabble in the british far left myself, but i agree with aubrey, most marxists i've met remind me of a joke in dire need of a punchline...

The Exchange

I was just reading through the Nov. 2002 Dungeon #95/Polyhedron #154 (having bought it during the recent sale to get some more background on Scuttlecove for the STAP), and came across this in the Erik Mona's Polyhedron editorial, in which he discusses licensing of existing properties in the early days of d20:

"Since I'm too cheap to afford licensed Mini-Games here in Polyhedron, I thought I'd use this space to highlight some yet-to-be-secured licenses in hopes that one of the fine d20 publishers reading this editorial is spurred on to creating a few games I'd like to play.

"Perdido Street Station: China Mieville's impressive Dickensian urban fantasy shook the foundations of speculative fiction last year, gaining critical acclaim and numerous award nominations. RPG fans have been clamoring for steampunk since the birth of the d20 System, and while Mieville's novel doesn't quite fit such easy categorization, a game based on Perdido would include mechanical consciences, railway trains, and a bewildering collection of oddball technology.

"In Perdido, Mieville's sprawling, confounding metropolis New Crobuzon becomes a character as rich as any Lankhmar, Sanctuary, or Greyhawk. Inspired by the seedier neighborhoods{1} of Victorian London, New Crobuzon screams out for the kind of development typical to most RPG sourcebooks. Best of all, Mieville himself is an RPG enthusiast eager to make his brilliant book a big, fat RPG product. When it happens, I'll be the first in line."

It turns out that 4 years later, it actually was Paizo doing the conversion, and Erik was definitely first in line! :)

Now, in this same editorial, Erik refers to "inferior writers like Lovecraft", so I have to take his opinions with a grain of salt. ;) After all, whatever you think of his writing style, an author whose works have had this much influence so long after they were penned has definitely got something going for him.

{1} Or should that be "neighbourhoods". ;)


I have to say I really liked this issue. It was different, refreshing, and for once I felt Dragon took its time to get into the depth of a topic, rather than just haste through a million cool ideas.

I never finished reading Perdido street Station, but now I think perhaps I should get back to it. I had no idea about Mieville being a self styled radical marxist, but that can mean so many things it hardly affects my opinion of his creations.

I am planning on picking up some of the races for my Mystara campaign. If I ever run an Eberron campaign, I might steal the whole city. Could be interesting.

I like theme issues. I like issues dealing with things that are different. Overall, I enjoyed it. I almost forgive you for cheating me off Mystara material in the Campaign Classics issue... ;)

Havard

Paizo Employee Chief Creative Officer, Publisher

To be clear my reference to Lovecraft's inferiority was in direct comparison to William S. Burroughs. I have tremendous respect for Lovecraft, but in a literary sense I think Burroughs is the more important author.

--Erik


Erik Mona wrote:

To be clear my reference to Lovecraft's inferiority was in direct comparison to William S. Burroughs. I have tremendous respect for Lovecraft, but in a literary sense I think Burroughs is the more important author.

--Erik

You rainbow wrestler, you sipper of webs, I'm employing (Wolman's invented but Burrough's mastered) cut-up technique now but it's been late to work every day this is certainly getting weak.


Speaking of Lovecraft, I wonder how well a Lovecraft-themed article would fair...

>88E


I've had the issue for a few weeks, polished off Perdido Street Station before the holidays and finished The Scar just a few weeks ago. Probably goes without saying that I really liked the issue, esp. all the Bas-Lag stuff (seems to be one of those love it/hate it things around here).

Only complaints are that the map doesn't capture enough the world, as described in The Scar, and that the rough time line set out in the Gazetteer piece seems to encompass some things that occurred in Perdido Street Station and Iron Council, but almost nothing of what occurred in The Scar (which leads me to believe that Mr. Miéville is, perhaps, not quite done with that particular story, or more likely, such material could not be included without spoiling the novel.) All of that is fairly trivial, however, as it leaves plenty of world-building to those of us in the readership who enjoy such activities.

As I mentioned, I enjoyed most of the Bas-Lag material, and found it fairly easy to transpose to other worlds/campaigns in some brief, bored-at-work thought experiments. I also high recommend the first two novels, but have been accused of being a literary elitist (I like Proust), so please take that endorsement with a grain of salt.

All in all, excellent work. I sincerely hope that Dragon will continue to offer the reader an occasional view into some world, plane or possibility a few steps removed from the more well-known and well-supported material.

Liberty's Edge

jez wrote:

i think i get what you say jade about how some concepts can be tricky to get across in simple language, but i mean, take philip pullman's his dark materials - there's some *way* complex ideas in there - but the books are easy to read in terms of the language used and the style, they just require you to think about what you're reading.

Now there's a series I'd like to see featured in Dragon. I thought it was extremely innovative and compelling; that said, I still wouldn't want to see an entire issue devoted to it. I really loved the books, but, y'know, variety is the spice of life and all that...

The Exchange

Erik Mona wrote:
To be clear my reference to Lovecraft's inferiority was in direct comparison to William S. Burroughs. I have tremendous respect for Lovecraft, but in a literary sense I think Burroughs is the more important author.

C'mon, Erik, backing off now? What, are you afraid those rabid Cthulhu cultists working at Paizo will find out you're not quite one of THEM?

...Uh, not that there's anything wrong with being a rabid cultist. Heh... I'll just... go over he-- (sounds of running footsteps)

Paizo Employee Chief Creative Officer, Publisher

I'm not backing off. I really, really like H.P. Lovecraft, enough that I've bought several expensive reprints of the Weird Tales issues in which many of his stories appeared. I have several books by S.T. Joshi. If it wasn't for James Jacobs, I'd say I might be the biggest Lovecraft fan at Paizo. James is _completely_ obsessed, maybe even worse than my obsession with Greyhawk. The man frightens me, is what I'm trying to say.

But I stil think William S. Burroughs is a better writer, and a more important one. And it must just drive Jacobs crazy to know that I am right.

--Erik Mona


it might be pretty diffcult to drive someone crazy who likes Lovecraft that might - such an individual would be pretty out there already. ;)


MaxSlasher26 wrote:
Speaking of Lovecraft, I wonder how well a Lovecraft-themed article would fair...

The October issue from either '05 or '06 did a chunk on this, called The Shadow over D&D. Discussed Lovecraftian influences, what monsters are suitable for such a game, etc. Was quite good.

I'd just like to come out in support of the Bas-Lag issue, which I got my hands on over the weekend. I've only read Perdido Street Station, but I loved it, and I think the magazine did a good job of portraying the world in game terms.

I can agree that most of the presented mechanics, races & monsters don't easily slot into existing games. The Forgotten Realms would be a different place with Weavers or Slake Moths running around. But that applies to almost everything but the most generic of articles, and I'd get very bored if Dragon did nothing but print such. I think the current balance is about right - some issues are more adaptable than others, but that's fine.

About my only complaint is that some of the artwork for the bestiary article wasn't great, and didn't fit description of the monsters in question. The Anophelii & Weaver in particular, didn't look like the artist had been given a good description to work from. The Weaver in particular, with it's fanged maw (and baby-arms?) despite being described as having a spider's mandibles. Likewise, the Khepri looked more like they had the head of a bug, rather than an entire bug for a head. On the other hand, pieces like the Garuda or Handlinger were great, as were the Cactacae.

That's about it, other than to again say you have a happy reader here.

Scarab Sages

I hate to be a stick in the mud here, but any word on the types/subtypes of the Khepri and Vodyanoi? Are they both Humanoid? Do the Vodyanoi have the Amphibious special quality? It says in the entry "they are fully amphibian," but the article does not list Amphibious in the Vadyanoi Racial Traits.

The Exchange Kobold Press

John Tanzini wrote:
I hate to be a stick in the mud here, but any word on the types/subtypes of the Khepri and Vodyanoi? Are they both Humanoid? Do the Vodyanoi have the Amphibious special quality? It says in the entry "they are fully amphibian," but the article does not list Amphibious in the Vadyanoi Racial Traits.

Yes, they are both Humanoid and Vodyanoi should have the amphibious special quality. These omissions were entirely my slip-up; I was thinking of them as PC races and not as MM entries.

Scarab Sages

Wolfgang Baur wrote:

Yes, they are both Humanoid and Vodyanoi should have the amphibious special quality. These omissions were entirely my slip-up; I was thinking of them as PC races and not as MM entries.

Thank You! All hail the Ghoul Lord!


I want to pitch in to this thread now. Generally, I detest the cyberpunk genre- novels, RPGs, films. The world is depressing enough without things like that, IMO. Although some purists might argue that the steampunk “genre” is different, they are broadly the same to me. So when issue 352 arrived, I was greatly disappointed. However, I DO try to be open-minded, so I thought I’d give the Bas-Lag articles a shot- and also read “Perdido Street Station”.

I’ve read the first novel now, and while I’m glad I’ve read it, I won’t bother again- or with the other novels. It seemed to be a mix of the Final Fantasy games mixed with the steampunk attitude and grime. If it had been more FF, and no cyber/steam, then maybe I’d have liked it more. It’s very well written, but not for me. The first half was the usual dull cyberpunk(/steampunk/whatever) stuff but the last half (excluding the last section) was great. The action sequences were brilliantly written, real cinematic-style page turners.

Getting back to Dragon 352, I read most of the material relating to Bas-Lag. I thought Wolfgang did a great job with the articles. I particularly liked the garuda, slake-moths, and the Weaver, although I don’t think the last two creatures are tough enough.

To round up, I don’t mind Dragon trying experiments by focussing on the worlds of different authors, but realize that you will alienate some readers if you devote so much space to “out there” authors. You haven’t alienated me though- after all, it was only one issue out of a 12-issue subscription. In the future when you try such things again, please either use half the space, or focus on more traditional writers.

(Tip-toes away now hoping not to be flamed after trying to be openminded…)


It just hit me how well the grindylow could work with kopru.

They're even the same CR. :)

Savage Tide DMs might want to add them to the mix for some variety.


Ahem. i hated that issue! 2 much china mieville! the books mite be good, but 4 issues?! 2 much! thats not what im buing DRAGON 4!!


um... what ARE kopru exactly?


ur...why are people so interested in china mieville?! there were 2 many issues about it in that issue!

Liberty's Edge

kobold assassin wrote:
ur...why are people so interested in china mieville?! there were 2 many issues about it in that issue!

I like him because I find him to be a good author, with a lot of interesting ideas. Great plunder for idea stealing/modding for rpg's.

Paizo Employee Chief Creative Officer, Publisher

I like him because he's a great author who is an expert at world building in a way that is atypical in a Dungeons & Dragons campaign, but in which D&D characters fit perfectly. Basically, it's an idea kick-starter.

--Erik

Liberty's Edge

The races are cool too. The khepri are, in theory, people (or women) with beetle heads. BUT,...they have a really well-developed backstory and their motivations and culture seem different enough from "human" to make them really interesting.
Or the garuda with their idea of "choice thievery." The worst crime in their culture is to deprive another of freedom; everything is based on degrees of deprivation of the freedom of others.


MUTANT CATERPILLAR PEOPLE WITH A TASTE FOR HUMAN FLESH. The other stuff is awesome, too.

Liberty's Edge

Out of curiosity--is there any data about how well this issue sold yet, that could be imparted?

Paizo Employee Chief Creative Officer, Publisher

Heathansson wrote:
Out of curiosity--is there any data about how well this issue sold yet, that could be imparted?

Not yet.

--Erik


I just read through Perdido Street Station, and saw nothing out of the Weaver or Slake Moths stats, that would make the Weaver immune to paralysis from the Slake Moth's hypnotic wings, even though in the novel it was.


jez wrote:

hi, this is my first post and i hate to come across like a troll cos i'm not, but i really have to get this off my chest about the china mieville 'spectacular' in this month's dragon.

i've been reading dragon since about '91, and i've always appreciated that the guys putting it together have a hard time pleasing everyone, especially as in my experience us gamer geeks can be a tough audience. some issues i've found more inspiring or useful than others, (obviously!) but i've always enjoyed reading each issue... until this one.

i don't like china mieville as an author or a person. there is nothing in the huge amount of pages dedicated to his work that i want to include in my games. and i'm really disappointed with this issue. when i saw the preview in last month's issue i felt a sense of dread and some of my friends told me i should have not bothered buying it, but i didn't listen. i should have done!

see, i get that some people really dig his work and find it very radical and new and that's cool. whatever floats your boat. but it doesn't work for me. i could have happily turned a blind eye to a two-page novel approaches style article - but this was the lion's share of an entire issue!

i thought the novel approach articles were a great idea. really fantastic. i get loads of ideas from them, and odten end up rummaging on my bookshelves for a book i'd almost forgotten about.

and there are so many cool new fantasy books out there! a couple of days ago i started reading philip reeve's 'mortal engine's' series and they're way cool! delightfully imaginative and slightly askew, and real rip-roaring adventures.

but mieville doesn't do it for me.

see, there's a lot of fantasy out there that i don't like. i don't as a rule like tolkien clones (i don't particularly like tolkien), i don't like pretentiousness on the part of the author, i like fresh ideas and new ways of looking at things.

now i know mieville thinks of himself as a revolutionary, both politically and literally, but i don't view him as...

I agree, for the most part. My younger brother and I are both avid lovers of fantasy literature as well as diehard D&D'ers. I bought Perdido Street Station for my little bro based entirely off of this particular issue of Dragon magazine. The article itself proved to be far more interesting than the book (so well done Dragon staffmembers!). It was certainly a fresh, albiet *boring* take on fantasy literature, that's for certain. However, (and this is just my opinion), one needn't read any further than the bit about the Vodyanoi stevedore strikes to see that the entire novel is meant as something of a socialist fairytale/manifesto. Additionally, I'm QUITE glad I read it before giving it to my 14 year old brother to read. Again, this is just my opinion, but I would hope that any parent whose child asks to read Perdido Street Station does the right thing and scans through the book to decide whether or not it's appropriate for them. I've already told my brother that it's definitely a *very* adult book and gave it to mom and pop to hang on to until such a time as they think it's appropriate to give to him.

Still, my final ruling on the issue in question - Perdido Street Station is a very creative but, on the whole, very average novel...*however*, the staff of Dragon did such a fine job on the article that it definitely makes a decent gaming world. Also, I definitely plan on using "He-who-hums" at some point in my current Greyhawk campaign. Good stuff...


Yes, eric mona. but i tried it; im only 11, and it was a little too mature 4 me!


Erik Mona wrote:
Heathansson wrote:
Out of curiosity--is there any data about how well this issue sold yet, that could be imparted?

Not yet.

--Erik

Raising the long dead...

1. So how did it sell?

2. So do you think Keith Baker read Perdido and built Eberron directly from it? Did anyone ever look into this since Eberron was part of the fantasy setting search contest? Now that I have read Perdido it looks to me like there are some IP issues here. I always thought there was something off about Eberron. Now I know why. I wonder how Miéville feels about this. I feel bad for the guy.

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