Adriala Nightmoon
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Adriala sees the woman climb the table and swings at the furniture, smiling. Sunder: 1d20 + 6 ⇒ (17) + 6 = 23
Her black blade swings down and smashes into the table
Damage(Ignore Hardness): 2d4 + 6 ⇒ (4, 3) + 6 = 13
Her blade easily slicing Through the wood as if it was butter.
| DM_Smiles |
Nurush slices into the woman and the one on the table has fallen flat on her ass on the floor
1d20 + 6 ⇒ (6) + 6 = 121d20 + 9 ⇒ (11) + 9 = 20
the lady by Karla and Samias swipes at Karla, but bounces off your mage armor.
the guy with the greatsword slices into Nurush again for 2d6 + 7 ⇒ (6, 5) + 7 = 18 damage with a power attack, I believe this puts you at -12 with the sneak attack earlier.
the people that broke from the crowd will be out of the line of fire next round, and only the people in or very near front row have failed to notice the fight at this point
Hashik, you're up
| Karla Firemane |
concentration: 1d20 + 8 ⇒ (4) + 8 = 12
Karla tries to cast another magic missile, but the attack against her disturbed her cast and the spell fizzled.
Dammit!
| Hashik the Dancer |
Seeing the foe fighting the man with the great sword is down, Hashik tries to cast Charm Person on the warrior.
"You there! Guard! The one they werejust meeting with just slipped out the door. Hurry! Run out the door and get to the alley!"
Opposed CHA check if needed: 1d20 + 3 ⇒ (11) + 3 = 14
| Hashik the Dancer |
Confirming I cast the spell and know it didn't work? If I am understanding that right I won't speak to him.
Seeing his spell fizzle, Hashik screams and yells while pointing at the guards.
"Oh my god! Look at the blood! They're killing people! Run for your lives!"
1d20 + 12 ⇒ (7) + 12 = 19
In an attempt to bring attention to the fight and start panic!
| Karla Firemane |
Karla draws her dagger, starts to move away, if she can (5 foot step).
If she is clear of threats, she'll cast a magic missile, other wise she casts defensively.
concentration, if needed: 1d20 + 8 ⇒ (10) + 8 = 18
magic missile at wand woman: 2d4 + 2 ⇒ (3, 1) + 2 = 6
| DM_Smiles |
firstly the crowd scatters and movement between the 2 battle locations is difficult terrain, people scattering for the servants stairs, normal door, and stage entrance with people clamoring up onstage. Hashik, you have lost line of effect to the battle until you move down and forward a bit.
I'm not sure what your goal here was Hashik, but the result was panic
second, the lady just hit with magic missile and an arrow in her chest drops her weapon and wand to surrender
| Samias North |
Samias will shoot the woman attacking Nurush.
Crossbow + PBS - Deadly aim + FA: 1d20 + 8 + 1 - 2 + 2 ⇒ (7) + 8 + 1 - 2 + 2 = 16
Damage + PBS + DA + FA: 1d10 + 1 + 4 + 2 ⇒ (4) + 1 + 4 + 2 = 11
Precise shot to miss anyone else. PBS = Point blank shot. FA = Favored enemy. DA = Deadly aim.
| Karla Firemane |
Karla looks at the surrendering woman and thinks, i don't want a prisoner. She says, leave your wand and blade, and get out of here. And if I see you again, I'll fry you. Git!
Once the woman is gone, she scoops up the wand and weapon. that's a relief.
Adriala Nightmoon
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The Tiefling grabs the unconscious woman she had injured before, opens her fanged mouth and takes a bite(using the full round to canabalize, getting various bonuses:+1 DC/Saves against humans)consume damage: 1d3 ⇒ 2
| DM_Smiles |
take your aoop, and I'm gonna assume you five foot stepped to the side for that
Samias, unfortunately your shot misses due to the cover bonus I applied from the panicking crowd late last page
the lady who shanked Nurush moves up in front of you and does nothing the guy comes up and attacks
Hashik, your turn
websites been acting up last few hours for me
| Hashik the Dancer |
Using the chaos he created, Hashik slips off the stage. As he does so he takes on the appearance of one of the middle aged women in the crowd, a nobody as he seeks to drag the down and bleeding man away to save his life.
Hasik needs allies. The system wants this guy dead, Hashik might be able to use him. Also the dancer doesn't really know anyone else at this moment yet and it's unlikely they would recognize him as anyone.
| DM_Smiles |
you manage to make it to the bleeding out guy and he's completely f#!*ed. it looks like you managed to get to him just to watch him die
the lady who fell down and got up last turn, moved to the side of Adriala and
Karla, Samias, Nurush bleeds out, Adriala
| DM_Smiles |
firebolt hits, and again Samias your shot misses because of the crowd. you may want to reposition for a better shot
Adriala
for the aoop I keep mentioning 1d20 + 6 ⇒ (14) + 6 = 20 for 2d4 + 6 ⇒ (3, 3) + 6 = 12
for her current turn 1d20 + 6 ⇒ (5) + 6 = 11missed the heavily injured one and 5 foots towards you guys at the booth. greatsword guy 5 foot steps with her and then attacks
1d20 + 7 ⇒ (10) + 7 = 17
and misses
Hashik you're up
| Hashik the Dancer |
Realizing he was seconds too late, the bard grabs the dead man's scimitar from his belt. Flaming anger boils up from Hashik's core, it begins erupting at his fingertips before manifesting in a fan of flame that hungrily licks out at the Aspis Consortium members.
"You Consortium Bastard's! Always ruining everything! BURN!"
Flaming Hands: 4d4 ⇒ (3, 2, 4, 2) = 11
| DM_Smiles |
1d20 + 3 ⇒ (7) + 3 = 101d20 + 5 ⇒ (16) + 5 = 21
girl closest to you goes down, armored guy goes "f#%% f$+@ ow f~@@" other girl looks completely unharmed and circles around adriala (no aoop) and
1d20 + 8 ⇒ (16) + 8 = 24
hits for 1d4 + 2d6 + 1 ⇒ (2) + (6, 1) + 1 = 10 damage. and Adriala is down
half of the room is now on fire, the tables are in between the armored guy and Hashik, and the remaining lady is 2 squares away from the fighter next to the tables closer to karla and Samias
Karla then Samias
ffs kill the fighter so the rogue can't flank
| Karla Firemane |
Karla seeing another drop, quickly casts. Fanning her hands she tries to catch as many of the enemy as possible, without burning those who are not opponents.
burning hands: 4d4 ⇒ (1, 4, 2, 2) = 9 dc15 for half
| DM_Smiles |
the armored guy is down and more of the room is on fire. the remaining girl surrenders. the room is chaos, people going to the private booths to jump out windows, and trampling each other trying to get down the normal and servant's stairs
I will need to know what you are doing with the downed people and your newfound captive. Draalush can come in now.
the penalty wasn't for firing into melee, it was firing past a panicked crowd in-between you and melee, they were trying to get down the servant's stairs
| Hashik the Dancer |
"He is here, killed by the agents of the Consortium."
The middle aged woman next to the body spits out the last words.
"There is little time, take what you can of value before the flames reach us or more agents join the fray!"
The woman's eyes dance in the flames watching it lick wood and flesh alike.
"I doubt you all like it as warm as I do. . . It appears we are thrust together by fate. Let us work together to save our skins."
Search to loot: 1d20 + 7 ⇒ (14) + 7 = 21
| DM_Smiles |
without guidance the remaining woman who was attacking you will start to pull her comrades out of the fire.
Hashik, I assume you're starting with the ones in the fire so as not to lose anything of value. each of them has 500 gold, a masterwork weapon, and a masterwork piece of armor. you don't have enough time to get the armor off before the fire spreads, and possibly brings the building down around you
| Hashik the Dancer |
Haskik was thinking about killing the last woman, but he really didn't know who she was or what this group was. Was one of the group eating someone in the middle of the battle?
Besides, he was watching her and studying her every move. In case he needed to walk in her skin. He committed her voice and facial expressions to memory.
Study for disquise: 1d20 + 17 ⇒ (16) + 17 = 33
"Well that agent got away. Grab what you can and let's go!"
| DM_Smiles |
if she was gonna do anything obviously evil in battle I thought it would've been channel, the cannibalism thing was useless with 1 offensive spell prepared
people are filtering out of the building in droves and you hear calls for the guard and for water. Hashik, Samias you're the most established in town, any ideas on where to go?
| Hashik the Dancer |
The middle aged woman holding the scimitar (Hashik) looks Karla up and down before arching an eyebrow.
"Yes, I think I know where we can go for a little safety. We got coin and this one has looks."
Hashik turns to leave and looks over his shoulder, which currently looks like a woman's.
"Any of you want to admit to spending time in the redlight district?"
With a chuckle he adds.
"Don't worry, if you've got coin no one cares what you do with your time in the room. You won't have to have sex, unless you want to that is. Heh heh heh. Plus there are plenty of eyes watching for agents. I know some places that have paid less than their cut to the Consortium. We'll be safe enough in the short term."
"Unless anyone else has a better idea."
| Karla Firemane |
we should leave quickly, and stick to the alleys and shadows. Once we are away, we can discuss what happens next. karla starts moving. come on, unless you want to explain yourself to the guards
| Hashik the Dancer |
"Wrap yourselves in cloaks, remember you are fleeing a fire or avoiding your wives eyes as you slip into the redlight district. We need to keep putting distance between us and them."
"Pick up what you can, we may have to stash it along the way and come back, but there is always a market for weapons."
Hashik gestures his hand and the blood, ash and mess begins to fall from the party members garb.
Hashik then grabs a bundle from under the stage and prepares to exit stage right.
"Come on let's dance"
| Hashik the Dancer |
Lol, it's a saying meaning when a performance goes horribly wrong the actors "exit stage right" to avoid angry paying customers. It means you are leaving expeditiously, but not in a panic so that they don't know you are fleeing the stage (and the building) just leaving the stage as though it is a part of the act.
"No. Not out the window, to the stairs. I'm just grabbing my things."
Hashik will grab his belongings from the performers room quickly then comes back to the party.
"Come on' time to leave now, follow me or do not, your choice. I'm going downstairs and preferably out a different exit than the agent you let go."