Simeon Iskandar is a curious case, a Vishkanyan man though not of pure blood. His mother a human woman, Claris Iskandar, his father a Vishkanyan, Ori Scaleborn. Simeon himself was poisonous to his mother, and despite the spells of his father, the poison could only be delayed, not stopped. Simeon's birth lead to his mother's death, and his father decided to have Simeon keep her last name over his.
Though he largely appears human, Simeon's insides are poisonous, filled with natural harmful chemicals hazardous to most organic life. While his father's blood is seen as a curse in many regards, it also holds a small blessing. The blood of the maestro flows within him, a talent of song and expression. It has influenced his magic and his mannerisms in many ways. Frequently Simeon breaks into song, delivers his spells with rhythmic sonatas, using his soft voice to deter those around him from violence.
His theatrical nature spreads to all of work. His outfits are vivid, his skin painted a deep blue. He dyes his skin, hiding his scales to appear like a performance actor. He speaks in the third person, often in statements that reflect is "grandeur."
Simeon is sympathetic to races who are with cursed blood or heritage. He frequently surrounds himself with people such as this, finding a bond in their roles as society's outsiders.
Character Goals
1.) Secret. Despite his childhood having little discrimination, Simeon wishes to find a way to undo his Vishkanyan blood. He has made it his ultimate life goal to seek to be born again as a human, and to share his secrets with those who share his affliction. He follows rumors of places that might make his dreams come true. He often hides this by stating he seeks adventure, greatness or treasure. It is for this reason he travels the seas, seeking ancient powers to grant him his wish.
2.) Unconscious. Simeon is young and seeks guidance. He abandoned his father in search of a cure for his blood, and has always lacked a mother-figure. He seeks a person he can regard like a parent or mentor.
