burrahobbit's page

As a big fan of weird fiction and pulp, I loved this. Fantastic visuals and cool effect. Great work and good luck!

As voting comes to a close, just wanted to praise everyone who participated. I've seen amazingly high-quality, well-designed items, some that perfectly fill a niche, some managing to evoke that elusive sense of wonder, and some conjuring up characters, images, and stories worthy of the best of fantasy gaming and literature in <300 words.

Contra some of the snark, I was especially happy to see items that appear to have been from first-time or less experienced designers/players. Even when there were errors of balance or formatting, there were some worthwhile ideas shining through. Items that were called out for having been done before or cribbing from other IPs may not make it to the Top 32, but they can be a great way of feeling out the contours of design, figuring out where the possibilities are in the system, and learning how to bring together form and function. So, if this was the first time you've submitted an item, good on you!

Even the dopiest joke items show that people are having fun playing, which is, after all, what games are for.

It's a leap of courage to submit creative work to public scrutiny, so congrats to everyone.

And the best few items I've seen this year rank up there with the best items I've come across in any publication since 1974 brought us the Staff of Wizardry with its webs and whirlwinds. So well done, again, and I'm looking forward to seeing what the Top 32 have to offer!

And here I was just sighing that it was still some 5 months away!

Another thought: Monsters in Gothic horror tend to reflect psychological anxieties. Centaurs, from this perspective, like lycanthropes, could represent the bestial side of human nature. Whereas lycanthropy tends to involve anxieties about repressed violence and loss of physical control, centaurs (like satyrs) could represent fears of social, sexual, or alcoholic licentiousness. A party of centaurs draws near to town and pulls the curious into uninhibited dances of lust and abandon. Drunken or maniacal centaurs laughingly hunt down anything that moves. Folk dread to be caught outside after dark when the centaurs dance, but there are always a few curious youths who long to dance to those mad pipes and horns.

Along slightly different lines they could represent the dark side of the Romantic longing for a return to a state of nature. While they have elements of Rousseau's noble savage, Gothic centaurs could also lead Hobbesian lives that are nasty, brutish, and short. The strong take what they will and the weak suffer what they must. A centaur with a broken leg is killed, not nursed to health. Weaklings (especially those poor wretches with two legs only) are tormented or enslaved.

Or perhaps the centaurs, pure and free, are the foil to the decadent and corrupt nobles of the human society around. The glimpse of light through the choking clouds.

Finally, the "wise Chiron" version of the centaur could be translated into a Gothic milieu as a sort of tragic Cassandra figure, doomed to foresee the terrible ends to which people (i.e., the party or the realm) are headed, but unable to do anything to stop it. Like Macbeth's witches, the centaurs of Ustalav could have the gift of dire, self-fulfilling prophecy.

Next up is the Pathfinder. For obvious reasons, we’ll have to change the name when converting it. Basically, this is the ranger who never gets lost, and can always make a trail. The abilities are pretty much all variations on the theme of not getting lost, identifying trail hazards, moving through difficult terrain, etc. (as well as being a good shot, for some reason). Most of these abilities have been incorporated into the core ranger class, but let’s see what we can do to make the Pathfinder (we’ll call it the Trailblazer) stand out a bit from the crowd. I’ve borrowed one high-level ability from my conversion of the Explorer kit above.

So it's been a long time since I finished Part One: Bard's Handbook in what I still hope will be an extensive series of conversions of the AD&D 2nd Edition complete class handbooks to the Pathfinder rules.

As I noted for the Bard's Handbook, my goal here is to try to make the content in these books usable in and relevant to a Pathfinder game. Sometimes that will involve a conversion of a kit into an archetype or prestige class, or updating a spell or magic item to the PF rules. Other times it will just be pointing to an existing archetype, spell, or rule that covers the ground already. I'll try not to reinvent any wheels. And sometimes it will just be highlighting some of the cool, funny, or inspiring system-neutral ideas that can be drawn from the book. As always, I'm very grateful for any comments or suggestions on the conversions.

Finally, this isn't meant to be a replacement of the original book, but a conversion supplement. If you don't have a well-loved hard copy of the book, you can find a PDF at dndclassics.com.

So, without further ado, on to the Complete Ranger's Handbook!

I've only had a chance to scan briefly through the encounters, but I just wanted to offer my congratulations and to say that I'm really impressed. There are some excellent ideas and execution at work here, and in every single encounter there's something to love. Great job, everyone!

Very cool. Thanks, Robert!

Hi, all! Thanks again for the comments and critiques. Here are two redesigns that address some of the concerns in rather different ways. The first is basically just the incorporation of some of the common suggestions: reducing the range, adding a saving throw, and getting rid of dismissal.

The following is another idea I had, which takes the item in a different direction, but which I quite like for the reason that it ties the item together better thematically (a dead star symbolizing the literal transformation of energy into nothingness).

This has its own potential pitfalls and loopholes, but it does not tinker with fundamental immunities, which is understandably a tough sell. I note in passing that a lich with this version of the item would be a pretty evil thing.

Lots of different groups, play styles, and philosophies out there, so take your pick as to which you like best!

Face in the Crowd CR 1
XP 400
CN Tiny Aberration
Init +2; Senses darkvision 60 ft.; Perception +7

----- Defense -----
AC 14, touch 14, flat-footed 12 (+2 Dex, +2 Size)
hp 7 (2d8-2)
Fort -1, Ref +2, Will +5

----- Offense -----
Speed fly 15 ft. (good)
Melee Bite +3 (1d4-3 plus possession)
Space 2½ ft.; Reach 0 ft.
Special Attacks possession, facewalk

----- Statistics -----
Str 5, Dex 14, Con 8, Int 13, Wis 15, Cha 12
Base Atk +1; CMB +1;
CMD 8 (can’t be tripped)
Feats Weapon Finesse
Skills Escape Artist +7, Fly +15, Knowledge (local) +10, Perception +7, Stealth +7; Racial Modifiers +4 Knowledge (local)
Languages Common

----- Ecology -----
Environment Any urban
Organization Solitary
Treasure None

----- Special Abilities -----
Possession (Su) A face in the crowd that hits a humanoid creature of 1 HD or less with a bite attack may immediately attempt to possess that creature (DC 12 Will save negates). The face in the crowd vanishes and is entirely absorbed into the possessed creature. This ability is similar to a ghost’s malevolence ability, except that a face in the crowd may possess a single creature for a maximum of 5 consecutive rounds. After 5 rounds, the face in the crowd assumes its natural form, adjacent to or directly above its last host. If a creature possessed by a face in the crowd is rendered unconscious, the face in the crowd may attempt to facewalk (see below) as an immediate action; if it fails to do so, or if no suitable target is in range, it reverts to its natural form. A creature that has succeeded on a Will save to resist possession is immune to that face in the crowd’s possession ability for 24 hours. The save DC is Charisma-based.

Facewalk (Su) Once per round as a standard action, a face in the crowd currently possessing a creature may transfer its possession effect to another humanoid creature of 1 HD or less within 5 feet (DC 12 Will save negates).

An expressionless mask of flesh floats through the air, desperately seeking the crush of a crowd.

Faces in the crowd in their natural forms are flattened ovoid masks of flesh with two milky eyes and a small mouth filled with needle-like teeth. Although they can survive indefinitely in this form, time spent not possessing a humanoid is constant agony for them. They prefer to facewalk through huge urban crowds, never assuming their relatively weak natural forms if they can help it. They relish causing chaos and violence (for example, by possessing a target in a crowd, striking a passerby, facewalking to that person to retaliate, instigating a riot, then facewalking away). They are, however, careful of their self-preservation: a face in the crowd will almost never seek to kill or incapacitate all nearby potential victims, always leaving at least one to which it may facewalk before its possession ends. Likewise, faces in the crowd prefer to quickly steer possessed victims toward groups of other humanoids.

Faces in the crowd lurk throughout the metropolises of Golarion, including bustling Absalom, the revolution-wracked towns of Galt, and especially the unruly cities of the Hold of Belkzen, where they can often indulge in their chaos-making for extended periods without anyone noticing that something is amiss. A face in the crowd’s flesh tone and facial features gradually shift to resemble those of a race or people common to the city it inhabits, and it retains vague memories from those it has possessed, making it well-versed in local lore.

The 2e PHBR "Complete Handbooks" series were a mixed bag, at best. Some aspects, especially of the kits, embodied the worst of the inattention to game balance of that edition, and at times they seemed slapped together with little thought or creativity. But at their best, they remain some of the most inspiring and exciting books on my shelf. My first D&D book was the Complete Wizard's Handbook (I didn't realized I needed the PHB, too), and the thoughts of rolling up a Wu Jen who couldn't cut his hair or going off in search of a grove of trees whose shadows formed the words to lost spells really grabbed me. The illustrated list of instruments in the Bard's handbook was a godsend in the pre-Wikipedia era, and I *still* want to play a hive druid.

So this thread will be my attempt to revisit (and at times, hopefully, to redeem) the 2E complete handbooks. I'm not going to convert the books cover to cover, and I'm not going to reinvent the wheel. If existing Pathfinder or 3rd Edition material gets the job done, I'll just nod to that and be on my way. I'm not going to rework every kit as an archetype, though I will rework some of them. Sometimes I'll just point out some good "fluff" or flavor, and sometimes I'll try to rework subsystems for use in Pathfinder. These will be less a set of polished conversions and more a pegboard of ideas to snag, try out, and tweak. What I want to do is make these flawed and loveable books useable in a Pathfinder game, and I welcome your input or contributions (heck, if you want to take on an entire book, more power to you).

I'll start with what was always my favorite, the Complete Bard's Handbook (PHBR7).

Introduction & Chapter 1 (Character Creation): Apart from a very brief historical note, there's not much of interest in these sections for a PF game, dealing as they do with ability scores and Thief Skill adjustments.

Chapter 2 (Bard Kits): Ah, the kits. The most maligned and beloved materials in the Complete Handbooks. Often shoddy in execution, they were sometimes absolutely inspired, and the whole concept of kits has been reworked much more effectively as archetypes in PF. Here are some ideas on redeeming the Bard kits or elements therefrom.

Comments welcome. More to come...

Word from a little Kobold has it that today is Wolfgang Baur's birthday, and, since we're on the subject of birthdays, I thought it'd be nice to wish him a good one too. Happy birthday, Wolfgang, and thanks for all your work, both as an RPGS judge and a designer & creator!

Given how aboleths in Golarion seem to enjoy evolutionary biology, a powerful artifact of theirs might play with evolution (in the Lovecraftian/comic book/pulp sense, rather than the modern scientific one)...something with the power to "evolve" creatures right out of their bodies into beings of pure thought or star travelers, or knock them "back" into apes or a puddle of prokaryotic cells.

I'd be up for PbP and, especially thinking about this adventure path, I've got some other ideas I might prefer over my archetype.

Although...

I had one question possibly related to Clay's. Assuming that our Location covers a wider area than the area in which the Encounter takes place, should our map cover only the relevant Encounter area? Or should it be of the entire Location (at least, to the extent possible, if it's a location as large as an island or forest), or a portion of it that fits logically on the map?

For example, if our encounter takes place in a single dungeon room, should we map just that room, or should we include nearby rooms like the orc barracks and the pie pantry, to the extent that they fit on the map?

A young man stands in the mire, his old-fashioned clothes caked in mud and his expression lost and forlorn. Then he is gone, leaving behind a nagging sense that something has been forgotten.

Abandoned One CR 4
XP 1,200
CE M Undead
Init +6; Senses darkvision 60 ft., blindsight 60 ft.; Perception +11

----- Defense -----
AC 17, touch 12, flat-footed 15 (+2 Dex, +5 natural)
hp 37 (5d8+15)
Fort +4, Ref +3, Will +7
Defensive Abilities selective invisibility; Immune undead traits

----- Offense -----
Speed 30 ft.
Melee 2 claws +7 (1d8+3), bite +1 (1d4+3)
Special Attack consign to oblivion (DC 15)
Spell-Like Abilities (CL 5th; concentration +8)
3/day—alter self, invisibility, zone of silence

----- Statistics -----
Str 16, Dex 14, Con —, Int 13, Wis 17, Cha 17
Base Atk +3; CMB +6 (+8 grapple); CMD 18 (20 vs. grapple)
Feats Improved Grapple, Improved Initiative, Weapon Focus (claws)
Skills Bluff +8, Perception +11, Sense Motive +11, Stealth +10, Survival +8
Languages Common

----- Ecology -----
Environment any forest or swamp
Organization solitary
Treasure standard

----- Special Abilities -----
Selective Invisibility (Su) An Abandoned One under the effect of its own invisibility loses its invisibility if it attacks, but only with regard to the target of its attack.
Consign to Oblivion (Su) Three times per day, as a standard action, the Abandoned One may cause any one creature within 60 feet to become invisible and its voice inaudible to all but the Abandoned One for 12 hours (DC 15 Will save negates). The target may speak and cast spells as normal, but only the Abandoned One can hear the target’s speech. The target remains tangible and detectible by scent and its movements remain audible. If the Abandoned One is destroyed, the effect immediately ends. Regardless of whether the save succeeds or fails, a creature may only be targeted by this ability once per day. Any creature with prior knowledge of the target must make a DC 15 Will save or lose all memory of the target’s existence for the duration of the effect. Reminders or evidence of the target’s existence will not cause the memory to return; such evidence will be explained away or ignored. If the target is perceived or interacted with, a creature that has failed its Will save will acknowledge the target’s existence but have no memory of their acquaintance. Only the end of the effect will cause the target to be remembered. This memory loss is a mind-affecting, compulsion effect.

Abandoned Ones are the vengeful spirits of members of the Taldan Armies of Exploration who were lost or left behind in the wild places of the world and forgotten as the Armies moved on or retreated. Tied to corporeal form by their fury and pain at their perceived abandonment, they seek to share their torment with any mortal souls that cross their path.

An Abandoned One resembles a living human, but its features are drawn and its skin hard and leathery. Its fingers have become powerful claws and its teeth have grown long and sharp. An Abandoned One haunts deep wilderness areas and sometimes approaches travelers disguised as a lost soldier or an obliging guide, attempting to draw its victims off alone and kill them before their companions remember them. The Abandoned One prefers to target first those who have voiced skepticism about its identity, but will eventually seek to slay any living being it encounters. If confronted with a powerful group, the Abandoned One will approach invisibly and target individuals one by one, relishing their victims’ dismay as their companions forget them.

Sam, it was a good idea to update your profile. I'm not nearly as interesting as you.

Looking at the ideas that have come out of this contest, I'm guessing every single person who's made the Top 32 is incredibly interesting, the sort of person I'd want to have a (root) beer with.

Which reminds me, I'd be up for a PbP, if a once-a-day post rate isn't too slow.

I'll also be signing off for the nonce, and I'm sorry to the folks whose items I haven't said a word or two about yet. But I did want to say that I'm really impressed with the ideas, flavor, and well-constructed mechanics here in the archetypes round. It's an honor to find myself here in the deep end of the talent pool. Congratulations, all!

Finally back home and duly relaxed after a juicy ribeye steak and an episode of Being Human. My wife is proud of me. That's all that really matters.

Now that, sir, is superstar.

River Wrangler (Rogue)

Executors of the will of the river-god Hanspur, their intended victims, and all who have been at the mercy of murderous hands or a strong current know that sometimes a last, desperate twist is the only way to draw another breath. The river wrangler is a wily opportunist, at home on the waterways and skilled at using close quarters and the river itself to her advantage. Most wranglers are followers of Hanspur, though some are escapees from his cruel drowning ritual. Others are mere survivors: guides, scouts, marauders, or refugees who have learned that the only thing that matters on the river is to always come out on top.

Dead Man’s Float (Ex): A river wrangler can hold her breath for an additional number of rounds equivalent to her level. This ability replaces trapfinding.

Stranglehold (Ex): Beginning at 2nd level, a river wrangler may block the airways of her opponents. Any opponent engaged in a grapple with a wrangler and who needs air to breathe must hold its breath (as per the rules for suffocation) for as long as the grapple is maintained. If the grappled opponent is underwater, the duration for which it can hold its breath is reduced by an extra 2 rounds for each round the grapple is maintained. This ability replaces evasion.

River Rat (Ex): Beginning at 3rd level, a river wrangler gains a +2 competence bonus to all CMD rolls and Reflex saves while in aquatic terrain. This bonus increases by +1 for every 3 levels beyond 3rd. This ability replaces trap sense.

Wrangle (Ex): Beginning at 4th level, a river wrangler may apply sneak attack damage to a melee attack when her target is grappled, even if the target is not flanked or denied its Dexterity bonus to AC. This damage also applies if the wrangler uses the “damage” action while grappling an opponent. This ability replaces uncanny dodge.

Flailing Strike (Ex): Beginning at 8th level, when a creature attempts to start a grapple with a river wrangler, the wrangler may make an attack of opportunity, even if the attempt would not normally provoke such an attack. If this attack succeeds, the wrangler deals sneak attack damage, even if the target is not flanked or denied its Dexterity bonus to AC. This ability replaces improved uncanny dodge.

Rogue Talents: The following rogue talents complement the river wrangler archetype: combat trick, distracting attack, finesse rogue, hold breath, resiliency, strong stroke, and terrain mastery (water).

Advanced Talents: The following advanced rogue talents complement the river wrangler archetype: another day, hide in plain sight, knock-out blow, and opportunist.

Witchwood Comb
Aura moderate enchantment and illusion; CL 9th
Slot head; Price 30,000 gp; Weight -
Description
The teeth of this polished white wooden comb are carved to resemble bare winter trees. Once per day, the wearer may call into being an illusory forest of creaking, rime-covered birch and tangled undergrowth, covering a circular area with a radius of 60 feet and centered on a point within 100 feet of the wearer. This effect is similar to that produced by mirage arcana (DC 17 Will save to disbelieve), with two additional properties: first, creatures that fail to disbelieve the illusion treat the entire affected area as difficult terrain. Second, the weird shadows and sounds of the forest are disturbing even to those who perceive its illusory nature: all morale bonuses in effect on the wearer’s enemies within the area are suppressed (a separate DC 17 Will save negates). The comb’s effects persist for 10 rounds or until dismissed by the wearer.
Construction
Requirements Craft Wondrous Item, cause fear, mirage arcana; Cost 15,000 gp

One aspect of D&D/Pathfinder mythology that I've always really enjoyed is the treatment of elements and elementals, from the planes and para- and quasi-planes to the Princes of Elemental Evil to the Moorcock-inspired images of the elementals themselves to Pathfinder's Ifrits, Oreads, and so on.

I really like the iconic look of the classical elementals (masses of the constituent element with vaguely human characteristics), but someone looking to mix things up a little and play with player's expectations might take a look at the "Four Elements" series of paintings by Renaissance painter Giuseppe Arcimboldo.

Arcimboldo's elemental portraits are bizarre beings composed of masses of the relevant animals (or, in the case of "Fire," tools and weapons). In a PF campaign, they could be reskinned elementals, divine messengers for elemental powers, or new beings entirely. There's something creepily appealing about Arcimboldo's vision that I could see fitting in the right kind of campaign.