Reign of Winter - Snows of Summer (Inactive)

Game Master theheadkase

Str 10 - 0 points - post-racial = 10
Dex 14 - 5 points - post-racial = 16
Con 12 - 2 points - post-racial = 10
Int 17 - 13 points - post-racial = 19
Wis 10 - 0 points - post-racial = 10
Cha 10 - 0 points - post-racial = 10

Normally, I would dump the Charisma to 7 and increase his Con to 14-2=12 and Wis to 11. However, I have found that many GMs on this Recruitment board are allergic to dumping ability scores, whatever the rationale. Are you?

Glass cannon? Everyone has a weakness. Full arcane spell-casters are usually relatively weak for the first 4 levels. My four other PbP characters who are all non-casters could easily break this one at the same level. However at fifth level and probably fourth, Votun will be able to hold his own.

Str 10, Dex 16, Con 10, Int 12, Wis 10, Cha 16
Base Atk +0; CMB +0; CMD 13

Bardic Performance:A bard is trained to use the Perform skill to create magical effects on those around him, including himself if desired. He can use this ability for a number of rounds per day equal to 4 + his Charisma modifier. At each level after 1st a bard can use bardic performance for 2 additional rounds per day. Each round, the bard can produce any one of the types of bardic performance that he has mastered, as indicated by his level. Starting a bardic performance is a standard action, but it can be maintained each round as a free action. Changing a bardic performance from one effect to another requires the bard to stop the previous performance and start a new one as a standard action. A bardic performance cannot be disrupted, but it ends immediately if the bard is killed, paralyzed, stunned, knocked unconscious, or otherwise prevented from taking a free action to maintain it each round. A bard cannot have more than one bardic performance in effect at one time. At 7th level, a bard can start a bardic performance as a move action instead of a standard action. At 13th level, a bard can start a bardic performance as a swift action. Each bardic performance has audible components, visual components, or both. If a bardic performance has audible components, the targets must be able to hear the bard for the performance to have any effect, and such performances are language dependent. A deaf bard has a 20% change to fail when attempting to use a bardic performance with an audible component. If he fails this check, the attempt still counts against his daily limit. Deaf creatures are immune to bardic performances with audible components. If a bardic performance has a visual component, the targets must have line of sight to the bard for the performance to have any effect. A blind bard has a 50% chance to fail when attempting to use a bardic performance with a visual component. If he fails this check, the attempt still counts against his daily limit. Blind creatures are immune to bardic performances with visual components.

Weapon and Armor Proficiency:A bard is proficient with all simple weapons, plus the longsword, rapier, sap, shortsword, shortbow, and whip. Bards are also proficient with light armor and shields (except tower shields). A bard can cast bard spells while wearing light armor and using a shield without incurring the normal arcane spell failure chance.

Cantrips.

Distraction (Su): At 1st level, a bard can use his performance to counter magic effects that depend on sight. Each round of the Distraction, he makes a Perform (act, comedy, dance, or oratory) skill check. Any creature within 30 feet of the bard (including the bard himself) that is affected by an illusion (pattern) or illusion (figment) magical attack may use the bard’s Perform check result in place of its saving throw if, after the saving throw is rolled, the Perform check result proves to be higher. If a creature within range of the Distraction is already under the effect of a non-instantaneous illusion (pattern) or illusion (figment) magical attack, it gains another saving throw against the effect each round it sees the Distraction, but it must use the bard’s Perform check result for the save. Distraction does not work on effects that don’t allow saves. Distraction relies on visual components.

Fascinate (Su): At 1st level, a bard can use his performance to cause one or more creatures to become fascinated with him. Each creature to be fascinated must be within 90 feet, able to see and hear the bard, and capable of paying attention to him. The bard must also be able to see the creatures affected. The Distraction of a nearby combat or other dangers prevents the ability from working. For every three levels a bard has attained beyond 1st, he can target one additional creature with this ability. Each creature within range receives a Will save (DC 10 + 1/2 the bard’s level + the bard’s Cha modifier) to negate the effect. If a creature’s saving throw succeeds, the bard cannot attempt to fascinate that creature again for 24 hours. If its saving throw fails, the creature sits quietly and observes the performance for as long as the bard continues to maintain it. While fascinated, a target takes a –4 penalty on skill checks made as reactions, such as Perception checks. Any potential threat to the target allows the target to make a new saving throw against the effect. Any obvious threat, such as someone drawing a weapon, casting a spell, or aiming a weapon at the target, automatically breaks the effect. Fascinate is an enchantment (compulsion), mind-affecting ability. Fascinate relies on audible and visual components in order to function.

Satire: A court bard can use performance to undermine the confidence of enemies who hear it, causing them to take a –1 penalty on attack and damage rolls (minimum 1) and a –1 penalty on saves against fear and charm effects as long as the bard continues performing. This penalty increases by –1 at 5th level and every six levels thereafter. Satire is a language-dependent, mind-affecting ability that uses audible components. This performance replaces inspire courage.

Belt pouch().

ENTERTAINER’S KIT PRICE 5 SP WEIGHT 3 lbs.:This kit includes juggling balls, colored handkerchiefs, playing cards, clownish makeup, and other simple props for stage magicians and other street entertainers.

The letter is pretty much to be read as it was wrotten but it does have important words marked with bold letter, these are either to be understood differently or to be of greater importance than the rest. For example the filth beneath Oppara is not the sewers but rather the intrigue.

Dear Father Ham,
I write to you from a small town in the country side, and while it is lacking in certain comforts, it feels much better than the busy streets of home, certainly the smell is better, with all the filth that flows beneath Oppara, it is rare to appreciate a beautiful scene, without being assaulted by the dirt in the air. I hope that your efforts in rebuilding the chapter house have been met with success, and that the family of the faithfull such as you and your wife, can worship our god, under a covered roof. And on that matter, I must say I have been well, the folk of town appreciate my ministrations. Well which farmer wouldn't like the words I bring? They are after all holy words, as majestic as lions. But I disgress, and as the hour grows late I must end this letter, but before that, please send regards to your wife, I miss these apple tarts she made. I also send regards to the brothers of our order, might they fare well in their endeavors, and finally I pray for your fortune Father Ham. May Erastil watch over you.
Eirsen Drenhe, cleric of Erastil, second fireday of Sarenith, year 4708 AR.

Cat's Luck (Ex): Once per day when a catfolk makes a Reflex saving throw, he can roll the saving throw twice and take the better result. He must decide to use this ability before the saving throw is attempted.

Cat's Claws: Some catfolk have stronger and more developed claws than other members of their race, and can use them to make attacks. Catfolk with this racial trait have a pair of claws they can use as natural weapons. These claws are primary attacks that deal 1d4 points of damage. This racial trait replaces natural hunter

Climber: Catfolk hunters excel at hunting prey from trees and other high vantage points. Catfolk with this racial trait possess a climb speed of 20 feet (along with the +8 racial bonus on Climb checks a climb speed affords). This racial trait replaces sprinter.

Measure the Mark (Ex): When a cutpurse makes a Sleight of Hand check to take something from a creature, the target makes its Perception check before the rogue makes her Sleight of Hand check, and the rogue knows the Perception check result. She can decide whether or not to make the check based on the results of the target's Perception check. If the rogue elects not to make the check, she can make a Bluff check, opposed by the target's Sense Motive, to prevent the target from noticing the attempt. This ability replaces trapfinding.

Backpack
Bedroll
Belt Pouch
Flint and Steel
Fortune Teller's Deck(Common)
Iron Plate
Mess Kit
Mirror
Rope
Soap
Torches(3)
Rations(2)
Waterskin

Sling
Stones(3)
Thieves Tools
Crowbar
Drill
Twine
Magnet
Candles(5)
Small compartmentalized wooden box

Also, if there was going to be an Inquisitor dip at some point do you need anything else or any other multiclass rules I need to be aware of?

DEFENSE
AC 11 (9); Touch 11 (9); FF 10 (8)
HP: 15 (17)
F +4 (+6); R +1; W +2 (+3)

OFFENSE
SPEED 40 Feet
Nodochi +4/+6 (1d10+4/+7 18-20x2)

FEATS
Endurance (Ice)
Diehard

TRAITS
Berserker
Hermean Paragon

SKILLS
Climb +7/+9;
Craft (Weapons) +5
Know Nature +5;
Linguistics +2; Taldane, Celestial, Abyssal
Perception +6
Swim +7/+9

SPECIAL ABILITY
Rage 9 Rounds/Day

BACKGROUND
Rom appeared in the frozen wastes, like an unexpected blizzard. No one knew where he came from or why he was there. He traveled the wastes, denouncing the influence of outsiders and aberrations. Declaring them an affront to the natural order of creation, while claiming that he had been chosen to purify the land of their stain.

Yet despite his conviction, he gained no followers in his call for a crusade. Some say that the Kellid tribes believed his mind touched by the spirits and feared his madness would spread. Others say that his complete lack of charisma and charm prevented his message from taking root. But alone as he is, he holds firm to his claims and doesn’t hesitate to share his “vision” with any who meet him.

Gabe managed to finally dissuade his sorcerous friend, mostly by being extremely suspicious of anyone who was overly friendly, and by punching anyone who showed a knack for illusions. However, the fact that he ended up in fights a lot (due to his friend) he had made a bit reputation for himself, and soon ended up with a bit of a gang, consisting mostly of boys who wouldn't go away. Gabe soon found the benefits of an ally (or a distraction, at least) in a fight were invaluable and grudgingly allowed his gang to grow, and soon controlled three streets.

One day, Gabe was walking around his territory with four members of his gang when he was ambushed by eleven boys from a rival gang. A cavalier of the dragon order was passing by at the time, and was surprised to see Gabe lead his gang to victory. The cavalier walked over the Gabe and offered him what every boy dreamed of, the chance to train under a knight and eventually become one himself. After he got over his shock, Gabe accepted. Soon, dressed in some old leather armor and wielding the first weapon he came upon, a old smithy hammer, Gabe rode out on a pony with his master‘s group and the convoy they had been hired to guard.

He soon discovered, that as hard as he was from leading a gang, that the world outside the city was harder, and his master was harder yet. In the first week, Gabe earned several dozen bruises from sparring with his master. That did not deter him, as the convoy was attacked twice on the trip, and his master was always in the center of the fighting, taking blows meant for his allies and dealing back twice for every one he took. So with hero-worship giving a rosy tint to his world, Gabe attacked his training with a glee normally reserved for kids in candy shops.

After four years of training, on his nineteenth birthday, Gabe's master decided that there was nothing more he could teach Gabe, and Gabe set off on his own, looking for his own companions and adventures.