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![]() Ok, I have been going over this since the game ran into trouble the first time, and I think my approach to getting this game off the ground was poorly executed. Freeform sandbox go with the characters would seem to translate to pbp because it gives more time to adjust to curve balls, but I'm thinking it doesn't provide enough hook to keep a head of steam under my helmsmanship. I do not think a third round of recruitment is going to help matters. For those who are still here, would it help if we ran a more traditional setup? Otherwise I am at that point where I will write this off as a bad go of it and try my hand at running again later. ![]()
![]() Nakadai pushes through the door, literally as the soaked paper does not hold up to the force of sliding it open. Inside a sad sight, a young boy covered in burns. A slight gurgling noise comes from the boy, and it looks like he is trying to raise his hand to you as he notices your presence. I need to know if you are approaching the boy. If not, I will need an awareness roll. Upon approach, or awareness TN 10: The boy is cradling the body of a baby, who seems to be untouched by the flames and sleeping fitfully on the verge of waking. ![]()
![]() Up to you, if you think speed is of the essence roll away. If you are worried about rolling it over him, lifting would might be better. I am a big proponent of giving choice of action with hidden consequences either way. You do have someone with medicine who could make an educated guess, but that too may take more time than the dadoji has. It is a heavy timber and the crane is not conscious but is breathing in shallow gaps if that helps your decision. ![]()
![]() Inoue beseeches the excited kami to quit their action, and with much grumbling the kami within the building quit their action. Inoue gets the distinct feeling that the kami were not happy to listen to him, something that has never happened to him before. Usually the kami are at least respectful of a request. Nakadai rushes to the stairs and up them only to find the hall above a torn mess. A large portion of the roof is now open to the sky, and angry storm clouds march across the sky hurling lightning at the ground below. ![]()
![]() Sesno clicks her tongue, readying a response to the inebriated man... but, it seems the Fortunes have their own response as a peel of thunder cracks directly over head. In seconds the room begins to fill with flames as a portion of the upper section collapse to meet the ground floor, the timber now pinning the large Dadoji. From somewhere upstairs you hear the scream of a child for its mother. ![]()
![]() As the party has not taken the proffered room, and Dadoji finally deign to take notice of their presence. One very large man dressed in crane blue stumbles over with a bottle of saki and a goofy grin, smiling as if he had just heard the funniest story just seconds ago. He wanders up to the samurai-ko that accompanies Hikonaga and attempts to make conversation in his be Doji impression. "Your beauty blinding, my vision clouded by wine, I seek out your heart." Senno does not seem amused at the attention she is now receiving. ![]()
![]() Ignoring the dishonorable behavior of others is considered a more or less expected act and actually helps your honor if you are low on that scale, although if you are high it reduces your honor bringing you back to the mean. The musician and the proprietor are of lower station even compared to yourself, the Dadoji are higher in status of course. There are a few different ways you could handle this and still gain honor. ![]()
![]() As the samurai start to get to know each other and get a banter going, the Dadoji at the other table begin to get a bit belligerent with the house proprietor. It would seem they have gotten too far into their cups. The pretty girl stops playing music and politely offers you a private room upstairs to continue your tea, a momentary glance to the Dadoji is the only indication she gives that anything is amiss. She is politely saving honour for the Dadoji as well as sparing you the dangers of drunk clan samurai interacting with wavemen. ![]()
![]() Due to the small size of the tea house, and the only other table being taken up by small group of Daidoji drinking sake, the newcomers only open space is seated at the table currently occupied by Nakadai and Hojo. Inoue. The tea house is in the small crane village. You may continue any discussion you need in the cave, I have just started the tea house scene to give our new players the ability to interact as well. I do apologize for any confusion this has caused. ![]()
![]() I do apologize, I had not made it clear that the rest of the group should in fact be interacting with the tea house scene. I am giving you all a chance to RP your characters so everyone can get an idea how said characters are going to act. Once the rest of the party has entered the tea house and done a little bit of interaction I will be initiating an event in order to bring the party together. Any time you have worries about the direction of the game please feel free to bring them up with me, I am sure there will be a few hiccups due to the sandboxing nature of this campaign. ![]()
![]() In the cave: The kami looks at you impassively, snorting once more and fading out with a last breeze of cherry blossom and damp grass. As the pool begins to drip down out of the air, a small tea house flashes and breaks apart. You recognize it as one that you had visited recently in the crane lands. Tea house: A young woman of moderate beauty sits at a yamatogoto and begins to pluck out a lilting tune. As the music picks up, a peel of thunder seems to join in as punctuation for the crescendo. Those few who are sitting and sipping tea begin to mutter and cast glares out to the weather outside. ![]()
![]() Going to continue the conversation with the kami, and the figuring out of what you wish to do next. Just starting a post to get the others in to the game. We will decide what town it is in after you decide what direction you travel. Two weeks after the kami in the cave. The atmosphere of the little tea house was less than the normal joyful contentment you normally find in such a place. It was well known that it would be a hard year, and the constant rain did not help much. But, it still provides some respite from the normal malaise of day to day life. ![]()
![]() The water in the pool swirls once more, becoming a wheel turning. The wheel cracks and breaks in two before the pool clouds over. Suddenly, the silhouette of a man walks out of the cloud, dressed in fancy kimono. He steps out on to stone balanced upon many others, he carries the sun and the moon upon his shoulders. As the stones begin to lean and collapse thousands of people throw themselves at the stones, propping up the pile. As you watch the shadows build up without number the scene sharpens upon the top stone, it begins to tilt and a striking young woman begins to run out on to it before the image fades to black. You had the merest of seconds to see the woman's white hair and scarlet robe, the color's shocking against the muted backdrop. ![]()
![]() The towering stag stares down at you with sadness in his eyes and snorts a foggy mist at you, seconds later the water droplets form into a still pool in the air. Shadowy Images of crops withering and animals starving fill the pool, as the water swirls and shifts you watch as the seasons change again and again, in perpetuity till the land is so sodden only fish still live upon it. ![]()
![]() There is not much to see, the place where you are now with the pool and the bear corpses is the back most portion of the cave. Not that it is going to matter as I will now be pushing the story and giving you a missing piece that the other shugenja ran away with. As the two of you contemplate what the corpses mean and how a man would react to such things if it were his family, the air in the cave changes. The smell is forced out and the feeling of illness is replaced by a strange calm. Cherry blossoms drift upon the sudden gentle wind and you hear the clop of hooves upon stone floor. A large white stag walks brazenly into the cave, its antlers entwined with green vines and pink blossoms, and it looks annoyed. ![]()
![]() The fire tells a sad story, one of illness and death. It looks as if the cubs went first, then the mother. The large male that had destroyed the magistrate's camp most have gone mad with whatever sickness had moved through this cave. The oppressive drip of water and the flickering of the fire you have made are the only sounds that intrude upon this somber sight. ![]()
![]() YOU CAN'T HANDLE THE TRUTH. Jojo is looking pretty good. Sorry for forgetting to tell the group I was going to be away for Pesach, but let's get this show on the road gather the party. To our two new players, I will slot you in as quickly as possible. Just bear with me... ok, that was terrible, I blame the day.
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