In my time time of G Ming, my PC's have made numerous public appearances, but never once as performers. While I was still in the process of reading the module, I saw this adventure as an opportunity to introduce another type of challenge to my game. Truth be told, things did not go quite as cleanly as planned. Interactions with the script and rolls became sketchy, and the damage count kept rising much faster than anyone expected. Still, this did not tone down the genius behind this adventure, and even if things went awry at some points, the content of the adventure kept the PC's into finishing the play, along with creating a hatred for Chelish nobility. There are plenty of interesting role playing experiences, and if you have a group that exists for combat alone (we all know how annoying that can be) this is a chance to change things up a bit.

Having now finished DMing the six fold trials I can tell you that it was a mixed experience. While the game went on quite well, I (and the players) did have disproval of the module planning.

The casting was much fun, and the limehouse had great potential for memorable fun times (had it not been for 7 rolls of 25 + on the bards behalf).

The trials are awesome and insane, not the encounters but the other ones! while a player carved his heart out in front of hundreds of nobles clapping their hands and enjoying the show was just bad luck, the trial in the belly of the beast was nasty for anyone wearing a heavy armor. The players had to resolve it trough a different solution than the one proposed by the adventure path. But other than that, this was a great and fun time. I’m sure this will be some of the most memorable things in my role-playing carrier.

After 8+ hours with two encounters the players and I needed to roll some dice for other things than skill checks, and here I will once again applaud the brilliance of the bastards of erebus, where they included side quests to be partaken at any point during the adventure. Had we went straight to the party without doing a little side quest on first we would not have been able to enjoy the 4+ hours we spent on the cornucopia.

The final dungeon like quest was far too long and we had to spend more than 14 hours of playing to get through to the other side. There was a few memorable encounters such as the boss and the agent, but the other 10+ encounters had little flavor. My players where extremely affected by stat drain, something that had a ruining effect on their fun. One thing is a few drains, but everyone had and str and con damage, something that resulted in 2 player Casualties.

A good start, with too few encounters, and a bad end with far too many random encounters, which weakened the party far too much for them to enjoy it.

I have not seen anything this clever or original since the Wheel.

The players get to roleplay as much or as little as they want, they get the surprise of their lives when things get slightly out of control, and all of that happens before they actually hit the main storyline.
Awesome.

Also, great support for the GM; it's a complex module, but so many helpful tips and methods are provided that it remains easy to maintain the broader context while micro-managing the player's popularity.
Awesome. Awesome. Awesome.

After being so utterly disappointed with the first adventure of the AP, I thought it would be near impossible to save this campaign. I was completely wrong. This AP was simply amazing. It contained the best mix of roleplaying opportunities and standard hack and slash I have ever seen in an adventure. I highly recommend the optional read through the play with the players, it added an element that was truly memorable.

Without spilling all the beans for the potential would-be participant of the Sixfold Trial, I will do my best to describe how utterly wonderful this module is.

Our group was looking for a change of pace, and I offered to run a Pathfinder game to introduce the players to the system and to give our tired GM a chance to play for a change. I had just received the Sixfold Trial in the mail and on a lark I read through it; that one reading made me instantly think, "I absolutely have to run this module."

To say that the module is RP oriented would be an understatement. While combat is certainly not ignored, the real inspiration and focus of this adventure is the roleplay opportunities present in running the Sixfold Trial itself. The script is utterly fantastic (though as mentioned it is most certainly for the 16+ crowd), and even an amateur group of which no member had any interest in acting found the rehearsal, play, and estate infiltration, found the game sessions some of the most fun we've ever participated in.

Even the crunchy bits (where "adventuring" and combat are involved) are well written, fun, and poignant to the story with more opportunities for the players to find more creative ways to combat the situations than simply, "I pull out my sword". The Council of Thieves Adventure Path is fun enough as-is, but to climax so early with such an entertaining and fun module has all of us wanting more.

I really enjoyed the Bastards of Erebus. My group is now ready to perform the trials of Larazod! After reading the mod I'm really happy to see Paizo giving the game an ADULT atmosphere. Perhaps its just that Cheliax is run by Diabolists, so they have to be extra nasty!
The extra XP for meeting NPC's is probably there so the adventure path has the PC's advancing at a rapid pace so they can survive it. Any thoughts?

I'm impressed by the strength of the plot and writing, and hope someday to run this for my other group of players (all adult except for one mature 16) but I simply cannot run this for the group intended, as we have a 12-yr old and a *young* 16-yr old.

I was drawn by the lure of the very first Pathfinder RPG campaign series, by the strength of Paizo's writing, and by the fascinating idea of enacting the play - which is indeed well carried out but the acts depicted, and emotions portrayed are darker than Call Of Cthulhu - indeed they'd be strong even in a World Of Darkness Vampire campaign.

I won't go so far as to claim it is X-Rated (or R-rated in US?) but I must say it is 16+-rated.

I got The Bastards Of Erebus and Sixfold Trial together, and The Bastards hints at darkness but implies that the heroes (of light) can overcome it - a strong line but true DND - and is true to the Paizo summary.

The Sixfold Trial hints also of darkness, but does not give a fair representation of the level of that darkness.
The embedded theatre play encourages the players to have their PCs become the actors, and have the actors (PCs) work through scenes of torture and degradation, and to simulate what is essentially masochistic/drugged passion.
While it might be possible to bowdlerise the plot to make it PG rated, that's not really possible if the script/play is to be used - not without re-writing said play - which negates the point of using Paizo's fine writing. I want them to write this for me - if I had the time to write homebrew adventures, I would!

Now, I accept that *most* of the Pathfinder fans are (like me) old enough (and typically possessed of the resources to buy/subscribe to pathfinder, which in turn typically implies "employed"), but DND as a whole genre does aim at catching 'em young. I have successfully run games for my friends' family -- Sizfold Trial is my first experience of being caught out unwarned...

I'll be brief here: this adventure firmly establishes Richard Pett as one of the best module writers out there. And this time, he has a support sidekick madman thespian Nick Logue to boot.

The concept is absolutely unique, and the execution is brilliant. The Sixfold Trial is a great way of showing that D&D is something more than a "kick the door open and kill the baddie" game.

Bravo, simply bravo.

The heroes of Bastards of Erebus take the stage in The Sixfold Trial. This installment of the Council of Thieves AP really surpasses almost every other adventure or module I've ever experienced. To date, the only thing that approaches is my brief stint in Castle Amber.

This adventure has everything, and while it might be light on combat it is heavy on content. Great characters by the diabolical Richard Pett, incredible worldbuilding, impressive artwork by some of the best and brightest Paizo can retain and stunning playwright work by the infernal Nick Logue.

This adventure features everything that you'd want to see in an urban adventure: an undercover mission, a heist, opportunities for player tomfoolery, ingenious fights, exploring, a dungeon crawl, and a seven course meal with live snakes.

Even better? It’s ridiculously easy to yoink this adventure for your homebrew campaign: just change the object of the heist. It should also be fairly easy to scale for higher levels.

The plot summary (spoilers ahoy): The PCs need to retrieve something from the mayor’s vault. Fortunately, the mayor’s both decadent and a patron of the arts. A theater is going to put on a new version of a dangerous play, in which the actors face real torments and monsters for the amusement of their social betters. If it’s a hit, the mayor’s sure to host a days-long cast party. All the PCs need to do is get cast by a Gordon Ramsey clone, survive a dress rehearsal in front of a derisive peanut gallery, and then stay in characters while they’re attacked by monsters and tortured by one of their own party. Woe to the wizard cast as the paladin!

Then, there’s the cast party, finding the vault and dealing with the monsters and traps inside. The vault makes this last section of the adventure no ordinary dungeon-crawl. It’s a demi-plane that features logically impossible features, such as looking up a staircase and seeing the back of your head, far away.

Also included is a play, so that if you want to have your players read lines, you can. It’s basically an inverted morality play, so its style is going to be pretty far away from David Mamet. Prepare your players for: characters who are representations of particular vices and virtues rather than people with motivations, characters who issue proclamations rather than dialogue, and a didactic tone to the script. It’s an inversion of an ancient popular form and perfectly fitting for a lawful evil DnD city generally, and Golarion in particular.

If you have a group of players more interested in high adventure, the script is pretty optional. You can run the theater sections easily without intensive role playing too.

Also included: several monsters (hit man devil, scalable death knight, high-CR angel, and bird swarm), four pre-gen characters, and some fiction of interest only to readers heavily invested in Golarion.

Basically, this adventure is a must-buy for its laughs, drama, and adventure.