Name: Enkidu Marelegs of the Shriikirri-Quah
And his master, who blesses him with permission to ride upon him when travelling, Name: Shakka of the Glen
Sample post The pair stand at the rear of the group; Enkidu to the side of his mount's head, the horse's eyes trained on the complaining townsman. After a minute, the horse turns and mumbles a few grunts and horse-noises into Enkidu's ear, as he nods and steps forward. "My lord Shakka believes that he has some knowledge that may aid in this..." [ooc]Survival 1d20 + 8 ⇒ (7) + 8 = 15
leinathan wrote: @Endiku- I was making a reference. I meant to say that Dervish Dance applies only to scimitars. Gotcha. I'll drop out then, have a good game. And I do get the Monty Python reference, but since my question was about attacking others, a quote about others attacking me was a little confusing.
leinathen wrote wrote:
Can't use them both, no problem. I more meant home-brewing by taking some features from one archetype and putting them in a second, but eh no big deal. Sorry, your fruit-related comments have me confused. Are you saying that Dervish Dance gives you bonuses when someone attacks you with a Scimitar? Or are you concluding that Dervish Dance only allows you to use Dex for Scimitar attack and damage rolls?The Paladin used Lay on Hands, grabbed an implement they were using to torture him and slew them all while Enkidu fought with one of them and distracted the rest. He was high-level enough to only need a distraction to escape.
Backstory: Born a slave to a noble family in Egorian in Cheliax, Enkidu lived an appallingly poor and tormented life, his only friend a small family of halflings who served with him. When the Bellflower Network came to free them, they took Enkidu with them. Enkidu spent the next few years on a gruelling trek across the country to safety in Andoran. Near the border, Enkidu and the halflings heard someone from a barn being hideously tortured by Chelish slavers. Armed with only a wooden pole, the young Enkidu charged in and tried to save the man. He distracted them long enough for the man to get to his feet and slay them all. Then, after weeks of torture and brutality, he asked if Enkidu was okay. The man revealed himself as a Paladin of Sarenrae, the Dawnflower, and a member of the Pathfinder Society. Out of thanks for the youth's help, he gave him his old Wayfinder. Enkidu eventually reached Andoran, where he joined a church of Sarenrae to become a worshipper before joining the Pathfinder Society. Gaining skill, power and knowledge, Enkidu seeks to return to the country of his birth and try to understand it, and reform it with Sarenrae's light if possible, or burn it to the ground with Sarenrae's flame if necessary.
Name: Enkidu Noneson
Questions for GM: -This wording from the Dervish Dance feat: 'When wielding a scimitar with one hand, you can use your Dexterity modifier instead of your Strength modifier on melee attack and damage rolls'. Would you agree that it states that as long as you are wielding a scimitar in one hand and the other is empty, you can use your Dexterity modifier on ALL melee attack and damage rolls?
-There are two Dervish archetypes for the bard; the Dervish Dancer and the Dervish of Dawn. They've very similar, and I feel slightly incomplete. Any chance you would be willing to allow me to combine the two archetypes? Just thought I'd ask.
Tsk. Well, have fun fellas. Out of professional pride, I am going to post a few things I was going to use to achieve a quite nasty level of damage, in case it wasn't immediately apparent. Smite Evil
Aura of Justice
Litany of Righteousness
Description (Unfused): Enkidu is a tall and powerfully built young man with blonde hair worn in a military crop, blue eyes and a serious demeanor. He wears simple chain mail emblazoned with the hawk of Andoran atop a blue shirt and brown leather trousers. He wears thick black leather military boots. On his back are two swords, one almost as tall as he is and another suited for his grip. His voice is terse and used to command.
Here's Enkidu. Still need to flesh out backstory and personality, but the rest- including the character sheet- should check out. @Validk- Jelani made clear that when writing your BACKGROUND, we should write it as if we are getting our Summoner powers later. I take that as meaning that for everything else, including the character sheet, build it as if we've been synthesists for all our careers. I may be wrong, but that's my reading. |
