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Liane Merciel Contributor |
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Thanks all, glad you're enjoying the story. :)
I love the feeling of total oppression, like something out of Nazi Germany during the war...
That's actually one of the first reference points Sutter gave me when I expressed interest in writing about Nidal. I don't remember the exchange exactly, but he said something to the effect of "remember, the people are not Always Evil. They're just people who happen to live under an evil regime. Think Nazi Germany."
I'm paraphrasing, but the point is that as soon as he said that, I was all "ooh fun!" and then it was off to the races.
Things that are evil-just-because don't really interest me for their own sake (although they can certainly be useful as ways to explore other ideas). What I find so fascinating about Nidal are the questions that go along with being an (initially) ordinary person who happens to be born into this environment. How does that shape you? What sorts of things do you have to tell yourself to cope psychologically with this world? How far are you willing to go into the horror to survive, and how far can you go while leaving anything human to survive? What lines do you draw between acceptable and not acceptable, and is there any merit to those distinctions, or are they purely things you make yourself believe to try and stay sort-of sane?
There aren't really any concrete answers to those questions in the stories (I think); I'm not sure how many of them even get posed in any recognizable form. But they're in the deep background of my head as I'm writing, because they're interesting to me. How does it all work?
And yeah, oppressiveness is a huge part of that -- oppressiveness selectively applied. Because allowing the right people to believe they're Special, and therefore exempted from the rules that push down others (especially if they do the pushing...), is another major cog in the machine. You don't just need oppression to rule a society like that. You need division, and manipulation of privilege, and the ability to delegate some of the oppressing right down to the little people.
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James Sutter Contributor |
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Along with what Liane said... I've seen people (albeit not a lot) complain about Nightglass because the main character is "evil," or not a "hero." While I understand that some folks come to fantasy looking for Good Guys vs. Bad Guys--and hey, sometimes I want that as well--to me, that's totally missing the point of Liane's stories.
Anybody can be a Good Guy if they're raised in a good society and all their natural inclinations are considered acceptable behavior. They didn't have to work for it, and thus their behavior isn't really inspiring to me. I think the story of someone raised in a terrible society but who manages to make a break with it, despite the potential for great suffering on his part, is far more interesting, and that's what Liane gives us in spades with Nightglass.
Is it grim? Sure. But I still think the story is fundamentally a positive one, and I like showing that even Bad Guys are people--and maybe not as bad as you'd initially think.
In summary: this.
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Another good thing about exploring ScaryBad cultures like this is that it reminds the reader that places like Nidal and otehr people that are trapped in horrible cultures are people in need of help rather than faceless Always Chaotic Evil cogs that can be guiltlessly nuked from orbit.
Nuance makes settings better. :)