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GMEDWIN's page
10,463 posts. Alias of Insnare.
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Shot Putter Funkmeister
Hanoushin visibly brightens at the question. Indeed, of all the matters presently troubling Muluk, this is clearly the one he would most happily discuss for hours if permitted.
"The uproar, Lady Zairiah, is that history has ceased to agree with itself."
He looks hither and thither
"For centuries, every respectable account of Muluk's founding has described Amakim Ibn Issad as a heroic ruler who overthrew his monstrous brother and led his people to greatness. Then your company recovered The Kingdom of Lions."]/b]
He spreads his hands.
[b]"A text written by Azaltin himself."
The historian's voice lowers slightly.
"Unfortunately, Azaltin's version of events is not merely different. It is contradictory. In his account, Amakim is indecisive, manipulated, and frequently dependent upon the counsel of the vizier Zeenab. Azaltin portrays himself not as a monster but as the victim of a political betrayal."
He speaks lowly as you walk towards the mosque.
"Normally such a document would be dismissed as propaganda. The difficulty is that every examination conducted by our scholars has confirmed the text's authenticity."
Hanoushin sighs.
"The result has been... spirited disagreement."
"Historians argue in the libraries. Priests argue in the mosques. Noble families argue over dinner. Students argue in the streets. One professor of antiquities reportedly challenged another to a duel over a footnote."
He coughs as you continue:
"As for the tombs..."
His expression grows more thoughtful.
"There is no complete map."
This time the answer is immediate.
"At least, none known to survive."
He begins slowly pacing as he speaks.
"The Mount of Forgiveness has served as a place of burial, contemplation, pilgrimage, and memorial for centuries. Every generation has added chambers, shrines, vaults, and crypts. Some were forgotten. Some collapsed. Others were deliberately sealed."
Hanoushin glances briefly toward the Calipha.
"The ceremonial tomb of Amakim was well known. It was there that the Zannite clergy conducted their investigation."
He pauses.
"The Hall of Kings is another matter."
The name itself seems to draw attention from everyone present.
"If it exists, it predates most of the structures currently visible within the mountain."
His eyes narrow thoughtfully.
"The oldest references describe it as the resting place of Muluk's earliest rulers and their closest companions. A few texts mention hidden passages, guardian spirits, and royal wards. Most scholars dismiss such embellishments."
A pause.
"I am not one of those scholars."
The old historian folds his hands behind his back.
"Should the Hall of Kings truly exist, it may contain the remains of Amakim. It may contain the remains of Zeenab. It may contain records preserved from the city's earliest years. Or we can speak to the dead..."
His expression becomes serious.
"Or it may contain answers that many influential people would prefer remain undiscovered."
He inclines his head toward the party.
"Which, I suspect, is why Her Radiance has chosen adventurers rather than scholars... and the fact seasoned adventurers like yourselves, would be able to come back..."

Shot Putter Funkmeister
The courier leaves the fruit stall carrying nothing more suspicious than a small paper-wrapped bundle tucked beneath one arm.
He moves through the market at an easy pace, neither hurried nor idle.
Elena falls in behind him first.
The crowd works in her favor. A servant carrying a basket crosses between them. A pair of fishermen argue over the price of plantains. Each time the courier glances casually about, there is always someone else to look at.
Carlos follows several paces farther back.
A mule cart blocks the street for a moment, forcing pedestrians to squeeze around its wheels. By the time the obstruction clears, he has slipped naturally into the flow of foot traffic without attracting a second glance.
The courier continues for another block before slowing near a vendor selling coconuts and guavas.
Not stopping.
Waiting.
Watching.
For a brief moment he studies the reflection in a rain barrel beside the stall.
Then, without turning around, he speaks.
"If you wished to speak with me, you could simply have done so."
A few nearby shoppers continue about their business, unaware that anything unusual has happened.
The courier picks up a guava from the vendor's display and examines it critically.
"Following people is exhausting work."
Only now does he turn his head slightly.
Not enough to face you directly.
Just enough to make it clear he knows exactly who is behind him.
A faint smile appears.
"Though I admit you've become somewhat better at it."

Shot Putter Funkmeister
Ok, I will fix it.
The morning market is only beginning to fill, but already the square is alive with activity.
Vendors arrange their stalls beneath patched awnings. Porters carry baskets of produce from carts that arrived before dawn. The air is thick with the scent of citrus, guava, plantains, and damp earth.
A woman argues over the price of yuca.
A mule brays loudly somewhere nearby.
The fruit sellers are doing brisk business with servants sent out to buy provisions before the heat of the day settles over the city.
You position yourselves where you can observe the market without appearing to do so, but also in a way for the courier to easily see you.... if he wants to.
At first, the effort seems fruitless.
The crowd shifts constantly. Men and women move between stalls. Merchants call out their wares. Every few moments someone blocks your view.
Then Elena notices something.
Not the courier himself.
A familiar hat.
For an instant she catches sight of it moving between two stalls on the far side of the square.
By the time he points it out, the figure has vanished behind a knot of customers haggling over oranges.
Several minutes pass.
Perhaps it was someone else.
Then the man reappears.
There is no doubt this time.
The courier emerges beside a fruit stand near the center of the market, exchanging a few casual words with the vendor before continuing on.
He carries no obvious dispatches.
No satchel.
No official markings.
Nothing that would distinguish him from any other resident of Buenaventura.
And yet there is something familiar in the way he moves—calm, deliberate, observant.
Unfortunately, the brief loss of contact has cost you valuable ground.
The courier is already making his way toward the far edge of the market where several narrow streets branch away into the city.
You have found him.
The question now is whether you intend to approach him... or whether you can reach him before he disappears into the crowd once again.
Hopefully, this is better.
Shot Putter Funkmeister
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Shot Putter Funkmeister
Haroushin says, "Follow me to my mosque and maybe I have something else."
You follow him to the mosque and takes you off to the side and says, "Let me find something. Feel free to ask about the tombs. Since you brought me the book it has stirred an uproar amongst scholars and the aristocracy in the Free Cities."
Shot Putter Funkmeister
SOrry, i did not mention you were staking out at a different fruit cart. the fruit cart is near the mansion. I forgot to add that detail in my description.

Shot Putter Funkmeister
The morning air is already warm, carrying the scent of damp earth from the previous night's rain. Around the governor's residence, servants sweep stoops, merchants begin arranging their goods, and a handful of soldiers linger near intersections more out of habit than vigilance.
The governor's mansion itself is stirring to life.
Shutters open.
A stable hand leads a horse across the courtyard.
Messengers come and go through the gates with the practiced efficiency of men who know their errands will not wait.
You position yourselves where you can watch the surrounding streets without drawing attention.
For a time, nothing seems out of the ordinary.
A clerk hurries by carrying a bundle of papers. A priest exchanges greetings with a merchant opening his shop. A woman carrying a basket of fruit disappears down a side street.
Then, for the briefest moment, Elena catches sight of a familiar figure crossing an intersection nearly half a block away.
The courier.
Or at least she thinks so.
The man vanishes behind a passing mule cart before she can get a better look.
By the time Carlos turns to follow her gaze, the figure is gone.
Several frustrating minutes pass.
Perhaps it was someone else.
Then the same man appears again.
This time there is no doubt.
The courier emerges from a narrow lane between two residences not far from the governor's mansion. He adjusts his hat, glances once up the street, and continues on his way at an easy pace.
Not hurried.
Not cautious.
Merely purposeful.
Yet the momentary loss of contact has cost you.
The courier is already approaching a busy crossroads where several streets branch toward the marketplace, the church square, and the road leading inland.
You have found him.
Now you must decide whether to follow, intercept, or let him pass.
Shot Putter Funkmeister
Sorry about that, please give me the notice rolls. Got a little overzealous...
Shot Putter Funkmeister
He says, "The special anti-undead abilities are only usable by mullahs or priests, wait, in the outlands where you are from, it would be called a mace I think. Can you use a mace, Frackit?"
Shot Putter Funkmeister
The heat sits heavy over the streets near the docks, where salt air, fish smoke, and wet timber all mix into something thick and restless. Porters shout over stacked crates. Sailors weave through knots of people looking for drink, work, or silence. Every few minutes, a bell or shouted order cuts through the noise from the harbor.
Somewhere in this moving crowd, the courier is still in motion.
Give me a notice roll, to see if you see him.
Shot Putter Funkmeister
You guys want to try and run into the courier and then afterwards hire a canoe to see Mama?
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Shot Putter Funkmeister
Haroushin says, "I can lend you my Staff of the Lion Kings, magic items are rare...come with me back to the mosque of Zann."
Shot Putter Funkmeister
Your character is from Caracas. Hmm, you probably would not speak Quechua. However, Mama Yandira is not a native but a maroon or escaped slave.
Shot Putter Funkmeister
Hanoushin asks, "Do all of you have magical weapons? Without magical or holy weapons, the undead may be difficult to eradicate."
Shot Putter Funkmeister
La Cadena says, "There are plenty of boats available in the city that go up and down the Rio Dagua, you should be able to ask around and find a passenger canoe or a slightly larger cargo canoe with one or two men to pilot the craft. Canoes are exhilirating, but most likely on the way down river."
Shot Putter Funkmeister
The new mission is basically having you go through the crypts where you were to find the remains of Amakim.
Shot Putter Funkmeister

Shot Putter Funkmeister
La Cadena nods in agreement. And then she shuts the shutters behind her. She then says, "I have an assignment that may take you to the jungle for a few days."
She produces a message.
It is not written on proper paper.
Instead, several strips of rough river reed have been tied together with dyed cord and wrapped in oilcloth against the damp. The writing itself is uneven—written by someone practiced enough to communicate clearly, but unconcerned with elegance.
La Cadena places it carefully on the table.
“This arrived yesterday.”
She pauses.
“Which is interesting Because I never told anyone where this meeting place was.”
She unfolds the message.
“To the woman who calls herself La Cadena—
You ask the city who rules Buenaventura.
Ask the river instead.
Men carry letters through the streets while boats carry everything else.
Your people have been seen asking questions. Some quietly. Some less quietly.
If you wish to know who profits from uncertainty, come upriver.
Send few people. Send useful people.
— Mama Yandira, Río Dagua”
La Cadena folds the reeds back together slowly.
“I dislike that she knows about us.I dislike even more that she may be correct.”
Shot Putter Funkmeister
La Cadena smiles and says, I agree, however.."No te juegues todo a una carta" Don't place all of your bets on one card.
She continues, "Maintain with that courier and try to develop the others as well."

Shot Putter Funkmeister
Hanoushin waits until the uneasy silence in the chamber settles once more before stepping carefully forward from among the gathered advisors. Unlike many in the court, he does not appear scandalized by the revelation of the empty tomb. If anything, he seems invigorated by it, though he works diligently to conceal the fact beneath scholarly restraint.
The old historian adjusts the folds of his dark robes, presses one hand respectfully to his chest, and inclines his head toward the Calipha before turning his attention toward the party. As you walk out of the palace...
“There is… another possibility,” he says carefully.
Several members of the clergy nearby visibly stiffen.
Hanoushin continues anyway.
“The tomb opened by the Zannite priests was the ceremonial sepulcher of Amakim Ibn Issad, founder of Muluk. But among certain historical circles”—his pause suggests the phrase is diplomatic rather than precise—“there have long persisted rumors that the true resting place of the first kings lies deeper within the mountain itself.”
At that, even some of the courtiers exchange uneasy glances.
“The Hall of Kings,” he says quietly.
The name hangs in the chamber like something half forbidden.
Hanoushin folds his hands behind his back as he speaks, his scholarly composure only barely masking excitement.
“Ancient chronicles reference a hidden funerary complex beneath the Mount of Forgiveness, constructed during the earliest years of Muluk before the city’s rites and dynasties had fully stabilized. According to these traditions, the first rulers—and in some versions, their closest counselors and blood kin—were not interred in public tombs at all.”
He looks back towards the direction he last saw Qasim.
“But in chambers hidden from rival claimants, graverobbers… and history itself.”
The historian looks back to the party.
“If Amakim’s remains were removed generations ago for protection, secrecy, or political necessity, then it is possible they were transferred to the Hall of Kings.”
His expression darkens slightly.
“…along with the remains of the vizier Zeenab.”
Hanoushin lowers his voice slightly.
“The oldest versions of the stories describe Zeenab as advisor, manipulator… perhaps worse. Some claim she preserved the throne. Others claim she poisoned it from within. And the book you brought me... well portrays him of a villain.”[/b]
He coughs..
Hanoushin inclines his head once more toward the party.
“If the Hall of Kings truly exists beneath the Mount of Forgiveness, then it may contain not merely the remains of Amakim, but the truth of Muluk’s founding itself, so that the high priest may speak with Amakim to get the truth.”
A pause.
Then, quietly:
“And there are many in this city who would prefer that truth remain buried.”
Shot Putter Funkmeister
I have been getting error messages from Paizo the last four days. 504 and 403... yes there are beaches near Buenaventura.

Shot Putter Funkmeister
La Cadena listens in silence as you recount the conversation in the marketplace.
The only sound in the dim room is the faint creaking of the old customs house timbers and the distant wash of water against the docks below.
When you finish, she remains quiet a moment longer, thoughtful rather than disappointed.
“No, You learned quite a bit.”
She folds her arms loosely.
“You learned the courier is politically aware. Educated. Careful.”
“You learned he was willing to discuss the juntas openly with strangers he believed were cautious enough to understand him.”
“And you learned he fears instability more than ideology.”
She glances briefly toward the shuttered window facing the harbor.
“That is important.”
“A fanatic is predictable. A pragmatist survives.”
Her fingers tap lightly once against the table.
“The mention of Haiti tells me something else.”
“Men like him are thinking beyond Spain now. Beyond loyalty to a crown.”
A slight pause.
“Haiti frightened every colony in the Americas. Merchants. Governors. Plantation owners. Priests. Everyone.”
“Once a colony successfully breaks from Europe, every official begins wondering if authority is stronger than distance.”
She leans back slightly.
“And the British…”
A faint smile.
“The British are always listening. Always trading. Always waiting. They are also wary, they lost half of their American jewel and may seem keen to reacquire it”
Her expression becomes more serious again.
“Most importantly, he did not treat your questions as absurd.”
“That means these conversations are already happening beneath the surface.”
“Perhaps quietly. Perhaps cautiously. But they are happening.”
She studies both of you for a moment.
“You were expecting certainty.”
“There is none.”
“Not in Spain. Not in New Granada. Not even among the governor’s own people.”
Another brief silence hangs in the room.
“Right now everyone is testing everyone else.”
“That is what you just experienced.”
She nods once toward Carlos.
“And the fact that he walked away instead of denouncing you means you passed well enough.”

Shot Putter Funkmeister
The Calipha remains silent for a long moment after the matter of rewards and ancient loyalties has concluded. Around her, the court settles once more into attentive stillness, though beneath it you can feel something else now—strain. Unease. The subtle tension of a city arguing with itself behind closed doors.
At last, the Calipha speaks.
“There is another matter,” she says evenly, “one far less simple than sorcerers and fire.”
Her gaze drifts briefly toward the great windows overlooking the distant city beyond the palace walls.
“You have already brushed against its edges without fully seeing it.”
The chamber grows quieter still.
“The text you recovered… The Kingdom of Lions… has done more than stir scholars.”
At the mention of the book, several courtiers visibly tighten. One elderly advisor lowers his eyes altogether.
“It has wounded certainty.”
Her voice remains composed, but there is iron beneath it now.
“For centuries, Muluk has taught that Amakim Ibn Issad, founder of this city and my ancestor, was a righteous conqueror who slew his monstrous brother Azaltin and led his people from darkness into civilization.”
A pause.
“The book presents another memory.”
The Calipha’s eyes narrow slightly.
“One in which Amakim was weak. One in which he was guided—and perhaps ruled—by the vizier Zeenab. One in which Azaltin names himself the wronged brother.”
A faint murmur moves through the court despite every effort at restraint.
“The authenticity of the text cannot be denied,” she continues. “Only its truth.”
Her daughter watches now with complete stillness, clearly having heard this before. The young prince, meanwhile, looks utterly lost, though fascinated by the gravity in the room.
“The historians demanded answers. The clergy demanded restraint. The Zannite priesthood proposed that the spirit of Amakim himself be summoned to settle the dispute.”
Now, finally, something changes in the Calipha’s expression—not fear, but controlled irritation.
“I permitted it.”
That sentence lands heavily.
“The tomb of Amakim upon the Mount of Forgiveness was opened at dawn under sacred rite and proper witness.”
She stops.
The silence that follows is different from the others that have filled the court today.
This one feels cold.
“When the tomb was opened and it was empty.”
The words spread through the hall like the first breath before a storm.
No one speaks.
No one dares.
The Calipha rises slowly from her throne then, violet silks whispering against polished stone as the entire court instinctively lowers itself just slightly in response.
“For three days, Muluk has argued in whispers.”
She descends one step from the dais.
“The historians claim theft. The clergy speak of sacrilege. Some now question whether the founder of Muluk rests at all.”
Another step.
“And in the streets… there are already those who whisper that perhaps Azaltin wrote the truth.”
That lands harder than any proclamation yet.
“To question Amakim is to question the foundation of Muluk itself.”
Her gaze settles upon your party.
“You found the book that began this turmoil. You returned a warrior who swore fealty to Amakim’s bloodline. And unlike many in this court, you stand outside the rivalries now consuming my scholars and priests.”
The Calipha’s eyes sharpen.
“I would have you discover what became of Amakim’s remains.”
A faint shift passes through the chamber at the sheer bluntness of the request.
“You will go first to the Mount of Forgiveness. You will speak to the Zannite clergy, the tomb guardians, and any witnesses present at the opening of the crypt.”
Her tone hardens.
“And you will do so quietly.”
She looks now not merely at adventurers, but at instruments of state.
“If word spreads that Muluk’s founder has vanished from his own tomb, panic and opportunists alike will follow.”
At the edge of the dais, she stops completely.
“Find me the truth,” she says. “Whether it honors my ancestor… or condemns him.”
She then claps thrice and Hanoushin walks into the hall and she says, "Any further details you should ask Mullah Hanoushin and he shall give you some pointers. You shall return to me once you have found Amakim's remains. I wish you all the luck the Loregiver, may grant upon ye."

Shot Putter Funkmeister
The courier studies Elena quietly after the question.
Not suspicious now.
Measuring.
The noise of the market fills the brief silence between you. Somewhere beyond the waterfront, a church bell rings faintly through the humid afternoon air.
“Rule ourselves?” he repeats softly.
A faint smile touches the corner of his mouth—not amusement exactly, but recognition.
“That depends on who ‘ourselves’ are.”
He glances toward the harbor where foreign ships rock gently against their moorings.
“In Spain they say one king sits imprisoned while another wears his crown.”
He shrugs slightly.
“And now every city in the Americas suddenly claims to speak with the King’s authority.”
His eyes drift briefly toward the inland road.
“Crackdowns in Sante Fe (Bogota), Cartagena forms a junta. Quito rises. Rumors spread through New Granada faster than ships.”
He lowers his voice just slightly.
“Some call it loyalty others call it opportunity.”
He rolls the guava once in his palm.
“But distance…”
A pause.
“Distance has a way of teaching people they have been governing themselves for years already.”
His expression hardens just a fraction as he looks back toward the sea.
“And if the British arrive tomorrow…”[b]
Another faint shrug.
[b]“With what navy are we protected? Napoleon is blockaded, he sold Louisianna to the United States and Haiti has gained its own independence.”
The question hangs there between you—not quite sedition, not quite loyalty.
“Be careful discussing such things openly,” he says at last.
“These are uncertain months. Men discover new principles very quickly when governments grow weak.”
He gives Elena a slight nod.
“Still… it is wiser to ask questions now than after the answers have already been decided for you.”
With that, he pays the vendor and disappears once more into the crowd.
Shot Putter Funkmeister
I have come down with a rotten flu. I will post tomorrow.

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Shot Putter Funkmeister
So to divvy up:
The calipha just rewarded you with 30,000 gp on spec (she is sending riders to Hiyal which should take about a month for them to arrive and come back with the lion's share of the gold, divided by 5 =6000gp=6,000xp
Story award for saving the Calipha's family, helping the merchant and preventing the city from burning down is another 6,000 xp each.
Story Award for returning Qasim: 4,000xp each
Story award for helping the Dwarf get his math back was 3,000xp each.
The gold you picked up off of the dwarf and the dead wizard please include in your calculations.
Killing the Mage = 15,513 xp
Extra XP for outfoxing the Dao =2000 xp each
So full xp for everyone: Calipha Gold =6,000xp each
Story awards = 9,000 each
Combat Xp 15,513 for Wizard and 4,000 for Qittat the greater ghul 19,513 =3903 each
Grand total= 18,903 xp... there may be a combat encounter I forgot plus the gold you got from the dwarf and found on the wizard. Please level up your characters.

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Shot Putter Funkmeister
Qasim nod his glass head towards you and he is escorted by the Calipha's guard. She then looks back at your group.
The Calipha allows the silence to linger a few moments longer after her last question, her gaze resting upon Qasim-Shomart Abishuly as though weighing not merely the words of his oath, but the centuries that stand behind it. At last, she reclines slightly once more into the pale stone of her throne, and with that subtle movement the atmosphere within the hall shifts.
The moment of judgment passes.
Now comes the moment of rule.
“You have brought before me,” she says calmly, “a relic of my city’s earliest bloodshed, clothed him in dignity, and presented him not as a trophy, but as one seeking purpose. That alone speaks well of your judgment.”
Her fingers rest lightly upon the arm of the throne, silver rings glinting softly in the filtered light.
“But this is not the only matter before this court.”
At those words, the attention of the chamber tightens again. Advisors straighten subtly. A scribe near the base of the dais lowers his reed pen to parchment.
The Calipha’s eyes settle upon the party as a whole now.
“You entered Muluk at a moment of danger,” she says. “You stood against flame where others fled from it. You preserved not only the lives of my household, but the order of my city.”
Her voice remains composed, but there is weight beneath it now.
“The pyromancer, Ali al-Lazan of that dastardly sect of pyromancers known as the Brotherhood of the True Flame, you slew was no mere hedge conjurer drunk on destructive whims. His name had already spread beyond Muluk. There are cities that feared him. Rulers who sought him. And at least one throne that had set a price upon his death.”[/b]
A faint murmur ripples through the court at that—not surprise, but recognition. News had traveled, then. Quietly. Carefully.
The Calipha continues.
“The Sultana of Hiyal has offered reward for the return of the sorcerer, dead or alive. His crimes reached even her courts. He tried to kill her and her family as well.”
At the mention of Hiyal, several courtiers exchange restrained glances. Politics moves invisibly between cities long before armies ever do.
“I have already dispatched trusted riders,” the Calipha says, “with proof of the pyromancer’s death and claim upon the bounty attached to his name.”
Her gaze sharpens slightly.
“And because it was by your hands that this matter was concluded… it is only fitting that you share in the reward.”
The young prince’s eyes widen slightly at that, while the Calipha’s daughter watches the party carefully now, curious perhaps not whether they deserve reward, but how they will receive it.
The Calipha raises one hand, and a servant immediately steps forward bearing a lacquered chest banded in bronze. Even before it is opened, the weight of it is obvious.
“With the treasury of Muluk acting in good faith upon the bounty yet to be collected,” she says, “I bestow upon you thirty thousand gold dinars in immediate reward for your service to this court and to my household.”
The servant lowers the chest. When the lid is lifted, warm gold catches the filtered palace light in deep honeyed flashes.
A visible amount. A serious amount.
Not enough to bankrupt a throne.
Enough to acknowledge heroes.
“You will find,” the Calipha says evenly, “that Muluk remembers those who preserve civilization from destruction.”
Her eyes move once more across the party—lingering for a moment on each of them in turn.
“Spend it wisely. Gold has a habit of revealing character more quickly than hardship.”
A faint smile touches the corner of her mouth then—so brief it is nearly gone before one can be certain it existed at all.
Then her gaze shifts once more toward the glass warrior standing beside you, silks whispering faintly around crystal limbs.
“And now,” she says softly, “we may speak further of ancient loyalties.”
If your character levels up because of this gold alone, feel free to do so. I shall over the weekend tally up monster xp for you since last level up.
Shot Putter Funkmeister
For the Spaniards at the time, the Pacific fleet was either concentrated further south near or near the Phillipines or further north on what is now the Mexican coast. The French and Spanish fleets were decimated at the Battle of Trafalgar. There was a legitimate fear the British would gobble up Spanish Americas.
Shot Putter Funkmeister
It is in the campaign description. Basically, Napoleon conquered Spain, the Spanish king is in exile and Spain was ruled by Napoleon. The colonies are in a political limbo. People are thinking, do we want the king back, should we support Napoleon or go for independence. The King who is in exile is Ferdinand VII.
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Shot Putter Funkmeister
Amakim was his master and Amakim is the founder of the Calipha's house. So a great great great ad infinitim grandfather of the calipha.

Shot Putter Funkmeister
The fruit seller hesitates as Carlos begins asking about prices and suppliers, clearly a bit surprised by the sudden shift in interest—but business is business.
He turns, gesturing toward the far side of the stall, answering in practical terms, though his tone suggests he’s not entirely sure what to make of the questions.
It works. Not cleanly—but enough.
The conversation shifts just far enough to give Elena and the courier a pocket of space.
The courier watches this happen.
He notices the timing.
The coordination.
He says nothing about it.
Instead, he looks back to Elena as she takes the fruit.
“Guava,” he says.
A slight pause.
“Common here.”
His eyes remain on her a moment longer than necessary.
Then, more quietly:
“Reliable, although maracuya is a bit tastier for my table.”
Another small pause.
“Not like empires.”
He turns the fruit slightly in his hand, then adds, almost idly:
“Napoleon is our emperor now, I think… or is the King back, do we care about Europe anymore? Are we protected and with what navy?”
He watches her reaction carefully.
Not the words—
The instinct.
Shot Putter Funkmeister
Elena, can you give me your roll, please?

Shot Putter Funkmeister
Intensity begets intensity
The Calipha does not react immediately, that, more than anything, tells you the weight of what has been said.
For a long moment, the hall of the Calipha holds still in a way that feels almost engineered: courtiers frozen in disciplined attention, guards unmoving, even the distant sound of water from the palace courtyards seeming to soften into silence.
Then her gaze shifts—slowly, deliberately—from Zairiah back to the glass warrior standing before the dais.
Her daughter’s expression tightens slightly, eyes narrowing as she replays the translated words in her mind. At her side, the young prince leans forward again, no longer merely curious, but fully absorbed—he understands enough to recognize that something significant has just entered the room, even if not yet its shape.
The Calipha finally speaks.
Her voice is calm, but it has changed in quality—less ceremonial now, more personal.
“Great-granddaughter,” she repeats softly. “Of his master.”
A faint pause follows, just long enough for the phrase to settle into the court.
“Not of mine ancestor,” she adds, measured.
Her eyes return to Qasim.
“And yet he swears fealty to me as he did to Amakim.”
There is no immediate judgment in her tone. Instead, something more dangerous: interest that has not yet decided whether it is pleased.
A single hand rests again upon the arm of her throne, fingers still.
“In Muluk,” she continues, “words of fealty are not carried lightly across generations.”
Her gaze shifts, briefly, to Zairiah.
“You have translated him faithfully?”
A silence follows again—thicker this time, more deliberate. Courtiers do not move. No one interrupts. Even breath feels restrained.
Then the Calipha leans forward just slightly.
“Tell me,” she says, eyes returning to the glass warrior, “does he understand what he now offers?”
The question lands cleanly in the center of the chamber.
And for the first time since you entered, the outcome of the moment is no longer solely about recognition.
It is about acceptance.
Shot Putter Funkmeister
Shot Putter Funkmeister
Great. Well, what would you guys like to ask this guy? Another roll of spirit or smarts could help.
The courier says, "Napoleon is our emperor now, I think..."
Shot Putter Funkmeister
Thanks, for me it is easier to write 2d6 and see what the numbers are. But I want you guys to see the rolls to show I am being fair :) It was spirit and wild

Shot Putter Funkmeister
Opposed roll 2d6 ⇒ (2, 5) = 7
The courier turns the guava slowly in his hand as Carlos speaks.
“Hispaniola?” he repeats, lightly.
Not surprised. Not impressed. Interested.
His eyes flick briefly over Carlos again—clothes, posture, bearing—re-evaluating.
“That is not a common trip,” he says after a moment.
A small pause.
“Trade?”
The word hangs there—not quite a question, not quite an accusation. He takes a bite of the fruit, as if the answer is unimportant.
But his attention does not leave Carlos.
“Or… something else?”
The courier’s attention lingers on Carlos for a moment longer after the mention of Hispaniola.
Then Elena speaks.
A simple question. Harmless. Easy.
The kind of question that belongs here.
His gaze shifts to her.
The tension does not disappear—but it softens. Redirected.
He turns the fruit in his hand slightly, considering.
“Depends what you’re used to,” he says.
His tone is mild, but deliberate.
“Some prefer what they already know… even when better options are available.”
A faint pause.
His eyes flick briefly back to Carlos.
“Others travel far… and still fail to recognize quality when it is in front of them.”
He selects another piece of fruit, holding it up slightly.
“This one is consistent. Reliable. It does not pretend to be something it is not.”
He offers a small, polite nod to Elena.
“A safer choice.”
A bit muddy but pretty good. What would you like to do for the next round?
Shot Putter Funkmeister
Each of you give me a spirit roll and then write what you say to him
The courier nods warily, as he inspects the guava with a keen eye of someone who does not want a bruised one.
Shot Putter Funkmeister
What are you trying to do?
Shot Putter Funkmeister
The fruit seller is talkative, grateful for the attention, and more than happy to engage Elena’s easy warmth. The conversation flows naturally—prices, shipments, the quality of fruit coming upriver.
You are visible. Comfortably so.
When the courier arrives, he does not stop immediately. He passes once.
Not close enough to join the conversation—just near enough to hear tone, rhythm, intent.
His gaze flicks over the two of you briefly, then away.
A man taking measure.
He continues down the street…
…then, a few moments later, returns.
This time he stops at the stall.
For the fruit.
“Guava,” he says simply, selecting one with casual familiarity.
But he does not leave immediately.
He remains just long enough to listen.
Just long enough to decide.
The game has begun.
Round 2

Shot Putter Funkmeister
Sorry I have been slow recently, we have been doing End term tests and marking and my band played a bunch of shows back to back to back.
The words settle into the hall like a stone into still water—softly spoken, yet carrying farther than their volume suggests.
For a moment, nothing moves.
Then the Calipha shifts her gaze—not to Zairiah, but to the figure beside you.
The glass warrior.
Light catches along the edges of his form, refracting through silk and crystal, casting faint, shifting colors across the polished floor. The layered garments Farid prepared seem almost alive in that moment, revealing and concealing in equal measure, as though the past itself were being glimpsed through veils of time.
The Calipha does not speak immediately.
Her attention is precise. Measuring.
“Qasim-Shomart Abishuly,” she repeats at last, the name given weight simply by her voice. “Warrior of Amakim, my ancestor.”
There is no disbelief in her tone. Only consideration
Her eyes narrow—not in suspicion, but in thought.
“Amakim,” she continues, “whose rise was marked by blood, and whose legacy was… complicated.”
A ripple passes through the court then—not outwardly, but in the subtle tightening of posture, the faintest shift of attention. The name is known here. Remembered. You think the book of Lions you sold to Hanoushin may have stirred something up.
At her right, her daughter’s expression sharpens with interest, her earlier curiosity now edged with something more analytical. At her left, the young prince leans forward again despite himself, eyes fixed on the glass figure, captivated not only by its form but now by its story.
The Calipha lifts one hand slightly.
Not a command. An invitation.
“Does he speak?” she asks.
The question hangs—not directed at Zairiah alone, but at the truth of what stands before her.
Another pause.
Then, more quietly:
“You say he wishes to serve.”
Her gaze returns fully now, steady and searching.
“Service, in Muluk, is not given lightly. Nor is it accepted without understanding.”
Her fingers rest again upon the arm of her throne, stilling.
“If this warrior remembers what he was… then let him be seen as he is.”
A faint shift of her head—almost imperceptible.
“Step forward.”
The space before the dais opens, suddenly and unmistakably, as though the court itself has drawn breath.
All eyes turn.
Not to you.
But to Qasim.
Qasim says in Chun
The Calipha looks quizzical not speaking that language and then turns to you waiting for translation...
Shot Putter Funkmeister
Ok, so you guys want him to approach you.
Here is the setup that makes sense to me: What
There are 3 goals, one round for each:
1.) Be noticed (but not as a threat)
2.) Hold his attention
3.) Create a reason for him to approach
Just explain to me what your character will do in round 1 first and how picking the skills you think best but explain in character.
Shot Putter Funkmeister
La Cadena smiles and says, "Finding out where the loyalty of the governor lies is paramount."
So where do you want to start first?

Shot Putter Funkmeister
The chamber settles as you are led forward, the soft murmur of silk and distant water fading into a deliberate, attentive silence. Every step you take seems measured against the polished stone beneath your feet, your reflections moving with you—five figures and one impossible form of glass—drawn slowly toward the dais where the Calipha awaits.
At a gesture from your escort, you come to a halt at the proper distance. The court official who accompanied you steps forward alone, their robes of muted violet falling in careful folds. They incline deeply, then turn slightly, one hand extended in a graceful arc toward your party.
Their voice carries—not loudly, but with perfect clarity, shaped to reach every ear in the chamber.
“Most Radiant Calipha, may your reign be long and your wisdom ever guide Muluk in balance and prosperity… I present before you honored travelers, who have rendered service both rare and worthy of note.”
A pause, just long enough to gather the court’s attention more tightly.
“They stand before you as those who preserved life where it was imperiled, who acted with discernment where chaos threatened, and who now bring with them a wonder drawn from the deep memory of the desert.”
The official’s hand shifts, subtly indicating the glass warrior. A ripple moves through the court—not sound, not quite movement, but awareness sharpening, eyes drawn as light refracts softly across the hall.
“They name themselves Zairiah, merchant of keen judgment; Nura, corsair of disciplined command; Paritosh, rider of the open horizon; Frackit, priest of distant lands and curious wisdom… and Fadilah, sha’ira of insight from our neighbor to the north, Qadib.”
Another measured breath.
“They come in respect, seeking audience, and present themselves in humility before the throne.”
The official steps back.
Silence follows—not empty, but full, expectant. The kind of silence that weighs, that tests.
Upon the dais, the Calipha regards you.
Her gaze moves across the party with unhurried precision, taking in each face, each posture, each carefully chosen garment. It lingers—just a fraction longer—on the glass warrior, where the layered silks shift and shimmer, light bending through form and fabric alike. There is no surprise in her expression, but there is recognition. Not of the thing itself, perhaps—but of its significance.
Only then does she speak.
Her voice is calm, even, and carries effortlessly through the chamber.
“You are presented with care,” she says, her tone neither warm nor cold, but exact. “Which suggests that you understand where you stand.”
Her eyes settle now upon Fadilah, though the words belong to all of you.
“You have come before me not as wanderers, but as those who would be known. This is… a distinction not all who enter this hall comprehend.”
A slight movement at her right draws the eye—her daughter, poised and attentive, studying you with keen interest, her gaze flicking once more toward the glass warrior before returning to your faces. At her left, the young prince leans forward just a fraction, wonder barely contained, his eyes wide as light dances across the translucent figure you have brought.
The Calipha continues, her voice unchanged.
“You have been named as preservers of life. This weighs in your favor. You bring with you something… uncommon. This invites questions.”
A pause.
Not long—but deliberate.
“Speak, then,” she says, her gaze steady. “And tell me—what is it you believe you have brought into my court?”
The hall remains utterly still.
The moment is yours.
Shot Putter Funkmeister
Shot Putter Funkmeister
[ooc\ Finals finally ended. What challenge do you guys want to do?[/ooc]

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Shot Putter Funkmeister
The doors part fully, and the light within resolves not into brightness, but into clarity.
The chamber beyond is vast, yet it does not overwhelm. It is shaped with intention, every line guiding the eye forward, upward, inward—toward the seat of authority at its heart. Slender columns rise like pale reeds to support a high, vaulted ceiling painted in soft blues and muted golds, a sky captured and disciplined. Light descends through screened apertures above, diffused into a warm, even glow that banishes harsh shadow and leaves nothing concealed, yet nothing exposed without dignity.
At the far end of the hall, upon a dais of three broad steps, stands the throne.
It is not ostentatious. It does not glitter with excess or bristle with jewels. Instead, it is carved from pale stone veined faintly with gold, its surfaces etched with flowing calligraphy and precise geometric forms that seem to shift subtly as the eye rests upon them. It is a seat not of indulgence, but of thought—of measured authority, of judgment rendered with care.
And upon it sits the Calipha.
She is still as you first behold her, and in that stillness there is command. Her robes are layered in the deep, contemplative purples of Muluk, the fabric rich but subdued, absorbing light rather than reflecting it. Fine silver embroidery traces the edges of her sleeves and collar in patterns so intricate they seem almost too delicate to be real. A mantle rests across her shoulders, its folds arranged with effortless precision, as though it has never known disorder.
Her face is composed, neither stern nor welcoming, but perfectly balanced between the two. Her gaze, when it settles upon you, is clear and unwavering—not the heavy scrutiny of suspicion, but the sharp, deliberate attention of someone who misses nothing. There is intelligence there, unmistakable and unyielding, tempered by patience. She does not need to speak to establish her presence. It is already absolute.
At her right hand stands her daughter.
The young woman carries herself with a poise that echoes her mother’s, though not yet as fully realized. At twenty-one, she is at the threshold of power, and it shows in the careful way she holds herself—shoulders straight, chin lifted just enough to suggest confidence without arrogance. Her garments are of a lighter violet, touched with threads of silver and pale blue that catch the light in subtle motion. Where the Calipha’s attire is restrained, hers allows for a hint of brilliance, like the first glimmer of dawn before the full rise of the sun.
Her eyes move more readily than her mother’s, taking in the details of your party, lingering—just briefly—on the glass warrior. There is curiosity there, keen and bright, but disciplined beneath the surface. She does not speak. She watches, and in her watching there is the promise of a mind as sharp as the one that rules before her.
At the Calipha’s left, seated upon a smaller, finely carved chair, is her son.
He is young—no more than six—and though he sits as he has been taught, there is an energy about him that cannot be entirely contained. His garments mirror those of the court in miniature: soft purples and creams, a sash tied perhaps a little too carefully, as though arranged by attentive hands not long before your arrival. His feet do not quite reach the floor, and from time to time they shift, ever so slightly, betraying the restless nature of childhood held in check.
His eyes, however, are wide and unguarded.
Where his mother measures and his sister observes, he simply sees. The glass warrior captures his attention immediately, and for a fleeting moment his composure falters—his body leaning forward just a fraction, his expression alight with wonder. A quiet word from an attendant at the edge of the dais steadies him, and he settles back, though the curiosity does not leave his face.
Together, they form a tableau not merely of family, but of continuity.
Past, present, and future—held in a single, carefully composed moment.
Around them, the court stands in respectful silence. Advisors in muted robes, guards in polished armor, scholars with ink-stained fingers—all arranged with deliberate spacing, each aware of their place within the greater design. No one speaks. No one moves beyond what is required.
All attention rests now upon you.
And from the throne, the Calipha inclines her head ever so slightly—a gesture small in motion, yet vast in meaning.
You have been acknowledged.
Fadilah
Shot Putter Funkmeister
I am sorry to see you go. You were always fun to have in the group.

Shot Putter Funkmeister
The next day, you meet La Cadena at the aforementioned location(known to your characters). You tell her about your attempt to watch courier c and that you were clocked and then you noticed that there is countersurveillance.
She soaks in your reports and taps her finger on the table, taking a sip of her Aguardiente and says, "We have reached the point where watching is no longer enough.”
Takes another sip.
“If you continue as you have, you will learn… slowly. And he will continue to see everything you do.”
A pause.
“There are other options.”
Her tone sharpens slightly.
“You place yourselves where his work touches the world: The barber. The vendors. The routes he favors. You become part of the pattern he moves through or you take a more aggressive approach to the governor."
A beat.
Silence.
“That would be faster.”
Her eyes narrow slightly.
“And far more dangerous.”
She straightens.
“But understand this—if we want certainty, we will eventually have to take a risk that cannot be undone.”
Shot Putter Funkmeister
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