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"Lies sleeping" was entertaining. Plot and world advances. Finished volume 1 of Tower Dungeon by Tsutomu Nihei. I get the feeling that his editors want him to get more and more mainstream, which is to his detriment as a storyteller. "Tower dungeon" is, so far at least, a mostly by-the-numbers Japanese fantasy story with generic D&D-ish characters and world-building. Characterization has never been his strong point and there doesn't seem to be much development in that department. The set-up is as traditional as you can get: a dragon kidnapped the princess; save her, brave adventurers. There is a mega-dungeon with actual numbered levels. I suppose we should be grateul that he hasn't gone as far as to have characters talk about classes and experience levels. The saving grace so far is Nihei's ability to make truly creepy-looking monsters, and the glimpse we got of the royal family and high nobles, which hints at something seriously wrong in the world. I will continue reading it in the hopes that Nihei will make things weirder and creepier. ![]()
"Tongues of the Moon" was OK, but not Farmer's best. I realized a few days ago that there was a new Hellblazer story that came out in 2024, so I bought it and read it. It had all the elements of a John Constantine story you'd want, but I thought it mishandled certain supporting characters, explicitly going against previous portrayals. Still, I enjoyed it. Currently about half way through Ben Aarnoovitch's Lies Sleeping, yet another installment in the Rivers of London series. So far so good. ![]()
"Final Stage" was good. I enjoyed some stories more than others but all were entertaining and interesting explorations of their themes. It is a bit dated, of course, and inevitably many of the plots have been done by others in the years since these were written so there isn't much new here now, but the book is worth picking up if you find it at a used bookstore and haven't read the stories already. Currently reading Philip José Farmer's Tongues of the Moon, set in an alt.u. version of our world where the where the world is split between the Soviets in the North hemisphere and the Axis in the south and what happens on the Moon after the Earth nukes itself to oblivion.
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Sounds like a decent way of doing things. One issue I had with Saventh-yhi is that it was pretty empty and needed a lot of GM work to fill in.
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thorin001 wrote:
Then this is on them. ![]()
"The Margarets" was good. The climax and ending stumbled a bit compared to the meat of the story but on the whole I liked it. Currently reading Final Stage: The ultimate science fiction anthology. A rather grandiose name but it has good authors (Asimov, Pohl, Harrison, Ellison, Tiptree and more) who were comissioned to write stories on certain topics. I've read a couple of them before, I think. So far so good. ![]()
Where to start? Where to end? I guess I can start with Tanith Lee's "Tales from the Flat Earth" and "The Secret Books of Paradys". I could fill this list with much of her writing but I will restrict my self to these two, as they show off her writing skill, her imagination and her darkness best of all her stuff I have read.
Charlie Stross "Laundry Files". Lovecraft meets Men in Black, with dark British humor suffusing the entirety. Gaiman's "Sandman". Yes, he turned out to be a piece of s+$& but Sandman is still an amazing series. I don't know if I'll ever be able to enjoy it again as I did but divorced of the author's a$+~&@@ry it's a great piece of art. Jack Vance's Dying Earth stories. Especially the first collection "Tales of the Dying Earth". I could put a lot of Vance in here, but I will restrict myself to this series. Lord Dunasny's Pegana stories. I will leave it at that. I could add a lot more. ![]()
What shows are people watching this time around? I'm sorta watching the Silent Witch, only because our protagonist makes cute faces. CHEDCL-Haikara is frustratingly delayed in its releases but quite enjoyable. So far it's better than Happy Knights, even if the concept is far closer to the first series and less a unique spin on things. Clevatess is a moderately enjoyable brutal fantasy series. I think I'm watching it mostly because the name is stuck in my head as 'cleave dat ass'. Second season of Dandadan. More of the same. I like it.
Another season of "Rascal does not dream of bunny girl senpai", aka Bakemonogatari-lite. Haven't quite gotten around to watching it but I will. I believe there is a movie I have to watch first. ![]()
Speaking Norwegian (Swedish and Danish are for all intents and purposes the same as Norwegian) will not allow you to understand OE. At best it gives a slight advantage for certain words but you have to learn it as a foreign language. As for Icelandic, I cannot say properly but based on what little I know of Old Norse I suspect it helps a bit more than modern Norwegian but not enough to understand properly without actually learning OE. ![]()
Watched it yesterday. We enjoyed it for the most part but a few things didn't work for me. One, the mix of the two storylines felt rather contrived and jarring. Two, I was very frustrated at how dumb and useless the vampires were (though I guess that explains why they aren't a common worldwide problem). Other than that Jordan did an outstanding job. ![]()
"Heavenly Tyrant" was good and sets up for a third book, which I am looking forward to. Currently reading Sara J. Maas A Court of Thorn and Roses. I bought it pretty much only to support a newly opened book store in town. It's OK. Very easy to read but so far nothing particularly memorable.
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1. Yes, I do interpret it as you can only have one controlled creature at a time. This is fine, it's an artifact, it doesn't have to be optimized, especially considering its history as a desperate measure of containment. 2. I would not allow you to let the fiends come out uncontrolled and Bind them retroactively. I would rule it as you need to use the Word of Binding as you let the fiend out and if you don't it's free to do what it wants. I can't see anywhere in the description of the item that it was used to create a city so I don't know that I would allow it to loose all fiends and rebind them. I would however allow the bottle to loose fiends without the Word of Binding and you can Seal it later but that would permanently reduce the number of capture fiends. IOW, if you use the WoBinding the fiends are Summoned so if killed they return to the bottle to be resummoned. If let loose unBound they are free and die when they are killed. Banishment only works if the fiend is Bound. ![]()
"Firstborn" was decent. Enough that I will pick up the others in the series if I happen to come across them. Perhaps not good enough for me to seek them out. Outside of the core storyline I never read much Dragonlance so I'm On to Xiran Jay Zhao's Heavnly Tyrant, a sequel to "Iron Widow". I enjoyed the first book and I'm enjoying the second. ![]()
Just read The Furthest Station, another Rivers of London book. This one was short and mostly phoned it in. On to Firstborn by Tonya Cook and Paul Thompson, the first of the Elven Nations trilogy from Dragonlance.
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Aberzombie wrote: The Invitation is a 2022 American horror thriller film directed by Jessica M. Thompson and written by Blair Butler. It stars Nathalie Emmanuel and Thomas Doherty. Inspired by the novel Dracula by Bram Stoker, it follows a woman who, after her mother's death, meets long-lost family members and discovers the dark secrets they carry. If you hadn't said it was inspired by Dracula I would have guessed it was stealing the plot of Tanith Lee's Blood Opera trilogy. ![]()
The stories of WDWGFH2 were mostly good. Some of them I had read before, most were quite dated in their concepts and executions. The one I want to like the most is H Beam Piper's "Omnilingual", which focuses on xenoarchaeology and xenoarchaeolinguistics but it suffers from the aliens being way too human. The actual winner is a toss-up between Niven's "Neutron Star" and Asimov's "Pate de fois gras", with honorable mention to Walter Tevis' "The Big Bounce". On to Tanith Lee's Quest for the White Witch, third of the Birthgrave books. ![]()
Currently reading Where do we go from here? book 2, a collection of SF stories edited by Asimov. I've read some of them before. The theme of the collections are ideas that make you think about science and exploration. He follows up every story with a brief comment on what is realistic or not in the story and a few questions to test people's knowledge of science and/or powers of imagination based on science. ![]()
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The eponymous hero of "Vazkor, son of Vazkor" is a piece of s&$$. This is only in part due to his upbringing. He is quite unpleasant, yet Lee managed to make me invested in his journey and root for his success. The book echoes the story of his mother from "The Birthgrave" and it was fun to see how her life in the had set Vazkor on his path. You probably could enjoy VsoV on its own merit but it definitely works best if your read TB first. ![]()
"Cinnabar One" was basically two plots, melded rather clumsily together for one to solve the other while leaving the first one, the better one, unsolved. Perhaps there will be a second book detailing the more interesting bit. I'm not sure I'd bother getting number two if there is one, and then it would only be to support living Norwegian SF writers. Back to Tanith Lee with Vazkor, son of Vazkor (also known a "Shadowfire"), sequel to The Birthgrave. ![]()
Mostly a quiet weekend for me. Visited my parents on Sunday and had Monday off because of Pentecost* so we took my MIL and our nephew to a local open farm where the kid got to run around and look at a lot of animals. No riding the horses on weekdays, sadly, so he will have to visit another time. * Most Norwegians have no idea what Pentecost is but we take our holidays seriously. Religious holidays are far more religiously observed than the religion they belong to. |