Shindiira Misraria

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Organized Play Member. 1 post (144 including aliases). No reviews. No lists. No wishlists. 1 Organized Play character. 4 aliases.



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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

"Ah! My darling Phillip!" Lottie gasps in surprise. "I thought I recognised your dear face! Oh sweet child! It's been some time since I last set eyes to ye. You've grown so much! The last time I saw ye, ye'd have fit in a pie tin, hat and all!" She beams at him. Her attempts at a more sophisticated accent are gone and she speaks more like a woman from the grimier side of the tram tracks.

"What'd've ye been up to, lad? I see ye've landed yerself a damn fine job here on this magnificent contraption! Take a wee break, tell me how they're treatin' ye here."


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

"Ah, well now."

Lottie sets foot on the observation deck and reaches for a railing, her stomach suddenly feeling a bit rebellious. She makes a face that suggests the eel pie from earlier may make a sudden reappearance. It's the first time in her life she's had her feet so far off the ground and it's not exactly living up to expectations.

"I think I might have ghosts in my blood," she says weakly to no one in particular. "Does anyone have a little bit of cocaine?"


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

Lottie watches Eileen, interested in the conflict she suspects the girl is dealing with. She moves to stand next to her.

"Wait until we're disembarking, my dear," she says in a low voice, barely above a whisper. Then Lottie winks conspiratorially and allows her voice to return to normal. "In some ways, you remind me of me as a young girl - if you can imagine such a thing! Ha! You must think I was around as the Lord made the firmament. And you'd not be far off."

Lottie's voice drops again. "Several marks. I'll distract 'em when the time comes."

She smooths out her skirts and adjusts the bag on her arm, giving everyone the most charming and patronising smile she can. Lottie has been on the receiving end of this smile more than once.

"I do say, Simon, daaahling, are you going to introduce us to your friend here?"


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

Lottie holds up her bag threatening, as though thugs with cudgels would be intimidated by an old lady with a massive handbag.

"Oi, ratbags!" she shouts, waving the bag around. Whether she means the thugs or that her bag is actually full of rats is largely unclear. "Enough with the mafficking and let us through! Do yer ol' trouble and strife know what yer up to out here, man-handlin' the bin lids? Right bricky of you!" The more Lottie shouts, the angrier she gets. The carpet bag picks up speed, likely endangering the life and limbs of anyone foolish enough to get too close. "Me old pot here will give you a good swift one in the orchestra! Now getcha near and don't leave 'til yer the bloody elephant's or I'm callin' for the Sweeney!"

Since Lottie isn't much of a fighter, she's just going to hurl abuse at these bastards in a probably misguided attempt to threaten them.

Translation:
Hey, jerks! Tone it down and let us go! Does your wife know what you're doing, attacking children? How brave! This man here will kick you in the balls. Now get out of here and don't leave until you're drunk or I'm calling the police!


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

Lottie's voice drifts through the museum, though it seems muffled or far off. She's singing something, wherever she happens to be changing her clothes.

"He smiled as he passed me, with his goods and his gear. And that was the last that I saw of my dear..."

Several long minutes later, Lottie reappears, dressed like a storm cloud, if clouds consented to crinoline. Were a church bell to be layered in voluminous mourning dress, complete with whalebone corset and tight sleeves, then topped with a dark bonnet, it would look very similar Lottie. The dress reeked of money with a faint hint of lavender. The upper classes would recognise her as widow of some means.


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

“It’s tea time, my little crumpets!” Lottie Wandsworth called toward the rooftops in her sing-song pie-selling way. She closed her eyes and smiled, hearing her children draw near. The pat-pat of running feet started as soft as a psalm but swelled suddenly – a thunderous sforzando of thin leather on grimy cobblestone. A cadenza of a score of excited children brought the mealtime ritual song to a close.

“Bag o’ mystery again, Missus Lottie?” one of the children, a boy of about eight asked, grinning impishly. She tutted fondly and shook her head, rolling her eyes heavenward as though to ask God why He sent her such trials.

“If you’re looking for that bow wow mutton, you best be trying that young lad down by the river,” Lottie replied, feigning hurt. In truth, she looked forward to the usual exchange with Darling Thomas. It was the same routine, the same script, day in and day out. “If you don’t want any eel pie – the best eel pie south of the Thames – then that’s fine, love. More for the rest of us!” At this, the rest of the children cheered.

Lottie Wandsworth was a fixture in this poor London neighbourhood. No one could recall a time she hadn’t been around, hocking her pies in the day and baking most of the night. She charged the local workers almost nothing, for that was what they earned during their long days of bone-breaking, muscle-rending labour; the children she fed for free. Most of them were near enough to homeless and those that weren’t couldn’t always be guaranteed a warm, filling meal every night. But old Lottie could smell money like hounds could pheasants, and those customers paid what she thought they were worth. Moneyed customers weren’t exactly regulars, so she learned to make it count without driving them off. Sometimes those folk even returned, citing the siren smell of eel pie.

Nearly two hours passed as Lottie distributed pies and listened to the children tell her about their day. They sat in and around the bakery and her tiny living quarters upstairs, giving her all the gossip. Lord Carrington was powdering his hair at the House and his new maid was leaving town already; several had stories about a death along the wharf that Lottie suspected would need looking into; and one or two were approached about factory work.

Lottie sold her pies and fed the children, earning her a reputation as a good woman with a full heart. But her real business was information. The children weren’t just hungry, they were messengers, delivery boys, eyes and ears. Nothing happened in London, as big as it was, without Lottie knowing about it. And buyers with deep pockets were plentiful. The aristocracy could never pay enough to stab their fellows in the back and since Lottie didn’t give two great stonking shits for the rich, she was happy to keep them in supply. Every penny they paid her could be put to good use, helping the people of her neighbourhood to get by in this world that so loathed the poor.

“Missus Lottie?” A shy voice jolted her mind back to her little home, away from Lord Carrington and his drunken nighttime adventures with the new maid, away from the murder at the docks, away from sorting out the spider web of who would pay what for which piece of news.

“What would you like, my sweet William?” she asked pleasantly, setting her heft down on the bench beside the boy. She smoothed out his hair and smiled down at him. “Did you need another pie to take home to your mother? Is she feeling better?”

“Oh yes, Missus Lottie! She’s feeling much better now!” William beamed at her, forgetting for a moment that he was shy. “But I have something for you. A message.”

“For me?” Lottie’s eyebrow shot up suspiciously. William nodded.

“A man told me you’re supposed to look at the hummingbird you keep in the dark cage. I don’t know what it means though, Missus Lottie.”

“It’s okay, pet,” she assured him. “Let me get you an extra pie for your mother and I’ll see you again tomorrow, okay?” William nodded excitedly and clasped his hands together against his chest, remembering suddenly that he was still shy.

Once all of the children were safely out of the house and Lottie found herself alone for the first time all day, she scuttled off to her little bedroom and pried up the loose floor board under the bed. All of the treasures of her life fit in that one narrow space, in one highly-polished wooden box. She lifted the lid to look for the clockwork bird, to make sure this treasure was still hers.

The bird, with its golden wings and gleaming black eyes, sat in a nest of burgundy silk, just as it always had. Only this time, the bird’s beak was open. And this time, there was something sticking out of it. A note.


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Female Human Face | Wound: 0/3 | Parry: 5 | Toughness: 5 Edges: Connected | Hindrances: One Eye, Cautious

How do you do, fellow kids?!

Liberty's Edge

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Female Human Fighter 1 (archer) | HP 12/12 | AC 17/13/14 | F: 4 R: 4 W: -1 | Init: +6 | Perc: -1

"Homely, got it," Oz says studiously, committing the word to memory. "I like you, Jani. You make me word better!" She beams.

Oz attempts an acrobatics check to clear the pit and land at X27.

Acrobatics: 1d20 + 5 ⇒ (9) + 5 = 14

If Oz makes it, she fires at the mite.

Attack: 1d20 + 5 ⇒ (9) + 5 = 14
Damage: 1d8 ⇒ 5