I hold Dave Gross's stories of Jeggare and Radovan in rather high esteem, and I most certainly enjoyed "Prince of Wolves", the first book in their series (I also read about their adventures in Westcrown, in the Council of Thieves adventure path, which I also enjoyed a great deal). Something about this concept of a sort of a fantasy Sherlock Holmes with a twist really sparks my interest, and the writing is always excellent.

However this time, I think the story is a bit of a miss in several aspects(WARNING - MASSIVE BOOK SPOILERS TO FOLLOW!!!)

1) Understatement. Some of the things Radovan and his boss encounter during this story are serious, high end D&D stuff - for example, an ancient green dragon, and one of the most powerful demons from the bestiary. While those monsters should fill me, the reader, with awe and fear, they really don't. Because, as it seems, the characters themselves aren't all that afraid.
More broadly speaking, there is a distinct lack of menace from the bad guys in this book. How many encounters with howling demonic hordes can I read, each time finding out the characters win the fight easily and emerge unscathed, before the demons start losing their menace? Near the end of the book, with the shocking discovery that several devils perch in Hell, monitoring Radovan and waiting for a chance to come forth to our world... the book kind of just shrugs this off. When Radovan speaks with the devils they sound more like a group of old ladies having a tea party and playing Bridge than like a group of beings of pure malice should. How can I be intimidated by a bunch of polite speaking fiends, when even Radovan isn't, not at the slightest?

I felt much more afraid for Radovan when he challenged that Lycantrope for a duel in "Prince of Wolves" than when he faced dozens of demons in this book. To me, that shows that this time around Dave Gross went SO over the top with the bad guys, that I wasn't really able to buy into the story. Certainly, the way some of the most terrifying monsters in the game were described was lackluster. I can get the Jeggare would describe everything in his dry, pragmatic, understated way... but Radovan's chapters are written like that, too, and the minor characters also act totally unintimidated.

2) Repeating story structure. The story in this book is remarkably similar in many aspects to "The Prince of Wolves", to the point where one wonders if we'll ever get a different story with these characters. It begins with the pair delving deep into a new land to find someone Jeggare holds dear, who's footsteps disappeared some time ago. By the end of the story, Radovan exposes an ability to transform into a powerful devil, which saves him during the last fight, a seemingly friendly noble is exposed as a traitor, and the story ends with both the main characters displaying a new level of affection to each other, and a witty one liner by one of them. Kind of feels like a pattern.

Queen of Thorns is the third book featuring the adventures of Count Jegarre and his partner and bodyguard the hell-spawned Radovan. The first (Prince of Wolves) and second (Master of Devils) each could be considered quasi-parallel stories to help flesh-out the setting of a corresponding adventure path – Prince of Wolves takes place in Ustalav alongside Carrion Crown; while Master of Devils is loosely paired up with the Jade Regent campaign. Queen of Thorns, on the other hand, could be considered a stand-alone piece of fiction in the sense that author Dave Gross is not obviously tied to an ulterior motive, but gets to enjoy telling a story for the sake of the story.

In a way there is a parallel to his other books: not only do the titles form the same Title-of-Noun structure, but again Jegarre and Radovan explore a land alien to them. And, it must be said, alien to the reader: the story takes place in the homeland of the elves, Kyonin. Elves in the Pathfinder setting are quite different to the way they have become mainstream in popular culture (thanks to the Lord of the Rings movies) – where the Tolkienesque elf is akin to Nietsche’s Übermensch, the Pathfinder elves are a lot less human and a lot more fey. Unlike gnomes they do not share an actual fey lineage, but they do have a natural propensity to capricious chaotic-neutralness, much like humans naturally lean toward lawful-neutralness.

Dave Gross is, to me, a master at crafting foreign lands in a way that is both believable and understandable. In the same way that Ustalav and Quain in the previous books come to life with a wealth of cultural and historical details, so too does the land of the elves become a colourful and richly detailed setting as the words tumble through the novel. What makes this outstanding is the subtlety that Dave Gross employs in his work – at no point is the cultural dissemination obvious or like a lecture. But after a while, the reader naturally begins to think and see along the lines of the natives.

This is particularly true when it comes to understanding and appreciating the ways that are natural for the “true” elves: that is to say, ones that are born and raised in Kyonin. Elves from the outside, and particularly half-breed elves like Count Jegarre, are generally treated with considerable disdain – the best a non-Kyonin purebred elf can hope for is to be permitted to stay in an isolated town within Kyonin. On the one hand it can seem cruel and arbitrary, but there are many reasons that become evident – other than just raw discrimination: as a rule, foreign elves are entirely differently acclimatized and even to them the culture and ways of Kyonin elves can be daunting and strange. For example, whereas the nobility in Ustalav is marked by protocol and intrigue, the opening act of Queen of Thorns depicts a frolicking and playful mass orgy that even the queen partakes in disguised as a servant girl.

The story and particularly the people in it are strongly characterized, with opportunity for everybody to shine in their own way. The intensity and difference of Kyonin elves when compared to foreigners (including foreign elves) stands-out in the interaction of characters. The story starts with Jegarre’s desire to have his only parental keepsake, a stately red carriage, repaired. The original fate of the vehicle was told in the first book, Prince of Wolves, where the carriage suffered an unfortunate destruction. The nature of the vehicle is such that only its creator would be capable of restoring it – hence Jegarre’s efforts to track down this man in Kyonin. The difficulty in locating the creator is the impetus in the story for visiting many locations; which allows the story to make the nation of elves come to life in all its wild, untamed splendor and strangeness.

Pathfinder fiction has, by and large, been purposefully limited in terms of the scope – meaning that the caretakers of the setting do not want it to get too out-of-hand with events that require the world itself to change and adapt. The first customer for the setting is the Player, and he should be able to be the change in the world, rather than the Reader, who can read about the changes in the world. That said, Dave Gross uses various tricks to stretch the limits of what can and cannot be done – and in doing so expands the depth of the world in ways that aren’t necessarily obvious. But, in Queen of Thorns, I think he created the most obvious and the most prominent and meaningful impact to the Pathfinder setting, Golarion. I can only assume that Dave Gross beat and James Jacobs in a no-holds-barred game of knivesies and earned the right to stretch the setting a bit.

In closing, Queen of Thorns is the triumphant return of Jegarre and Radovan. The reader is in the fortunate position to enjoy remarkable revelations on both characters – and I suspect that the next book (that Dave Gross hinted will take place in the demon-infested Worldwound) will shed even more light on Radovan’s mysterious existence. Queen of Thorns is thoroughly enjoyable, consistent in style and narration to its predecessors and equally engrossing. I encourage prospective readers to start sooner, rather than later!

Dave Gross has proven more than apt in balancing good storytelling with recognizable game mechanics. Even better is his grasp of (Pathfinder game world) Golarion as a sort of character in itself, rather than just a place in which some adventures happen to occur. And I love that he plays the long game, allowing mysteries to unravel episodically, over the course of multiple titles. I recommend his work as most excellent.

Really enjoyed it. I have loved all the Varian/Radovan books so far and this was no exception. I can't wait for the next one.

Queen of Thorns is absolutely fantastic. I loved Prince of Wolves-it was a great tale in a land that I adored. In PoW and Master of Devils, Radvoan And Varian got splitted up, and thay had to deal alone in times of crisis. Queen of Thorns puts them together, and throws in more classical characters, like Oparal and Fimbulthicket. It describes the elven forest-nation of Kyonin better than any sourcebook. It references to the complex politics of the elves in a fashion of Second Darkness (especialy Memory of Darkness) AND with all that going on, manages to tell something new about the pasts of the main couple, fulfilling the information the reader has received before.

I thank you, Dave Gross!