Marvel's Iron Fist


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ShinHakkaider wrote:
I love how people just conveniently talk about Bruce Lee wanting to share the beauty of his culture with non-asians and if it was okay with Bruce then it's OKAY.

Yeah... I really do. It's when people outside of the culture try to point out how wrong it is for anyone besides that culture to experience it... that's what I don't believe in. If one of the greatest Asian martial artists wants us to experience it and revel in it... than who else SHOULD we listen to?

There are a lot of people who love telling people they should be offended... when those people are actually glad for the attention. In Michigan we've had the Chippewa tribe stand up and tell people to BACK OFF the Central Michigan University Chippewas. They love the school, they love the recognition and they have a great respectful relationship with the school.

Still there are always someone saying it's wrong and needs to stop.

ShinHakkaider wrote:


Yes Bruce Lee wanted to share his culture with gweilos. But remember this was when he first came back here from Hong Kong. I say BACK because Bruce was born HERE. He was "American". He had an open mind and an open heart but America really only cared, again, about what they could sell, who they can use to sell it and who they can sell it to.

He was born in San Francisco, but he was raised in Kowloon, Hong Kong and came back to America when he was 18.

ShinHakkaider wrote:


So when Warner Brother's burned him over that KUNG FU pitch, he picked up and went to make movies in Hong Kong where there was no issue of an asian man as a movie lead or heroic lead.\

It really wasn't until he became a huge success over there that Warner wanted to make movies with him. But don't get it twisted, he was angry and a little bit bitter over his treatment which was why he pulled up stakes and moved his family to Hong Kong to make movies.

Context is important.

yeah, he was angry... but he got over it pretty quickly. He was burned and went back to Hong Kong in 1971 and became an instant success... Warner Bros made up with him and produced Enter the Dragon by 1972... and he stopped production on Game of Death to film it. He died in 1973. While in Hong Kong he filmed with Jim Kelly, Chuck Norris and Kareem Abdul-Jabbar... so it's not like he got burned by the white americans and took his ball and went home abandoning his idea of sharing his culture with the world. He just took an easier route.

As such he was really one of the driving forces behind the western world's fascination with eastern martial arts. Hong Kong had filmed a lot of martial arts movies before him... but he made martial arts mainstream, brought attention to Chuck Norris (already a karate Champion), worked with black actors in leading roles...

Guy was awesome.


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Personally I just can't understand all the racism accusations with this show. Isn't it racist to say Asian people are naturally better at martial arts than anyone else? That's like saying African Americans are naturally better at basketball or Latinos are naturally better at soccer. How good you are at something depends on talent, upbringing, and the work you put into it. No race is naturally good or bad at anything.

I've met plenty of Asian people who know less about martial arts than me and latinos who know squat about soccer.


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HeHateMe wrote:

Personally I just can't understand all the racism accusations with this show. Isn't it racist to say Asian people are naturally better at martial arts than anyone else? That's like saying African Americans are naturally better at basketball or Latinos are naturally better at soccer. How good you are at something depends on talent, upbringing, and the work you put into it. No race is naturally good or bad at anything.

I've met plenty of Asian people who know less about martial arts than me and latinos who know squat about soccer.

you're missing the point of most of the accusations entirely. It's the background of the character entirely,not that he does martial arts. It's a common racist trope that appears in a lot of fiction from the time period.


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Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

Tons of non-western cultures adopt things from the west. It's flattering.

Anyways, all this racism/cultural appropriation talk is sucking the fun out of this thread. I propose we go back to talking about a guy with a magic fist that punches people. :)


phantom1592 wrote:
As such he was really one of the driving forces behind the western world's fascination with eastern martial arts. Hong Kong had filmed a lot of martial arts movies before him... but he made martial arts mainstream, brought attention to Chuck Norris (already a karate Champion), worked with black actors in leading roles...

I feel like once you hit a certain youthful age he was completely irrelevant and I kid you not Spider Man was more relevant.


MadScientistWorking wrote:
phantom1592 wrote:
As such he was really one of the driving forces behind the western world's fascination with eastern martial arts. Hong Kong had filmed a lot of martial arts movies before him... but he made martial arts mainstream, brought attention to Chuck Norris (already a karate Champion), worked with black actors in leading roles...
I feel like once you hit a certain youthful age he was completely irrelevant and I kid you not Spider Man was more relevant.

In what way?


Lemartes wrote:

Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

Tons of non-western cultures adopt things from the west. It's flattering.

Anyways, all this racism/cultural appropriation talk is sucking the fun out of this thread. I propose we go back to talking about a guy with a magic fist that punches people. :)

It would have been if Jackie Chan's role was acted by Lee Majors. Bruce Lee's Kung Fu was created specifically to center around an asian character... which got played by a white dude. That's apropriation. When someone is bumped from playing an asian character. BECAUSE HE'S TOO ASIAN FOR THE PART. The assumption being that only a white actor could be suited.


Drahliana Moonrunner wrote:
Lemartes wrote:

Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

Tons of non-western cultures adopt things from the west. It's flattering.

Anyways, all this racism/cultural appropriation talk is sucking the fun out of this thread. I propose we go back to talking about a guy with a magic fist that punches people. :)

It would have been if Jackie Chan's role was acted by Lee Majors. Bruce Lee's Kung Fu was created specifically to center around an asian character... which got played by a white dude. That's apropriation. When someone is bumped from playing an asian character. BECAUSE HE'S TOO ASIAN FOR THE PART. The assumption being that only a white actor could be suited.

So a black kid learning martial arts from an Asian is okay but a white kid learning martial arts from Asians is not?

I wasn't talking about Bruce Lee I agree it was dumb to use David Carradine so I don't know why you brought that up. I was talking about Iron Fist.


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Drahliana Moonrunner wrote:
Lemartes wrote:

Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

Tons of non-western cultures adopt things from the west. It's flattering.

Anyways, all this racism/cultural appropriation talk is sucking the fun out of this thread. I propose we go back to talking about a guy with a magic fist that punches people. :)

It would have been if Jackie Chan's role was acted by Lee Majors. Bruce Lee's Kung Fu was created specifically to center around an asian character... which got played by a white dude. That's apropriation. When someone is bumped from playing an asian character. BECAUSE HE'S TOO ASIAN FOR THE PART. The assumption being that only a white actor could be suited.

This has been the root of the debate.

None of that applies to Iron Fist. He was always a non-Asian character now played by a non-asian actor.

So as long as the Asian characters that teach him Kung fu are still Asian... than nothing about Iron Fist should be considered Apropriation.


phantom1592 wrote:
MadScientistWorking wrote:
phantom1592 wrote:
As such he was really one of the driving forces behind the western world's fascination with eastern martial arts. Hong Kong had filmed a lot of martial arts movies before him... but he made martial arts mainstream, brought attention to Chuck Norris (already a karate Champion), worked with black actors in leading roles...
I feel like once you hit a certain youthful age he was completely irrelevant and I kid you not Spider Man was more relevant.
In what way?

Through the weirdest collaboration I ever heard of Marvel literally helped define a genre with Spiderman. Something that I grew up intimately watching in the 90s and is still weirdly relevant.


Anyways here is my choice for Danny the guy that plays Ken in Streetfighter.

Opinions?

Ken.


Yeah I don't trust critics in the least. I don't want to go as far as calling critics human refuse but really why should I value their opinion over anyone else's. I'll wait and see them for myself.

Also expecting only people of a certain skin color to embrace a cultures idea's IS racist in and of itself. only people of Asian descent can learn martial arts? now that's racist.


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Vidmaster7 wrote:

Yeah I don't trust critics in the least. I don't want to go as far as calling critics human refuse but really why should I value their opinion over anyone else's. I'll wait and see them for myself.

Also expecting only people of a certain skin color to embrace a cultures idea's IS racist in and of itself. only people of Asian descent can learn martial arts? now that's racist.

where has anyone said no white guys can learn martial arts? At least in this thread? Because I haven't seen it. Are they talking about other criticisms outside this thread?


I am yes.

Really kind of a general irritation getting out at all the complaining about him being a white guy knowing martial arts when he is in fact a white guy that knows martial arts in the comics and has been since his creation.


Vidmaster7 wrote:
I am yes.

that's dumb.


Freehold DM wrote:
Vidmaster7 wrote:
I am yes.
that's dumb.

The fact that that is an argument people are trying?

I think ill clarify a bit to sense their is confusion.

I guess the idea is its cultural appropriation for someone to learn about another culture and embrace its idea's. I fail to see how embracing another culture and learning from it is a bad thing.


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Vidmaster7 wrote:
Freehold DM wrote:
Vidmaster7 wrote:
I am yes.
that's dumb.

The fact that that is an argument people are trying?

I think ill clarify a bit to sense their is confusion.

I guess the idea is its cultural appropriation for someone to learn about another culture and embrace its idea's. I fail to see how embracing another culture and learning from it is a bad thing.

Agreed. Is Jane Goodall Appropriating Gorilla Culture now?

Are we appropriating Roman culture when we use roads?

We are learning, and improving ourselves in the process. [Additional comment deleted for excessive snark guaranteed to get me a warning.]


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Lemartes wrote:

Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

No, that was just dumb.


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There's really no way to win these types of arguments and appease everyone. If Marvel had cast an Asian dude, then everyone would say it's racist that they picked an Asian guy to be the martial artist. Or they would've complained that the character isn't a woman, or isn't Latino or transgender or insert race/gender/religion/sexual orientation here.

Whiners just love to crap all over everything in the entire world.


HeHateMe wrote:

There's really no way to win these types of arguments and appease everyone. If Marvel had cast an Asian dude, then everyone would say it's racist that they picked an Asian guy to be the martial artist. Or they would've complained that the character isn't a woman, or isn't Latino or transgender or insert race/gender/religion/sexual orientation here.

Whiners just love to crap all over everything in the entire world.

That's racist.


Marvel thought it would be a big controversy when they announced that the cast for Wakanda would be predominantly black. As it should be.

Personally though, I expect one Heimdall-important character to be non-black.

Dark Archive

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GreenDragon1133 wrote:

Marvel thought it would be a big controversy when they announced that the cast for Wakanda would be predominantly black. As it should be.

Personally though, I expect one Heimdall-important character to be non-black.

The comic book character doesn't generally have a white sidekick/best friend like War Machine is to Iron Man or Falcon is to Captain America, so I'm not sure that there's really a place for a token white dude.

Not that I wouldn't be somewhat amused by such a character, particularly if he's kind of a hapless point-of-view nebbish that everything has to be explained to, giving him a reason to exist, so that the natives of Wakanda have a reason to explicate stuff that any Wakandan would obviously already know and not need to talk about...

As for Iron Fist. White, Asian, culturally-appropriate, culturally-appropriating, I don't care as much as I do whether or not it's good. If the white guy cast turns out to be a great choice, yay. If he's a dud, boo.

I can overlook him not being physically spot on. I liked Dolph Lundgen's blonde Punisher. I liked Hugh Jackman's way-too-tall way-too-good-looking Wolverine. I liked both Magneto's, even though neither have anything like the comic-book characters improbably buff (for a man pushing 70! Is he Schwarzenegger?) physique.

So if Danny was cast as a rich Asian-American or Asian-Asian kid who had no real backing in the culture of K'un Lun (which, even if he grew up in Tibet, would be the logical case, since K'un Lun is not Tibet, or China, or Hong Kong, or Seoul, or Tokyo, or Singapore), I would care mostly whether or not the actor (and story, and martial arts goodness) was good. Heck, cast a woman as Iron Fist. I'm not *that* hung up on whether or not the character from the TV series looks like the comic book character, since 90% of comic-book characters have unrealistic bodies (and kind of the same square-jawed face) anyway. (Again, see Magneto, who's ridiculously buff for an eighty-year old dude...)

And if it's not good, I'll just go watch Into the Badlands again, which has glorious wuxia martial arts goodness, delivered by a mix of Asian and Caucasian actors.


I don't think the actual issue with Iron Fist is so much cultural appropriation as the old Mighty Whitey trope. White guy raised in the foreign culture and is better than them at their skills and becomes their hero. One of the archetypes of a lot of colonialist fiction. (The other more common variation is when he just comes in and saves the day with his superior white man skills.)

It's a thing. It's definitely part of the original Iron Fist concept, back in the 70s. It's been handled both well and badly since then. With some attempts to subvert it in various ways over the years. It's certainly possible to do a good story with that premise, you've just got to be careful how you handle it.

None of this is new or shockingly revealed by the review or the trailers. It's all implicit in them doing Iron Fist at all - short of rewriting the basic premise entirely. We'll see how well they treated it.


Knight who says Meh wrote:
Lemartes wrote:

Was it cultural appropriation when Jackie Chan taught Jaden Smith Kung Fu in a movie called the Karate Kid? ;)

No, that was just dumb.

indeed that movie was awful.


Vidmaster7 wrote:
Freehold DM wrote:
Vidmaster7 wrote:
I am yes.
that's dumb.

The fact that that is an argument people are trying?

I think ill clarify a bit to sense their is confusion.

I guess the idea is its cultural appropriation for someone to learn about another culture and embrace its idea's. I fail to see how embracing another culture and learning from it is a bad thing.

that people are trying, because as many examples as they are of cultural appropriation in the world, this isn't one of them. This is mighty whitey specifically.


Set wrote:
So if Danny was cast as a rich Asian-American or Asian-Asian kid who had no real backing in the culture of K'un Lun (which, even if he grew up in Tibet, would be the logical case, since K'un Lun is not Tibet, or China, or Hong Kong, or Seoul, or Tokyo, or Singapore), I would care mostly whether or not the actor (and story, and martial arts goodness) was good. Heck, cast a woman as Iron Fist. I'm not *that* hung up on whether or not the character from the TV series looks like the comic book character, since 90% of comic-book characters have unrealistic bodies (and kind of the same square-jawed face) anyway.

Hey, I like that Danny looks like he could be Dio's twin brother. Sue me.

Set wrote:
And if it's not good, I'll just go watch Into the Badlands again, which has glorious wuxia martial arts goodness, delivered by a mix of Asian and Caucasian actors.

Glad to see all the love for this show.

Community & Digital Content Director

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Removed a post and the replies quoting it. Use of the slang "libtard" (as well as other phrases riffing off "retard" as an indicator of things you do not like) is totally inappropriate.


Here's a thing - and granted, I am not an expert on the character, there are some commenting here that more qualify, perhaps one of them will confirm this:

It is my understanding the Iron Fist is not a genetic legacy. It doesn't go to the strongest, or fastest, or most powerful. It goes to the most unlikely. In a city full of natives who practiced martial arts since birth, and are all doubtless exceptional, who would be more unlikely than the boy from outside who lost his family and is seeking his place in the world?

Scarab Sages

Nope, absolutely goes the best fighter. They have a whole tournament then the winner has to defeat the dragon Shou-Lao the undying. Uniqueness doesn't really play a part.


GreenDragon1133 wrote:

Here's a thing - and granted, I am not an expert on the character, there are some commenting here that more qualify, perhaps one of them will confirm this:

It is my understanding the Iron Fist is not a genetic legacy. It doesn't go to the strongest, or fastest, or most powerful. It goes to the most unlikely. In a city full of natives who practiced martial arts since birth, and are all doubtless exceptional, who would be more unlikely than the boy from outside who lost his family and is seeking his place in the world?

Like many things in literary worlds, it does seem to run in families. Danny is the son of Wendell Rand who had lived in K'un Lun, trained there and won the right to face Shou-lao, which he then turned down for various reasons. Wendell was the adopted ward of Orson Randall, another Westerner who'd been taken into the city, trained and became Iron Fist.

(All or most of this retconned long after the original Iron Fist series.)

That's a long line of somehow related Mighty Whiteys. Has there actually been an Iron Fist from K'un Lun?

Granted, all of this likely spins from the original choice. Tying a character's family into the secret mysterious origin is a common trope.

Scarab Sages

66 men and women, only 2 were white dudes. Wendell doesn't technically count.


Yeah, there's a LOT of various backgrounded Iron Fists, a few of them are showcased in The Immortal Iron Fist.

And, as vile a comic as the rest of it is, The Living Weapon does a good job of setting up the NEXT Iron Fist as a woman from K'un L'un.


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I think there's a sort of argument over cultural appropriation in the comic / show that is being misconstrued by some people. Danny is not appropriating anyone's culture, he was raised there and has every right to participate in and experience that culture. In this case it's more of a meta-controversy about whether or not the premise itself is cultural appropriation - after all, the only reason Danny is given a pass is because the writers had him be raised among their culture. The question is, does that excuse work for the people who created the character? Are the writers committing cultural appropriation by giving their white male protagonist an excuse so that he can learn their ways and become the hero who saves them? Is the act of making a white guy the hero of this story, itself, appropriation?

That's a tough question to answer. Personally I know next to nothing about the character and the writers who made the comic so I can't really say much on the matter. What I will say is this - it is ultimately up to the people to whom the culture belongs to decide whether it is being appropriated or not, especially since some people have risen up to "defend" other cultures only to be told the thing they were defending was meant to be shared. It's a bit complicated due to the fictional nature of this work but it's pretty obviously derivative of eastern cultures so you may start there.


LuniasM wrote:

I think there's a sort of argument over cultural appropriation in the comic / show that is being misconstrued by some people. Danny is not appropriating anyone's culture, he was raised there and has every right to participate in and experience that culture. In this case it's more of a meta-controversy about whether or not the premise itself is cultural appropriation - after all, the only reason Danny is given a pass is because the writers had him be raised among their culture. The question is, does that excuse work for the people who created the character? Are the writers committing cultural appropriation by giving their white male protagonist an excuse so that he can learn their ways and become the hero who saves them? Is the act of making a white guy the hero of this story, itself, appropriation?

That's a tough question to answer. Personally I know next to nothing about the character and the writers who made the comic so I can't really say much on the matter. What I will say is this - it is ultimately up to the people to whom the culture belongs to decide whether it is being appropriated or not, especially since some people have risen up to "defend" other cultures only to be told the thing they were defending was meant to be shared. It's a bit complicated due to the fictional nature of this work but it's pretty obviously derivative of eastern cultures so you may start there.

Its not a coincidence that the people who complain loudest about cultural appropriation are those from western nations who can afford to attend a 30-60k a year school.

The Exchange

On the other hand, it's probably no coincidence that the people who complain loudest about any accuse of cultural appropriation also complain very loud about Miles Morales, Captain America Sam Wilson and female Thor.

[sarcasm]I mean, come on, if Col. Nick Fury suddenly played by Sam Jackson isn't a prime example for cultural appropriation, then what really is, right? [/sarcasm]

This said, I think it's important to remember that not every instance of possible cultural approbation is really that, but a lot of times it is just catering to your audience. If your audience is mainly Red Martians from Barsoom, they'll probably have a hard time to identify with a story centering around a Green Martian, even if it is Tars Tarkas we're talking about. So if they are telling a story about Green Martians, it may be a good idea to let the audience look through the eyes of a Red Martian, becuase that's something the audience can relate to and identify with (and yeah, there's a reason why Burroughs used John Carter as his lense for the audience to look through.

I'm actually not sure about how much of this applies to the origin of Danny Rand, and I also don't know how diverse the readership at that time was. My guess would be that it was mainly written for a white, male audience, so I think that may have been the real reason behind the decision to make him a whitey, especially as they already had created their asian martial artist with Shang Chi a year before.


I agree wormy Its like how every movie feels it has to have a way for the audience to relate to the main character by having him be human or have very human traits even when its space aliens, robots or some other such creature. I personally never felt like it was that necessary to make superman be a il-legitimate father to make it be easier to relate to him but Hollywood man who knows. Wall-E is a good example of a non-human main character. That movie was good.


Wall-E was a textbook example of giving human qualities to non-human entities to make them relatable to humans.
The movie was OK. "Presto!", the short preceding it, was the best thing about the movie.


You didn't like it? To each his own then, but he was a non-human main character but yeah they did add human traits to him. Godzilla I suppose might be one hard to find one that doesn't. I mean humans are writing them and you should write about things you know.


WormysQueue wrote:

On the other hand, it's probably no coincidence that the people who complain loudest about any accuse of cultural appropriation also complain very loud about Miles Morales, Captain America Sam Wilson and female Thor.

[sarcasm]I mean, come on, if Col. Nick Fury suddenly played by Sam Jackson isn't a prime example for cultural appropriation, then what really is, right? [/sarcasm]

This said, I think it's important to remember that not every instance of possible cultural approbation is really that, but a lot of times it is just catering to your audience. If your audience is mainly Red Martians from Barsoom, they'll probably have a hard time to identify with a story centering around a Green Martian, even if it is Tars Tarkas we're talking about. So if they are telling a story about Green Martians, it may be a good idea to let the audience look through the eyes of a Red Martian, becuase that's something the audience can relate to and identify with (and yeah, there's a reason why Burroughs used John Carter as his lense for the audience to look through.

I'm actually not sure about how much of this applies to the origin of Danny Rand, and I also don't know how diverse the readership at that time was. My guess would be that it was mainly written for a white, male audience, so I think that may have been the real reason behind the decision to make him a whitey, especially as they already had created their asian martial artist with Shang Chi a year before.

Another problem with creating characters in the 30s-early 70s was the editors/publishers didn't want non-white, non-male characters.

As to the examples of racebent characters, we are seeing where it has worked and where it hasn't. Sam Fury worked. Because: a) Sam Jackson, and b) he was still basically the same character.
Miles Morales worked because a)people who read Peter Parker - not Spider-Man could still follow Peter in his own book(s), and b) while he was his own character, he was still faithful to the legacy. (So I gather - I haven't actually read Marvel since Infinite Infinity Part Infinity.)
Where it didn't work: Female Thor. They took a character that wasn't a relevant part of the comic since Thor gave up the Dr. Donald Blake persona, retconned rules that had been used multiple times before to make "he" a gender-specific pronoun and not a general pronoun, then wrote stories to appeal to people who don't read comic books and which were unappealing to fans of Thor.
Sam Wilson and Steve Rogers is also a touchy subject. The concept of Sam being Steve's successor was about as controversial as Dick Greyson putting on the cowl. But making Steve everything he despised, and then having Sam fight for an extremist political agenda, publicly espouse it, and make his opponents straw men - that is controversial.
I don't know how sales there are doing, but I can guess. Last Sept (IIRC) the top 50 sellers for the month were 80% DC, 10% Marvel, and 10% Independent. The same held true for the top 10. Marvel's last big event made the top 10, as did Walking Dead. Batman was the entire top 3. Marvel's (the comic publisher not the studio) attempts to appeal to identity politics has lost them readers, and money.
This is a good reason why the movies shouldn't follow that example.


Except Sam Fury isn't race bent. Also I love how you're conflating diversity with Marvel's second foray into unpleasant facism storylines.


GreenDragon1133 wrote:

As to the examples of racebent characters, we are seeing where it has worked and where it hasn't. Sam Fury worked. Because: a) Sam Jackson, and b) he was still basically the same character.

Miles Morales worked because a)people who read Peter Parker - not Spider-Man could still follow Peter in his own book(s), and b) while he was his own character, he was still faithful to the legacy. (So I gather - I haven't actually read Marvel since Infinite Infinity Part Infinity.)
Where it didn't work: Female Thor. They took a character that wasn't a relevant part of the comic since Thor gave up the Dr. Donald Blake persona, retconned rules that had been used multiple times before to make "he" a gender-specific pronoun and not a general pronoun, then wrote stories to appeal to people who don't read comic books and which were unappealing to fans of Thor.
Sam Wilson and Steve Rogers is also a touchy subject. The concept of Sam being Steve's successor was about as controversial as Dick Greyson putting on the cowl. But making Steve everything he despised, and then having Sam fight for an extremist political agenda, publicly espouse it, and make his opponents straw men - that is controversial.
I don't know how sales there are doing, but I can guess. Last Sept (IIRC) the top 50 sellers for the month were 80% DC, 10% Marvel, and 10% Independent. The same held true for the top 10. Marvel's last big event made the top 10, as did Walking Dead. Batman was the entire top 3. Marvel's (the comic publisher not the studio) attempts to appeal to identity politics has lost them readers, and money.
This is a good reason why the movies shouldn't follow that example.

Worked for me. I was an old school Thor fan. One of my first favorites, long ago, up through Simonson's classic run. I'd drifted away and only checked in occasionally or saw him in Avengers and other titles. The Goddess of Thunder brought me back.

Jane had been back in use for some years before this, so it wasn't as if they'd dredged her up from decades ago as a surprise. I'm not sure why you think her stories only appeal to people who don't like comics or Thor. It's been a fun ride.

I don't know sales figures, so I can't say whether it "worked" from that point of view. Did sales tank on Thor, independent of larger trends?

Agreed on Spidey & to some extent on Fury. That both of these changed in the Ultimate universe before being brought into the main one certainly helped. Original Nick Fury will be back though, if he isn't at the moment.

I'm not fond of the what little I know of Hydra-Cap and I've no idea what you mean by "having Sam fight for an extremist political agenda", but I haven't actually be following Cap/Falcon. I will say that Cap has always fought for a very liberal/equality/justice side of America, starting with punching Hitler when that wasn't actually a popular thing. (Except for the '50s anti-communist Cap, who they retconned away to be crazy imposter.)


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GreenDragon1133 wrote:
WormysQueue wrote:

On the other hand, it's probably no coincidence that the people who complain loudest about any accuse of cultural appropriation also complain very loud about Miles Morales, Captain America Sam Wilson and female Thor.

[sarcasm]I mean, come on, if Col. Nick Fury suddenly played by Sam Jackson isn't a prime example for cultural appropriation, then what really is, right? [/sarcasm]

This said, I think it's important to remember that not every instance of possible cultural approbation is really that, but a lot of times it is just catering to your audience. If your audience is mainly Red Martians from Barsoom, they'll probably have a hard time to identify with a story centering around a Green Martian, even if it is Tars Tarkas we're talking about. So if they are telling a story about Green Martians, it may be a good idea to let the audience look through the eyes of a Red Martian, becuase that's something the audience can relate to and identify with (and yeah, there's a reason why Burroughs used John Carter as his lense for the audience to look through.

I'm actually not sure about how much of this applies to the origin of Danny Rand, and I also don't know how diverse the readership at that time was. My guess would be that it was mainly written for a white, male audience, so I think that may have been the real reason behind the decision to make him a whitey, especially as they already had created their asian martial artist with Shang Chi a year before.

Another problem with creating characters in the 30s-early 70s was the editors/publishers didn't want non-white, non-male characters.

As to the examples of racebent characters, we are seeing where it has worked and where it hasn't. Sam Fury worked. Because: a) Sam Jackson, and b) he was still basically the same character.
Miles Morales worked because a)people who read Peter Parker - not Spider-Man could still follow Peter in his own book(s), and b) while he was his own character, he was still faithful to the legacy. (So...

wow.

Are you even reading Sam Wilson? Because this makes it sound like you really aren't.

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