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Twizzlers are a licorice-type candy manufactured by Y&S Candies, Inc., of Lancaster, Pennsylvania, a division of The Hershey Company. Twizzlers were first produced in 1929 by Young and Smylie, as the company was then called. The licorice company was founded in 1845, making it one of the oldest confectionery firms in the United States. Twizzlers ingredients consist of corn syrup, wheat flour, sugar, cornstarch, and smaller amounts of palm oil, salt, artificial flavor, glycerin, citric acid, potassium sorbate, Red 40, and soy lecithin. Despite only the black Twizzlers containing extracts of the licorice plant, Twizzlers products are collectively referred to as licorice-type candy. Seventy percent of the annual production of Twizzlers are strawberry, the most popular Twizzlers flavor.
Reason 847 you will never find the body if someone ticks off the druid
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Witchfire (Ananym) is a fictional character appearing in American comic books published by Marvel Comics. The character is depicted as a former superhero, now supervillain, and magician. She was a former member of Gamma Flight and was eventually recruited into Beta Flight. She is the daughter of X-Men villain Belasco.
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Radiative equilibrium is the condition where the total thermal radiation leaving an object is equal to the total thermal radiation entering it. It is one of the several requirements for thermodynamic equilibrium, but it can occur in the absence of thermodynamic equilibrium. There are various types of radiative equilibrium, which is itself a kind of dynamic equilibrium.
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The Shadow is a fictional character created by American magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator and developed into a distinct literary character in 1931 by Gibson, The Shadow has been adapted into other forms of media, including American comic books, comic strips, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles.
The Shadow debuted on July 31, 1930, as the mysterious narrator of the radio program Detective Story Hour, which was developed to boost sales of Street & Smith's monthly pulp Detective Story Magazine. When listeners of the program began asking at newsstands for copies of "that Shadow detective magazine", Street & Smith launched a magazine based on the character and hired Gibson to create a concept to fit the name and voice and to write a story featuring him. The first issue of the pulp series The Shadow Magazine went on sale April 1, 1931.
On September 26, 1937, The Shadow, a new radio drama based on the character as created by Gibson for the pulp magazine, premiered with the story "The Death House Rescue", in which The Shadow was characterized as having "the hypnotic power to cloud men's minds so they cannot see him". In the magazine stories, The Shadow did not become literally invisible.
The introductory line from the radio adaptation of The Shadow – "Who knows what evil lurks in the hearts of men? The Shadow knows!" – spoken by actor Frank Readick, has earned a place in the American idiom. These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' Le Rouet d'Omphale ("Omphale's Spinning Wheel" composed in 1872).
The Shadow, at the end of each episode, reminded listeners, "The weed of crime bears bitter fruit! Crime does not pay...The Shadow knows!"
Some early episodes used the alternate statement, "As you sow evil, so shall you reap evil! Crime does not pay...The Shadow knows!"
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Machete is the name of a fictional character appearing in American comic books published by Marvel Comics. Also known as Ferdinand Lopez, the character has been a member of Batroc's Brigade and Doom's Brigade. He was also a former revolutionary of San Diablo in South America. He became a mercenary to finance a revolution but is reportedly killed by Zeitgeist.
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The Shadow is a fictional character created by American magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator and developed into a distinct literary character in 1931 by Gibson, The Shadow has been adapted into other forms of media, including American comic books, comic strips, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles.
The Shadow debuted on July 31, 1930, as the mysterious narrator of the radio program Detective Story Hour, which was developed to boost sales of Street & Smith's monthly pulp Detective Story Magazine. When listeners of the program began asking at newsstands for copies of "that Shadow detective magazine", Street & Smith launched a magazine based on the character and hired Gibson to create a concept to fit the name and voice and to write a story featuring him. The first issue of the pulp series The Shadow Magazine went on sale April 1, 1931.
On September 26, 1937, The Shadow, a new radio drama based on the character as created by Gibson for the pulp magazine, premiered with the story "The Death House Rescue", in which The Shadow was characterized as having "the hypnotic power to cloud men's minds so they cannot see him". In the magazine stories, The Shadow did not become literally invisible.
The introductory line from the radio adaptation of The Shadow – "Who knows what evil lurks in the hearts of men? The Shadow knows!" – spoken by actor Frank Readick, has earned a place in the American idiom. These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' Le Rouet d'Omphale ("Omphale's Spinning Wheel" composed in 1872).
The Shadow, at the end of each episode, reminded listeners, "The weed of crime bears bitter fruit! Crime does not pay...The Shadow knows!"
Some early episodes used the alternate statement, "As you sow evil, so shall you reap evil! Crime does not pay...The Shadow knows!"
I LOVE The Shadow radio shows. I even liked the 1994 movie. I am very much in the minority on that score.
Minority maybe. Not alone. :-)
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Gladiator (Melvin Potter) is a fictional character appearing in American comic books published by Marvel Comics. Potter was initially depicted as a supervillain and one of the first enemies of the superhero Daredevil. In civilian life, he is a costume designer at the Spotlight Costume Shop in New York City. He eventually reformed and became a consistent supporter of Daredevil.
Potter was portrayed by Matt Gerald in the streaming television series Daredevil, set in the Netflix Marvel Cinematic Universe (MCU).
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The Eel is an alias used by two fictional characters appearing in American comic books published by Marvel Comics. The first character to take up the identity was Leopold Stryke who first appeared in Strange Tales #112 (October 1963) created by Stan Lee and Dick Ayers, while his successor, Edward Lavell, first appeared in Power Man and Iron Fist #92 (April 1983). Both Eels were at one point members of the Serpent Squad even though the character they portray was not actually based on a snake, but on a fish that resembled a snake. Neither Eel has ever been featured as a regular character in any of Marvel's ongoing or limited series.
The original Eel, Leopold Stryke, wore a suit that could generate an electrical charge like an electric eel and was coated with a slippery substance. He was often depicted as a henchman, normally teaming up with other criminals such as Plantman, Porcupine, Scarecrow and Unicorn. He later became a founding member of the Serpent Squad along with his brother Jordan, the original Viper. He even worked for Madame Hydra, unaware that she had killed his brother. Stryke was killed by the Gladiator during a heist.
The second Eel, Edward Lavell, started out as a foe of Power Man and Iron Fist, but later became a general henchman like the original Eel working for Justine Hammer's Masters of Evil and the Maggia. At one point Lavall appeared to have been killed, but later appeared as part of the latest incarnation of the Serpent Squad led by Sin, the daughter of the Red Skull. Subsequently, the Eel became part of "Serpent Solutions", the next incarnation of the Serpent Society.
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Monk is an American police procedural comedy drama detective television series that originally ran on the USA Network from July 12, 2002, to December 4, 2009, with 125 episodes broadcast over eight seasons. It follows Adrian Monk (Tony Shalhoub), a private detective with obsessive–compulsive disorder and multiple phobias, and his assistants Sharona Fleming (Bitty Schram) and Natalie Teeger (Traylor Howard). Monk works with the San Francisco Police Department in solving unconventional cases while investigating his wife's unsolved murder. The show also explores the main characters' personal lives and struggles.
First envisioned by ABC as an Inspector Clouseau-type police show, the series' premise of a detective with obsessive–compulsive disorder originated with David Hoberman in 1998, while Andy Breckman, who is credited as creator, wrote the pilot episode by taking inspiration from Sherlock Holmes. Monk went through two years of development hell due to difficulties finding an actor for the main role. After USA Network took over production and Shalhoub was cast, the series' pilot was shot in Vancouver, British Columbia in 2001. Subsequent episodes of the first season were filmed in Toronto, Ontario, and the remainder of the series was shot primarily in Los Angeles, California.
Monk received critical acclaim and awards throughout its run, including eight Emmy Awards, one Golden Globe Award, and two Screen Actors Guild Awards. The two-part series finale aired on November 27 and December 4, 2009. The final episode held the record for the most-watched scripted cable television drama from 2009 to 2012 (subsequently broken by The Walking Dead) with 9.4 million viewers.
A follow-up film, Mr. Monk's Last Case: A Monk Movie, premiered on Peacock on December 8, 2023, with a script written by Breckman and the main cast reprising their roles from the series.
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John Lone (born October 13, 1952) is a Chinese-American retired actor. He starred as Puyi in the Academy Award-winning film The Last Emperor (1987), for which he was nominated for a Golden Globe Award for Best Actor.
A veteran of the East West Players, he appeared in numerous high-profile screen and stage roles throughout the 1980s, 1990s and early 2000s, in films like Iceman, Year of the Dragon, M. Butterfly, The Shadow, and Rush Hour 2. He was nominated for the Independent Spirit Award for Best Supporting Male for his performance in The Moderns.
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Lorraine Reilly, created by Gerry Conway and Pat Broderick, first appeared in The Fury of Firestorm #1 (June 1982). She is the daughter of United States Senator Walter Reilly who was kidnapped by Multiplex and subjected to experiments designed to recreate the accident that created him and Firestorm. Dubbed Firehawk, she is used as a pawn against Firestorm before eventually befriending him. Later stories have her retiring from superheroics, then entering politics and becoming a U.S. Senator. The Raymonds and Firestorm re-enter her life when Ronnie's father Ed asks her to investigate Jason Rusch, the new Firestorm, during which she temporarily becomes his partner in the Firestorm Matrix.
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The Eyes of Heisenberg is a 1966 science fiction novel by American writer Frank Herbert.
Originally serialized as Heisenberg's Eyes in Galaxy magazine between June and August 1966, it was issued as a book by Berkley later the same year. The title refers to Werner Heisenberg's uncertainty principle, which the plot examines as a source of randomness both on the molecular (specifically genetic) level and on a macroscopic (anthropological) level.
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The Santaroga Barrier is a 1968 science fiction novel by American writer Frank Herbert. Considered to be an "alternative society" or "alternative culture" novel, it deals with themes such as psychology, the counterculture of the 1960s, and psychedelic drugs. It was originally serialized in Amazing Stories magazine from October 1967 to February 1968, and came out in a paperback from Berkley Books later in 1968. The book has been described as "an ambiguous utopia," and Herbert told Tim O'Reilly that The Santaroga Barrier was intended to describe a society that "half my readers would think was utopia, the other half would think was dystopia." O'Reilly writes:
In deliberate imitation of [B.F.] Skinner's Walden Two, the story is organized around a "conversion" theme, in which a hostile outsider is persuaded of the merits of a society he initially criticizes. Where Skinner makes a sincere attempt to sell a utopian ideal, however, Herbert's deeper concern is to re-create the process by which a man gives up his individual perspective for a group dream.