Lost Omens Special Recap

Friday, October 20, 2023

Hello Pathfinders! Did you miss our Lost Omens Special stream this past Friday? Worry not—we’ve got all the reveals and surprises for you here on the Paizo blog!

Want to watch the stream for yourself? Catch the VOD on Youtube!


Pathfinder Lost Omens Tian Xia World Guide

Coming Spring 2024, Pathfinder Lost Omens Tian Xia World Guide details the many nations and cultures of Tian Xia. During our stream, we showcased three of these regions!

Minata

Art of the streets of Tamung, Minata.

Illustration by Sammy Khalid


Eleanor gave us an overview of Minata—a nation with a wide diversity of cultures and heritages. Once ravaged by natural disasters and fighting, Minata now enjoys a time of peace and prosperity, protected by reefs said to be made of the bodies of dead dragons. Minata is known for its feasts, festivals, and celebrations.

A dancer portraying a hero in a festival celebration.

Illustration by Paulo Magalhães


Seafaring is a vital part of Minatan culture—ingrained so deep because the first humans came to Tian Xia via Minata and then sailed further in. Because of Minata’s wide diversity of islands and accessibility by water, a variety of ancestries live here—including one as-yet-unannounced ancestry coming in the Character Guide.

A woman in flowing robes and a headscarf, holding a smoking fish gun.

Illustration by Riley Spalding


Valash Raj

Kutaban, a water-side community in Valash Raj.

Illustration by Sam White


Next, Luis took us into the Valashmai Jungle. This great forest was long thought to have no inhabitants save kaiju and monsters, but we can see that the Valash Raj civilization has flourished within these dangerous conditions.

Kaiju are still a big part of the Valashmai Jungle—so big, in fact, that there are whole cultural elements and occupations that relate to them. One such occupation is the kaiju caller, people who can communicate with the kaiju to direct them around settlements, helping communities co-exist.

A catfolk kaiju caller, holding a staff over their head.

Illustration by Nicholas Phillips


The Valash Raj is still a place of many dangers—not the least of which is “dinosaur season,” the time when all of the dinosaur eggs hatch and the new babies go hunting for food. But the people of the Valashmai Jungle have made lives for themselves out of the danger, and there is a rich world to explore there.

Sujana Mahad, the ruler of Kutaban.

Illustration by Nicholas Phillips


Wanshou

The tiered farming hills of Wanshou, with a sea monster’s tentacles looming in the distance.

Illustratiohn by Alberto Dal Lago


Our third region, special for this Friday the 13th stream, is Wanshou—an agricultural district with “nothing else going on,” or so says its leadership. Wanshou was devastated by over-taxation and flooding before it was brought back to prosperity by Zhanagorr, an elder kraken known throughout the land as Wanshou’s divine savior.

A red elder kraken with yellow-green eyes.

Illustration by Nicholas Phillips


Lots of the cultures and clothing of various Tian Xia regions take inspiration from real world cultures. James took some time to show off some of Kent Hamilton’s concept art for the denizens of Wanshou—showing a variety of headwear designed to keep citizens safe from the near-constant rains, inspired by real-world mino coats.

Concept art and notes for the region by Kent Hamilton.

Concept art and notes for the region by Kent Hamilton.


One of many ways Zhanagorr maintains his grip on Wanshou is by careful manipulation of the ruling class, including the three noble houses given the honor of directly communing with him. As a result, political intrigue abounds, leading to the cultural role of a gift receiver—someone whose duty is to accept gifts (and the curses that may come with them) on behalf of the intended recipient, similar to a food taster.

A gift receiver holding a cursed object.

Illustration by Gunship Revolution


Deities

Luis, Eleanor, and James each introduced one new deity from the Tian Xia World Guide.

Art of Lady Nanbyo (by Zach Causey) , Yamatsumi (by Zach Causey), and Baekho ( by Carl Springer )

Illustrations of Lady Nanbyo and Yamatsumi by Zach Causey, and Baekho by Carl Springer


The three deities chosen for this stream were Lady Nanbyo, Yamatsumi, and Baekho. Lady Nanbyo is the goddess of plagues, disasters, and bad luck. Yamatsumi is the god of mountains, volcanoes, and winter. Baekho is the god of harmony, mending rifts, and the transition between seasons.

The Tian Xia World Guide also includes new rituals. One such ritual, the trial of the unseeing blade master, was shown off during the stream. To fulfill the ritual, you must defeat 20 enemies while blindfolded, which then grants you the Blind-Fight feat.

Art of a swordsman wearing a blindfold.

Illustration by Carl Springer


Lost Omens Tian Xia Character Guide

Coming Summer 2024, the Pathfinder Lost Omens Tian Xia Character Guide adds a variety of character options to Pathfinder! We’re saving some of these reveals for later, as we get closer to the book’s release, but the team brought a couple of new options to the table!

A tsukumogami made from an instrument.

Illustration by Paulo Magalhães


First, a heritage for poppets: tsukumogami! Tsukumogami are objects that are granted sentience and life due to being well cared for—or neglected and treated poorly. Their heritage abilities include giving a bonus to a skill that corresponds to the object you once were (for example, a kitchen knife tsukumogami granting a bonus to cooking), as well as sprouting a ghostly face to terrify newcomers. The team also talked about one feat from each of the currently announced ancestries: whether that’s the ability for samsarans to remember how to use the ancestral weapons of other people through their Samsaran Weapon Memory, wayangs’ ability to briefly become two-dimensional with Palm Leaf Silhouette, or tanuki’s Rolling White Bottle Form, which lets them transform into a wine bottle to roll away from harm before resuming tanuki form face-down on the ground.

Paper dolls and a paper lantern familiar.

Illustration by Sandra Posada


One of the new options for familiars in Tian Xia are paper familiars, with some sub-groups based on the various different paper dolls and paper crafts of the area, including shikigami familiars that can bear elemental seals or shadow puppets that can grasp objects by extending their shadows.

Pathfinder Lost Omens Divine Mysteries

After the Q&A, Luis Loza took the end of the stream to make a surprise reveal—the cover and title of the third Lost Omens book for 2024: PathfinderLost OmensDivine Mysteries.

Arazni standing in front of a stained-glass window, holding Yivali, a nosoi psychopomp of Pharasma.

Cover Illustration by Ekaterina Gordeeva


As part of this announcement, Luis confirmed that the book is tied into the War of Immortals event. While the deity who dies is still shrouded in mystery, Luis has revealed who will be taking their place—Arazni is joining the core twenty.

Divine Mysteries will update Gods and Magic to the remaster, giving sanctification information, remastered statblocks, and more lore to the existing deities, while also adding more divine content in the form of new gods and a few character options.

Concept art of Yivali by Kent Hamilton.

Concept art of Yivali by Kent Hamilto


The book is narrated by Yivali, a nosoi psychopomp of Pharasma. Divine Mysteries is essentially her graduate thesis, which she will present to Pharasma to become a full psychopomp.

We’re so excited for all that’s coming in 2024! We’ll have more to share about Tian Xia, Divine Mysteries, and more as time goes on.

Written by: Misha Bushyager, Jessica Catalan, Carlos Cisco, Rue Dickey, Aoife Ester, Ivis K. Flanagan, Tomas Gimenez Rioja, Leo Glass, Alastor Guzman, Thurston Hillman, Laura Lynn Horst, James Jacobs, Michelle Y. Kim, Monte Lin, Luis Loza, Stephanie Lundeen, Poorna M., Adam Ma, Jacob W. Michaels, Zac Moran, Jon Morgantini, Matt Morris, Morgan Nuncio, Daniel “Drakoniques” Oleh, Pam Punzalan, Jessica Redekop, Jaime Reyes Mondragon, Kevin Thien Vu Long Nguyen, Erin Roberts, quinn b. rodriguez, Michael Sayre, Mark Seifter, Austin Taylor, Isis Wozniakowska, and Sebastian Yūe.

Original Gods & Magic writing and design by: Robert Adducci, Amirali Attar Olyaee, Calder CaDavid, James Case, Adam Daigle, Katina Davis, Leo Glass, Joshua Grinlinton, James Jacobs, Virginia Jordan, Jason Keeley, Jacky Leung, Lyz Liddell, Ron Lundeen, Stephanie Lundeen, Jacob W. Michaels, Matt Morris, Dave Nelson, Samantha Phelan, Jennifer Povey, Jessica Redekop, Nathan Reinecke, Patrick Renie, David N. Ross, Simone D. Sallè, Michael Sayre, David Schwartz, Shahreena Shahrani, Isabelle Thorne, Marc Thuot, Jason Tondro, and Diego Valdez.

The Lost Omens Tian Xia World Guide and Lost Omens Tian Xia Character Guide are available for pre-order now! Keep up to date with every Lost Omens release with a Paizo Subscription.

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Paizo Employee Marketing & Media Specialist

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I love puffy little Yivali and would do anything for her.

Silver Crusade

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Rue Dickey wrote:
I love puffy little Yivali and would do anything for her.

Would kill and/or die for her


13 people marked this as a favorite.

Love that Tian Xia isn't just China, Japan and Korea. South and Southeast Asian culture is so rich and beautiful, and often gets overlooked in fantasy settings.

Is it possible we might see Reiko and Hayato in one or both of these books, either as NPCs or Iconics for specific archetypes? I've been crossing my fingers!


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I really hope that that cover is implying that Arazni is going to help Yivali complete here graduate thesis, my gosh.

Dark Archive

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Pathfinder Roleplaying Game Superscriber

Was Yivali's appearance based on a secretary bird? Because if so, I love the pun


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All three of these books have me bouncing in my seat - I can’t wait!

Radiant Oath

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keftiu wrote:
All three of these books have me bouncing in my seat - I can’t wait!

Me too! *boingboingboingboingboing*


6 people marked this as a favorite.

Not sure if Arazni ascending to the core 20 means that they're obviously killing off Urgathoa or if that is such an obvious connection that they wouldn't have told us Arazni was ascending for fear of making it too easy to figure out...


Is divine mysteries a remaster of gods and magic or more of an entirely new book?

Radiant Oath

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And just as exciting is the announcement of a leshy miniatures set!


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Gaulin wrote:
Is divine mysteries a remaster of gods and magic or more of an entirely new book?

From what little I know, I want to say it's both? What, really, in Gods & Magic actually needs remastering beyond reprinting a handful of deity statblocks to remove alignment and add sanctification? Certainly, Divine Mysteries doesn't likely need to reprint the G&M lore, excepting whatever might change from the godswar coming up, so I'd expect to see a lot of new content in addition to just updating G&M to the style that 2e books have taken since Book of the Dead with there being a narrator persona


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Kent Hamiltons’s concept art is fantastic, and made even moreso by the accompanying design notes. Would be great to see these in the final book, or if not, in another publication. Just that page alone creates about a billion billion seeds for intrigue, adventure and whatever the hell else you want to do in Wanshou.

I pretty much need Kent working 28 hours a minute creating these for every peoples on Golarion.


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"The Tian Xia World Guide also includes new rituals. One such ritual, the trial of the unseeing blade master, was shown off during the stream. To fulfill the ritual, you must defeat 20 enemies while blindfolded, which then grants you the Blind-Fight feat."

Okay, from a charOp perspective, the fact that there are now non-leveling ways to acquire feats, however limited, is a big deal.

No comments one way or the other on Urgathoa, but this at least does appear to be some evidence suggesting that Pharasma isn't the one who's going to die.


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We now know that the god who dies is not Pharasma. If it were, the psychpomp would not be able to present the book to her as a gift.


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I take it retconning a civilization into the Valashmai is part of the same push to de-pulp-ify we saw with Mwangi Expanse?

I like it, I'm just curious.


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Having practiced origami for half a century, I'm super excited for the introduction of paper familiars!

And is Sujana Mahad a member of a crocodilian subtype of Iruxi or does he belong to an entirely new ancestry? Either way, he looks awesome!


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Pathfinder Lost Omens, Rulebook Subscriber

FISH GUN!


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Making a witch from Wanshou is on my radar.....now how do I make my cephalopodal-familiar not silly?


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I love Wanshou and I for one support our new kraken overlord.


Pathfinder Maps Subscriber; Pathfinder Roleplaying Game Superscriber

Yes!

Radiant Oath

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WWHsmackdown wrote:
Making a witch from Wanshou is on my radar.....now how do I make my cephalopodal-familiar not silly?

I dunno, I think you could lean into the silly and still have it be creepy! As Bogleech (aka Jonathan Wojcik) so eloquently put it recently:

Bogleech wrote:
This is one of those things where I get anxious and upset that it exists because I can't protect it from disappointment. And yet I also eat octopus, and octopus would eat me if it could. This is a hyper evolved killing machine. Everything that makes it adorable is, like a cat, part of an adaptation for pure murder efficiency. It even has a venomous bite. It's not just the blue ring octopus that has venom, they all do, the blue ring just has the most potent. This is a primordial death monster and it's so precious I want to find whoever in the world cares about it the least and beat them up for it.


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Arachnofiend wrote:
Not sure if Arazni ascending to the core 20 means that they're obviously killing off Urgathoa or if that is such an obvious connection that they wouldn't have told us Arazni was ascending for fear of making it too easy to figure out...

I believe they’ve said Arazni is not “replacing” the god who dies.

Grand Archive

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(Also, Arazni now look less and less undead, and it was pointed out in the stream, so it's not a random thing.)

Grand Archive

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Gisher wrote:

Having practiced origami for half a century, I'm super excited for the introduction of paper familiars!

And is Sujana Mahad a member of a crocodilian subtype of Iruxi or does he belong to an entirely new ancestry? Either way, he looks awesome!

I think they said on stream he was a Iruxi that just had a bit more of a crocodilian look.


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Elfteiroh wrote:
Gisher wrote:

Having practiced origami for half a century, I'm super excited for the introduction of paper familiars!

And is Sujana Mahad a member of a crocodilian subtype of Iruxi or does he belong to an entirely new ancestry? Either way, he looks awesome!

I think they said on stream he was a Iruxi that just had a bit more of a crocodilian look.

Oh, very cool! Hopefully that will be a new player option.

Edit: You were right. They did say that in the stream. (I hadn't noticed that there was a video link to it.) With that crown he reminds me of the Egyptian deity Sobek. And a little bit of Alligator Loki. ;)


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Gisher wrote:
Elfteiroh wrote:
Gisher wrote:

Having practiced origami for half a century, I'm super excited for the introduction of paper familiars!

And is Sujana Mahad a member of a crocodilian subtype of Iruxi or does he belong to an entirely new ancestry? Either way, he looks awesome!

I think they said on stream he was a Iruxi that just had a bit more of a crocodilian look.

Oh, very cool! Hopefully that will be a new player option.

Edit: You were right. They did say that in the stream. (I hadn't noticed that there was a video link to it.) With that crown he reminds me of the Egyptian deity Sobek. And a little bit of Alligator Loki. ;)

I believe these have been called Bakuwa Iruxi, based on a Filipino myth.


This is wonderful!


keftiu wrote:
Gisher wrote:
Elfteiroh wrote:
Gisher wrote:

Having practiced origami for half a century, I'm super excited for the introduction of paper familiars!

And is Sujana Mahad a member of a crocodilian subtype of Iruxi or does he belong to an entirely new ancestry? Either way, he looks awesome!

I think they said on stream he was a Iruxi that just had a bit more of a crocodilian look.

Oh, very cool! Hopefully that will be a new player option.

Edit: You were right. They did say that in the stream. (I hadn't noticed that there was a video link to it.) With that crown he reminds me of the Egyptian deity Sobek. And a little bit of Alligator Loki. ;)

I believe these have been called Bakuwa Iruxi, based on a Filipino myth.

Interesting. So more like a Philippine crocodile than a Nile crocodile.


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Gisher wrote:
Interesting. So more like a Philippine crocodile than a Nile crocodile.

As one might imagine for Pathfinder's Asia-equivalent setting :p


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Tsukumogami! So looking forward to playing one of those. Get three PCs to all be tsukumogami with one being a coat, another a hat, and the third a poppet body, and you could have a four-person team disguise themselves as some rando carrying a well-loved old puppet around with them.

Liberty's Edge

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Perpdepog wrote:
Tsukumogami! So looking forward to playing one of those. Get three PCs to all be tsukumogami with one being a coat, another a hat, and the third a poppet body, and you could have a four-person team disguise themselves as some rando carrying a well-loved old puppet around with them.

Norgorber strikes again.

Liberty's Edge

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S. J. Digriz wrote:
We now know that the god who dies is not Pharasma. If it were, the psychpomp would not be able to present the book to her as a gift.

Actually we do not. The authors have clarified that nothing can be inferred from this book about which Core 20 deity dies.


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I am literally so hyped for all of this!

The tanuki ability makes me laugh, and the region of Wanshou has me so intrigued and terrified.

I'm also absolutely thrilled that Arazni is joining the Core 20. I'm not convinced that Urgathoa is biting the dust, but I'm stoked to see the ambiguity of Arazni gaining prominence.


Divine Mysteries you say? Does that mean we can anticipate three other similar books, named Arcane Mysteries, Occult Mysteries, and Primal Mysteries? Not sure if the four traditions (arcane, divine, occult, and primal) or the four essences (Matter, Mind, Spirit, and Life) still exist in Pathfinder Remaster though.

If the god who will die is indeed Urgathoa, then I honestly have no idea. Is she the least popular among the 20 core deities? I didn't particularly dislike her. I thought Erastil would die, because he seemed the least loved among the core deities, at least to me.

If Urgathoa truly dies and Arazni takes her place, would that make the undead on Golarion severely weakened? Yeah, I know Arazni is evil. But the two most powerful undead lords, Tar-Baphon and Geb (three, if Zutha is still alive. But I'm not sure if his death is officially confirmed by Paizo or not. Perhaps he or Krune will return someday, just like Xanderghul?) have valid reasons to be loathed by Arazni, right? So there will be no way she would side with them and thus the evil undead forces on Golarion would lose any divine favor they might have had before.


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Aenigma wrote:
Divine Mysteries you say? Does that mean we can anticipate three other similar books, named Arcane Mysteries, Occult Mysteries, and Primal Mysteries?

Probably not, no. Paizo really hasn't been copy-pasting titles in the Lost Omens line.

Aenigma wrote:
Not sure if the four traditions (arcane, divine, occult, and primal) or the four essences (Matter, Mind, Spirit, and Life) still exist in Pathfinder Remaster though.

They do! The Witch preview mentions all four traditions, and has feats that are thematically linked to Material and Spirit essences.

Aenigma wrote:
If the god who will die is indeed Urgathoa, then I honestly have no idea. Is she the least popular among the 20 core deities? I didn't particularly dislike her. I thought Erastil would die, because he seemed the least loved among the core deities, at least to me.

You seem to be assuming that it's just a given that the least popular god is going to die, and that doesn't make much sense to me? Why kill off a god people don't care about? There isn't much impact there. Now, I don't expect it to be Urgathoa personally, but not because there are less popular gods than her.


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keftiu wrote:
Gisher wrote:
Interesting. So more like a Philippine crocodile than a Nile crocodile.
As one might imagine for Pathfinder's Asia-equivalent setting :p

That makes a lot more sense now that my brain isn't migraine-addled.

So after a bit of research, I'm guessing that they were inspired by the myth of the Buwaya — a crocodile (or crocodilian dragon) that wears a box on its back. It captures people who are in the water, puts them in its box, and takes them to its underwater cave to snack on later. (It reminds me a bit of Grendel's mother.)


I'm on the edge of my seat in anticipation for these books. The Wanshou art in particular is so atmospheric it almost makes me want to set it as my computer background. And while I'm a little upset we didn't get to see any of the remaining ancestries, what we did see in terms of character options is not bad. The tsukumogami heritage opens a lot of options and the familiar options came just in time to be used by the remastered witch.

baekho kinda looks like catboy michael jackson


Whoa -- major spoiler in this blog post . . . .


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. . . And Lady Nanbyo looks like she just accidentally stabbed the palm of her right hand in several places. Never mind the realism aspect -- that just looks painful.


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Gisher wrote:

That makes a lot more sense now that my brain isn't migraine-addled.

So after a bit of research, I'm guessing that they were inspired by the myth of the Buwaya — a crocodile (or crocodilian dragon) that wears a box on its back. It captures people who are in the water, puts them in its box, and takes them to its underwater cave to snack on later. (It reminds me a bit of Grendel's mother.)

“Buwaya” just means crocodile in Tagalog. Bakunawa is just a mythical sea serpent/dragon that happens to crocodile-like, which is why it’s sometimes interchangeable. A Bakunawa is usually a buwaya, a buwaya is not a Bakunawa.

There’s also no one story. Every tribe (the larger language grouping) has different stories.

But stories of Bukanawa and buwaya abound throughout the Philippines, but may use different words since a lot of regional languages are retained. In my case, of my grandparents on both, only 1 is Tagalog. I think it’s buaya in Cebuano and…bukarot in Ilocano?

I grew up on some myths from my grandmother and one I remember is the story of Lam-Ang, an Ilocano mythical hero. Kinda like Hercules or Wu Kong. The art image shows him fighting a buwaya (crocodile) to save some farmers. Really lucky my grandmother saved those stories and shared it with us.

Though, I don’t really know much else. Most American-Filipinos are pretty disconnected from those kind of myths and stuff and most parents are more concerned about assimilating in than re-telling stories they’ve heard from the islands. And my experience is that city-folks look down on province folks who talk about dwendes and other “superstitious things” even though they’re afraid of going to the provinces and dealing with ghosts. Funny thing, a lot of Filipinos get Aswang and Manananggal mixed because of the Aswang film (something that annoyed my grandmother).

Edit: I also think the crown he’s wearing is in reference to those babaylan (tribal animist priests) divination drawings that puts a “crown” over the bakunawa’s head. But the character shown is in Valash Raj, but is likely from Minatan ancestry.

2nd edit: Something else that throws me off is the pronunciation of Minata. I know it’s a fictional word, but Filipino is a stress-based language. Meaning of words change depending on where you stress. For example Makati City. It’s pronounced Makāti City, but sometimes mistakenly pronounced as Makatī by visitors. Makāti means “low-tide” while Makatī means “itchy”. So visitors sometimes accidentally call it the “itchy city”. My mom made fun of me when I did that.

So shouldn’t it sound more like Mināta and not Minātā? (The ta at the end should sound shorter and not elongated. Also, the i in Minata should be a long ee).

Sorry if I’m being a language snob. It’s not often get to share Filipino stuff on a TTRPG forum. (Thanks Paizo! Much love!)

The Exchange

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The Raven Black wrote:
S. J. Digriz wrote:
We now know that the god who dies is not Pharasma. If it were, the psychpomp would not be able to present the book to her as a gift.
Actually we do not. The authors have clarified that nothing can be inferred from this book about which Core 20 deity dies.

Very true, but as a crackpot Sherlock wannabe, I have cleverly deduced through complete guessing and the ignoring of facts that the dead deity shall not be Arazni, Sarenrae, Pharasma, or Asmodeus. They are all present on the cover of the new book (three in stained glass, one as an official designated bird holder). I think I'm going to add Rovagug as a fifth 'not-gonna-die' deity as well, as I have just now decided that the purple and black rose looking thing below stained glass Sarenrae is Mr. Vagug himself.

We're on to you, Paizo. Your secrets are forfeit. Probably.


Beware, the Itchy City!


Aenigma wrote:
If Urgathoa truly dies and Arazni takes her place, would that make the undead on Golarion severely weakened?

Probably not, as noted in the Book of the Dead there are several deities who are of particular interest to the Undead: Charon, Kabiri, Zura, and ̶O̶r̶c̶u̶s̶ (Paizo won't use him, but you can.) The Undead, having no plans on dying and entering the river of souls, have a different use for religion than everybody else anyway.

It's sort of suggested throughout Pathfinder that domains predate deities- like the Beast domain existed as something separate from Curchanus and Lamashtu so that it could be transferred from the former to the latter.

Where the lack of Urgathoa, if that happens, would change things is that her cult really serves the: Hedonism-> Depravity-> Undeath pipeline in a a way that nobody else does. But Golarion has enough terrestrial advocates making the case for becoming undead on its own merits. You don't really need to trick people via "you well, after all those cannibalistic murder orgies, you might as well become a vampire" people will sign up for vampirism on their own.


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If Urgathoa beefs it, then I have an excuse to use Zura even more…


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Honestly killing off a core deity feels really lame to me and more like the gimmick of a comic book event than something I want to see in an RPG setting. It feels super limiting especially since Pathfinder's pantheon is one of its strong suits which draws me to the Lost Omens setting over many others.

It also feels kinda mean to players who've built characters worshiping that deity or otherwise tied to them; while home games won't be directly affected and a GM can say that it didn't happen in their game it still doesn't feel great to people invested in that god and their faith as a part of the setting. Plus I assume for organized play it'll really mess up those whose characters are based on that god.

I have a very hard time seeing how this could open up more opportunities for stories, characters, and adventures than it closes.


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Tunu40 wrote:
Gisher wrote:

That makes a lot more sense now that my brain isn't migraine-addled.

So after a bit of research, I'm guessing that they were inspired by the myth of the Buwaya — a crocodile (or crocodilian dragon) that wears a box on its back. It captures people who are in the water, puts them in its box, and takes them to its underwater cave to snack on later. (It reminds me a bit of Grendel's mother.)

“Buwaya” just means crocodile in Tagalog. Bakunawa is just a mythical sea serpent/dragon that happens to crocodile-like, which is why it’s sometimes interchangeable. A Bakunawa is usually a buwaya, a buwaya is not a Bakunawa.

There’s also no one story. Every tribe (the larger language grouping) has different stories.

But stories of Bukanawa and buwaya abound throughout the Philippines, but may use different words since a lot of regional languages are retained. In my case, of my grandparents on both, only 1 is Tagalog. I think it’s buaya in Cebuano and…bukarot in Ilocano?

I grew up on some myths from my grandmother and one I remember is the story of Lam-Ang, an Ilocano mythical hero. Kinda like Hercules or Wu Kong. The art image shows him fighting a buwaya (crocodile) to save some farmers. Really lucky my grandmother saved those stories and shared it with us.

Though, I don’t really know much else. Most American-Filipinos are pretty disconnected from those kind of myths and stuff and most parents are more concerned about assimilating in than re-telling stories they’ve heard from the islands. And my experience is that city-folks look down on province folks who talk about dwendes and other “superstitious things” even though they’re afraid of going to the provinces and dealing with ghosts. Funny thing, a lot of Filipinos get Aswang and Manananggal mixed because of the Aswang film (something that annoyed my grandmother).
...

Thank you so much for sharing all of those details! You really helped me make sense out of a lot of the conflicting information that I found on various sites. I hope we'll see more Pathfinder materials inspired by these mythological traditions.


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Troodos wrote:
Honestly killing off a core deity feels really lame to me and more like the gimmick of a comic book event than something I want to see in an RPG setting. It feels super limiting especially since Pathfinder's pantheon is one of its strong suits which draws me to the Lost Omens setting over many others.

I think this all harkens back to how Golarion was borne out of James Jacobs' home game setting, and in one of Mr. Jacobs' campaigns he killed off Abadar just to set up the premise of "what happens when the God of Civilization dies".

Heck, the inciting incident of the entire current setting is "Aroden is for-real dead despite his prophesied return."

So I think there's precedent for this. To say nothing of Acavna and Amaznen's sacrificing themselves to save the entire planet, or Lamashtu killing Curchanus in order to take the Beast domain. There's more than a few dead gods in the rear view mirror.


I don’t know about Golarion language stylings, but I always pronounced Minata as “Mee-nah-ta” in my head.


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Gisher wrote:
Thank you so much for sharing all of those details! You really helped me make sense out of a lot of the conflicting information that I...

My apologies for the info dumping! Overall resources are pretty scarce and something that's not really understood (even amongst Filipinos) is just how rich and diverse the different cultures are on the islands! A lot of the online resources are only a small fraction of the different stories/interpretations.

Unfortunately, I haven't been able to find a lot of those stories I grew up on online. I grew up on the book "Tales of the 7,000 Isles: Popular Filipino Folktales", which my grandmother was able to expound more on those stories. Not sure if it is still available or in print anymore. But there's a lot of fun stories: some heroic stories/epics both local/Indian-inspired, a Filipino version of Aladdin from the Muslim traders, nature stories such as why the sea is salty/why jellyfish don't have bones/why plants are where they are. A favorite of mine is the story of the race between the carabao and turtle. Similar to the the tortoise and the hare, but the lesson is different: the power of community (and trickery) vs. individual strength; not the "slow and steady wins the race".

OceanshieldwolPF 2.5 wrote:
I don’t know about Golarion language stylings, but I always pronounced Minata as “Mee-nah-ta” in my head.

Ya, it's a fictional word, in a fictional world. Just ever since they spoiled that it is a "Filipino inspired" place in a popular TTRPG, I kinda got giddy and jumpy for joy. Filipino languages are also more "staccato/choppy" and according to other folks sounds closer to "clucking". It's not exactly a guttural language, but like other Malayo-Polynesian languages, it has prominent usage of the 'glottal stop'. One of my Aunties mentioned how our family language (to other Filipinos) is described as sounding like "the chirping of birds in the trees".

To me (based on how they're pronouncing it), I expect the 'na' part to sound more like how we say "not" in American (Californian-accent?). More forceful/flat-downward and not elongated/stretched/rising. So more like "Me'-not'-ah'". Well, except it's a ta at the end. Unless it's one of those Aunties that add flair to everything, lol! But I'm just one person, so maybe someone else's experience is different!

Anyway sorry, I'll stop with the linguistic nonsense! I've been around a lot of Asian communities and it's exciting having your culture be seen for once (instead of treated lesser).


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Tunu40 wrote:
Gisher wrote:
Thank you so much for sharing all of those details! You really helped me make sense out of a lot of the conflicting information that I...

My apologies for the info dumping!

...

No, please, more info dumping. It's really interesting.

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