
Daniel Penfold 357 |
Jake Sanity loss: 1d3 ⇒ 2
Colt sanity loss: 1d6 + 2 ⇒ (6) + 2 = 8
Colt you see a towering mountain, possibly in Africa, over which rises a monstrous demonic creature, its head a great tentacle swathed in blood. Near a temple-like building, tiny human figures lift their hands imploringly skyward, in supplication to the hellish god-like entity. From each of the human's heads a red tongue or tentacle dangles, looking closely, these appear to be ceremonial headpieces.

Daniel Penfold 357 |
Sylvia looks at the painting labelled the Dark Pharaoh.
This shows a processional scene from ancient Egypt in which a golden chariot passes through a mass of people who have fallen to their knees in reverence. Atop the chariot is a pharaoh dressed in black and gold robes, whose face is turned away. Behind the figure, two men have been impaled on stakes, eviscerated, their internal organs hang down to the ground and are being eaten by a pack of jackals.
Sylvia Sanity check:60: 1d100 ⇒ 52

Colt Malone |

Colt's vision seems to narrow and begin so spin. Though he normally has trouble drawing a breath, he seems to be starving for oxygen as he gasps in horror at these visions. No! This is just not possible. Even dreams cannot be so...
The man stands as though entranced unable to take his eyes from the horrible display.

Daniel Penfold 357 |
You only have to make a save for the first painting
Drawn in Blood shows an unsettling and stomach-churning scene of a man being cut open with a silver dagger, held in the hand of a black robed figure. An act of ritual blood sacrifice, upon the victim's chest has been carved an occult looking sigil, which seems to twist and move when viewed.

Sylvia Bouche |

Sylvia swallows hard, unable to tear her eyes away. "These paintings, they are..." She can't seem to find the words. The figures almost seem alive. She's a doctor, she's seen more than her share of blood and viscera, but the way the organs are depicted, the way they almost gleam in the light of that unnatural sun...
She forces herself to close her eyes. Taking a deep breath, she takes refuge in science. Intestines. Liver. Gallblader. It wasn't anything she hadn't seen before. Although for a layperson to have painted them, he must...
"Have you studied anatomy?" She gestures to the Dark Pharaoh, although she deliberately averts her eyes. "You seem to have a good grasp on what internal organs look like when they are no longer internal."

Sylvia Bouche |

Sylvia continues to avert her eyes from the paintings. "I think...I'm most curious as to where you get your inspiration. You say imagination, but this..." She once again gestures mutely to the painting of the Dark Pharaoh. "That level of detail, without any study of anatomy? It goes far beyond what I would expect from mere imagination."
Remember why you're here, Sylvia.
"To be honest, we are far more interested in the process than in the paintings themselves. An...acquaintance suggested you might know something about how to travel through the dream state. That you might be getting your inspiration from there." She focuses intently on Shipley's face. "Perhaps with the aid of certain drugs?"

Sylvia Bouche |

Sylvia blinks, briefly caught off guard. He? But realizing that perhaps Shipley is reluctant to talk about his drug use in front of his mother, she smiles instead of immediately asking questions. "Tea would be lovely, thank you Mrs. Shipley." She casts a significant look at Colt, still entranced in the painting, hoping to get his attention. "I believe Colt is particularly interested in English varieties of tea." Unspoken, she tries to get across the message, Ply her for information while you have the chance.
It's a very complicated look.
Once Mrs. Shipley is out of the room, she leans in closer to Miles. Not quite whispering, but close enough that it would be difficult for anyone in another room to overhear the conversation. And also, psychologically, to create a more intimate atmosphere. One better suited to the sharing of secrets.
"I have heard of such drugs, but never had the chance to get any myself. Do you mind sharing who this 'he' is you're talking about?"

Daniel Penfold 357 |
[i]Shipley's mother leads you down into the kitchen, a well kept and relatively clean room although there is a somehwt foul smell coming from what is presumably the basement area although the basement door is locked with a padlock.
Bertha makes the tea and asks you to hold the tray, she speaks to you softly and calmly.
Can you make a POW roll please Jake
opposed pow roll:40: 1d100 ⇒ 7
--------------------------
Meanwhile, upstairs, Shipley goes to a desk and unlocks a drawer and takes out a small box. He opens it to show a syringe and a small vial filled with a greenish coloured liquid.
"He came to visit me, at first in my dreams and then in person, he told me if I took this I would enter the dream state and see wonderful things, and so I have. I have moved backwards and forwards through time. Would you like to try?"

Colt Malone |

Colt finally follows Jake and Mrs. Shipley to the kitchen... when Jake practically drags him to follow. He looks back over his shoulder at the horrific scene until it is out of sight behind the closed door. He then stares at the padlocked door.
Wonder whats kept in there that it needs to be locked away.
He turns as Jake almost knocks a teacup off the counter.
1d100 ⇒ 27 Sanity (32)
Wow! Can't believe one of my characters in this game finally made a roll... though probably a higher difficulty level :-)

Sylvia Bouche |

Sylvia takes the syringe, although she makes no move to inject herself. Instead she studies the green liquid, trying to remember if she's ever seen anything like it before.
Medicine, 60%: 1d100 ⇒ 57 On the off chance she can identify it.
"I...wouldn't want to take your supply away from you." She carefully hands the syringe back to Shipley. "I know how rare such things can be. But if you wouldn't mind introducing me to your supplier, I would be very appreciative."
Suddenly she hears a scream coming from downstairs. "Jake? What's..." She realizes how inane the question is before she finishes it and begins to run back downstairs to the others.
I'm assuming that we weren't so far apart Sylvia couldn't hear a scream from downstairs. Timing up to the GM in terms of whether Shipley had a chance to say anything else or not.

Colt Malone |

Colt... strangely calm for some reason steps to the other side of the room, and draws his fathers old Colt Army revolver, and points it at the monstrosity.
1d100 ⇒ 17 Firearms (20%)
1d10 + 2 ⇒ (6) + 2 = 8 Bullet
"Jake! Let's get out of here"!
Wow! What's going on with Colt...

Jake Westfield |

Jake gave his cane a twist and drew his sword/cane in a flash. Still frightened at the... snake thing, he lashed out with his sword.
Fighting (Sword Cane Sword, Medium) 57%: 1d100 ⇒ 19 damage: 1d6 + 1 + 1d4 ⇒ (1) + 1 + (3) = 5

Daniel Penfold 357 |
Ssathaa tries to dodge Jake's cane sword but fails and howls in pain.
In retaliation he tries to bite Jake
bite:35%: 1d100 ⇒ 34
damage: 1d8 ⇒ 2
Jake if it hits can you make an extreme Con check
Sylvia spends the round running to the kitchen and arrives at the end - can you make a Sanity check please Sylvia.
So that means it's back to Colt

Colt Malone |

Colt is in a panic at the frenetic pace of action. He tries to aim at the approaching snake person without hitting his friends.
Bonus Die for Point Blank Range, but Penalty Die for firing into melee?
1d100 ⇒ 36 Firearms (20%)
1d10 + 2 ⇒ (2) + 2 = 4 Bullet
He then tries to run away from the creature dodging as he goes, as his bullet barely misses the beast.

Jake Westfield |

With gunfire echoing in the other room, Jake dodged and parried as the snake woman tried to bite him.
He counterattacked with a lunge.
Fighting (Sword Cane Sword, Medium) 57%: 1d100 ⇒ 42
damage: 1d6 + 1 + 1d4 ⇒ (1) + 1 + (2) = 4

Jake Westfield |

The echos of the gunfire fading in his ears, Jake leaned against the wall still gasping for breath. His arm trembled as hie continued to hold his sword out towards the snake-woman, the bloody tip trembling along with him.
"What... what was that? WHAT WAS THAT SNAKE... THING?" He asked aloud, uncomprehending.