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Btw 'Morrow' has a lot of online supllements which are great for any postapocalypse game. http://www.thesupplybunker.net/morrow.htm
Now we tried 4e for a second time and thanks to you guys it was much better. The solution was to divide between mechanics and fluff. As the players recognized the rules as pure mechanics and the use of it in combat only, things went smoothly. The greatest problem was to think differently. Interestingly some of the older players, who started in earlier eighties, got sentimental; it reminded them of old RPG’s.
Aubrey the Malformed wrote:
...but that might be something you and your guys either accommodate as seems reasonable, or don't (and maybe play something else)...
I have enough RPG's to play to the end of time, I can always choose something different. I see in 4th ed. a real try to make something better, something different. I like the design ideas, but I can't connect some of the ideas to the final rules. More then once somebody could 'translate' it, so I can understand, how it works. But I think I get it slowly how it is actually working. So please bear with my questions.
Aubrey the Malformed wrote:
I guess it is up to the DM to determine when they get their encounter powers, but what you describe is more-or-less accurate. Arguably, it isn't terribly different from the daily sleep to get yout spells back - when exactly in the night do they "pop back" into the head?
Most of the spells requires some action besides sleeping, like praying, memorizing etc. But the game mechanic is not a problem, it is more about to sell it to the player. If a group catch their breath after a fight and reorganize themselves then this is believable, but if somebody uses a encounter power and rest 5 minutes, use the encounter power and rest, ad infinitum, then it stretches the internal logic. So I like to know how you handle this.
David Marks wrote:
Even if I dm'ed dozens of rpg's we started to use a battlemap just a little while ago. (With the start of the Pathfinder campaign)
The problem is that I think that there are really a lot of good ideas, but I can't get a grip on them. My group enjoys a mixture of riddles, combats and social rp. Some of them want to use a battlemap, some of them don't. When we tried KoS it seemed that the characters could only fight and do little else. Everything seemed very secondary. The use of the everpresent battlemap seemed to say the same thing. But I feel that this first impression is wrong, but couldn't tell how it works any other way. So I hope that you enlighten me. (no sarcasm)
WotC's Nightmare wrote:
That seems reasonable. The original post kind of confused me. I thought that he was asking if he was doing something wrong because the game felt like a boardgame with character sheets, when he really just wanted to know when to break out the battlemat.
Well, yes and no. I appreciate your posts. I helps a lot to hear some ideas which doesn't make things to predictable. The battlemap finds a lot of use already im my gaming, but using it always seems to limit my options somehow. The whole world is now in grids ;) When you design an adventure, are you transfering everything to a grid?
WotC's Nightmare wrote:
Well it does seem to be largley based on the D&D minis game, so what did you expect? If you are disappointed on the lack of non-combat stuff and the overly gamist feel of combat, you're not alone. You and your group are going to have to work extra hard to get that non-combat stuff in the game. The current modules have a dearth of role-playing opportunities, and the rules do seem to focus heavily on combat. You might like 3.5 or Pathfinder better.
I'm a experienced gamemaster and I found out that sometimes a game is 'misunderstood'. Some games have certain knacks that only by playing them could be found. Maybe this edition is just gamist and minis, but it seems to me like I have something overlooked.
I know what you mean, but that is my problem. How much surprise is there to an ambush if you put an battlegrid on the table? And it seems to me that to start an ambush without grid is nearly impossible.Like I said maybe I don't understand some of the basics not correctly.
I like to know if somebody, who has actual played the fourth edition, can help me, with some answers. Last weekend I picked up a copy of ‘World & Monsters’ and like before I found myself agreeing with the thoughts of the designers. It irritated me so much that I checked immediately my copy of the Players Handbook to see where I went wrong. But I couldn’t get my hand on it. Our group tried to Keep of Shadowfell and it was nothing else but a boardgame with charactersheets. It seemed to me that every encounter has to be played on a battlegrid. This divided the game into parts of tactical boardgame and roleplay if there was no grid (like the village). Do I miss an important point?
Like I said that was just a guess. Joseph Campbell puts the time where the mythology changed from female to male mythology after the time of the early planters.I grew up in a what many people call a christian sect and I saw quite my share of strange things, including married couples who had problems with the concept of sex. Like a poster before said, self-deception is a mighty force.
There are some interesting theories from Felix von Cube, a behavior biologist, who says that you have to challenge, not pampering the youth. In his theories he states that violence of the youth is a result of idleness, that they need adventure.From my point of view I watch a lot of parents who don't take responsibilities for their lives and even less for their children. And this children get their hands on mature material without any real problem. Sometimes their parents even buying it for them. Without guidance this material can be a problem for the mental health of the children, but this is not the mission of a country to solve. Censorship has never worked to solve this kind of problem. I agree with you that education - and I think of the education of parents first -is a part of the solution.
I agree with you that self deception is one of the biggest force in humankind. But why shouldn't one not admit the need for sex? It is as natural as craving for food. My wife, my friends and me have no problem of admitting that we need sex and adore beautiful naked men or women. And if we play a game of fantasy then this is a part of it.Just take a look at human history and you will find that the earliest found scriptures are contracts and pornographic stories. Everywhere you find stories, pictures, statues that tell us that sex is a wonderful (even spiritual) thing. Only the modern judeo-christian-moslemic religons have a problem with that.
Lord Fyre wrote:
The Legal systems of those countries?
Most of the censorship is self censoring, not any laws. Publisher fear that some groups will be offended or 'the kids must be protected' and they press their artists to censor their work. Frank Miller's Sin City comes to my mind immediatley. You will find enough of this 'free' censorship everywhere. So basically a few people decide what is good for you and your children. Again I say, if we realize this artificial reasoning and give a voice that everyone has the right to decide what is good for him-or herself (I'm talking about cheese/beefcake pictures) then the problem will be just a matter of taste.
Saying "it's just in your head" is equivalent to a PC saying, "Thank goodness it's not a evoker; it's just an enchanter. What's the worst that could happen?" It's silly and kind of charmingly innocent.
Personally, I don't have a TV. I don't need one. But I agree with you that the media has a lot of influence in our lives. But that is not the point I tried to make. If a movie get censored in the USA, you find that they don't censor the violence, but every sexscene. In Germany they censor every violencescene and not the sexscene. If you like to look a movie less censored, then you watch the netherland or the japanese version. The country with the largest porn production of the world falls unconscious if they see a nipple on TV. If it is not a problem in the head of the people, what it is then?
This discussion amuses me again. I live in Germany and tried once to bring this kind of question to the female gamers around me. 'What do you think, is cheesecake in RPG a problem for the female gamer?' They laughed long and heartily. So I went to a convention and asked there a few female gamers/authors/producers and they looked at me like I came from another planet. Like they say, the problem is just in your head.
To be true I have much more problems if the female gamer wear clothing that her character could wear, but she cannot. A lot are heavily overweighted and not all large breasts are beautiful.
"This is all very interesting stuff... but I still think there should be more scantily clad females :)"
One of my female players liked her fighter very much, who wear a thong+5 with cold resistance. It was one of the few characters who drove her character alignment from chaotic good to lawful evil and had much fun to do this. The campagne was around a succubbus who was on the way to become a major freedom goddess and the characters were her priests, apostles and so on. I only say - watch out for the girls. Everyone had fun, but especially the highpriestes Eisenadermade good use of 'free love' concept.
Sunshine the orphan, Half-Ogre Crusader of Iomedae from the Windsong Abbey
I was in high hopes, because some of the developer said, that there would be something like a social combat system in the 4.0. I missed this dearly in the 3.5 and other games (like Exalted) showed how it worked. In 3.5 you could choose if like to play with a battlegrid or not, that decison was taken away, you need it now. In our campaign we use characters like the crusader, the truenamer and cross-class, so we are used to have a lot of possibilities in combat, so it seemed that the changes were not really so different, at least not enough to inspire the gamers.
It s a great miniature game with fantasy elements, but not a RPG anymore. After the first ten minutes of slashing Kobolds I heard the first 'Do not take my candle',after twenty minutes people talked only in metagaming speak. We agreed on the following:
"While gnomes are generally no more evil than the
Could somebody me please explain, what that means? What kind of unconventional moral code do they have? Why are the alien thoughts of the gnome are mistaken for evil, as the context indicates?
I don't play D&D anymore. I buy Paizo's products and convert them. My Savage Tide is BESM.
For those who don't know. When D&D arrived in Japan, they had their own ideas about designs. So they made elves with extremly long ears, as you can see in anime classics (Record of the Lodoss War-Deedo 1990). Later on, you found them in independent comics like Poison Elves. Long time after that WoW adapted to their game (and notice that the WoW Elves nearly 2,20m tall and second largest players race in the game). So you can say, after the Japanese borrowed it for their D&D, Paizo borrowed it back. :-)
As you wish :-)
Wenn du Spieler von Charakterwissen trennen kannst bis du herzlich willkommen.
If you can differ between the knowledge of your character and yourself you are welcome.
Es werden mutige Abenteurer gesucht die den „Wilden Fluten“ trotzen wollen!
Dies ist ein D&D Play-by-Email Abenteuer mit Piraten, geheimnisvollen Inseln, verborgenen Schätzen und grässlichen Dämonen. Die Kampagne "Savage Tide" ist aus dem Magazin Dungeon und umfasst die Entwicklung von der 1.Stufe bis über die 20.Stufe der Charaktere. Der Endkampf wird gegen den Dämonenfürsten Demorgorgon sein, soviel sei schon einmal verraten. Ein Teil des Abenteuers wird auf der Insel des Schreckens stattfinden und ein späterer Teil im Abgrund. Wem die Begriffe jetzt nichts sagen, der sei nicht abgeschreckt, es ist kein Vorwissen nötig um mitspielen zu können. Es ist reichlich Hintergrundmaterial vorhanden. Es reicht das Spielerhandbuch aus, aber mehr Hintergrundwissen schadet natürlich nicht. Englisch lesen zu können ist von Vorteil, da einige Artikel, wie der 'Savage TidePlayer's Guide' in englisch sind.
Wer Interesse hat meldet sich unter: http://de.groups.yahoo.com/group/WildeFluten/
I don't have to hint at anything. Their 'we are above any criticism, we are god' attitude have made them to outsiders in the whole RPG scene. They have forgotten that if you like to sell something you need customers. And the customer are already reacting to that, as you can see the response to the WoD products.
Here are some pictures from the Spiel:
My conclusion for this year of the Spiel is that the German RPG scene is in the offensive. Lots of independent games and designs. I could say a lot about 'Feder & Schwert', but there is not much positive. Again D&D is a problemchild and has a bad reputation as only dungeoncrawling that it not deserve. I really miss a magazine like Dungeon. At the moment there is no german Rpg Magazine, that has such a high standard in design.
It's a kind of fashion statement. In history full plate was often not made for combat, but for showing off. Remember that certain kind of weapons that could easily destroy a plate were restricted or socially banned, like the crossbow, warhammer and warpicks. Basically it rounds down to, the guys with the heavy armor shall live and the mob should die and damned if they use weapons that can hurt them.
My experience with gamers in LARP, which dressed up in full plate and were chased through a wood, showed me how valuable is movement over heavy armor. It was funny when some of them rested and couldn't stand up own there own. :-) There was a Lady Colonel and the only thing you recognized that she was a woman was the long braid of hair, all other features vanished under the armor. So in a fantasy game like D&D it is back to fantasy. How many cool pictures of women in armor, that does make sense, are out there? I mean, what sense makes a belly free breastplate (I've seen a lot in the last time)? Or those kind of steel latex armor, that fits skintight on our heroine?
One of my groups decided to be fashion slaves and had designer dungeon suits, with sponsored crystalball watchergroups and a special group pose. For this group was armor so passé. Ok, it was the only group that invested over 2000GP for clothing (per person) in one shopping session. Still, the AC was enormous, there are several prestigeclasses where the attributeboni add to AC. So anything they did was pushing the attributes.
My actual group uses the Vitality point system and armor protects only wound points. This works fine. Those with heavy armor live longer and better protected against critical strikes.
I have an place for my honored 'old' dice from the 1.edition of a game. So if there is the need for something special I use the D20 from the red D&D box, which is orange and where the numbers had to been put on with a crayon. All the edges are round. Somehow dice are like wine, the older they get the better they are.
I liked the Damage/Wound points system from Alternity. There were 4 kinds of damage stun/wound/kill/fatigue and every category had some points derived from constitution. On one side there was the overflow, so after enough stun damage you got wound damage and so on. On the other side, different weapons started from different positions making already wound or kill damage.
Just an amusing fact about 'Wagnerism'. King Ludwig's most knewn castle Neuschwanstein (http://www.neuschwanstein.de/) was built after his wish to built a perfect setting for Wagners (fantasy) opera. He even let built a cave with lakes to be in his 'fantasy' world (http://www.linderhof.de/).
I would really like to know more about it. I watch a lot of Anime, read Manga and few books about Japan. My picture is of course very distant from the reality, but I would be deligthed to hear about some typical differences, so that I can better understand.
I've been interested in how people from different cultures take something and add their own unique flavor to it, if you will.
I can speak only for myself. Of course the standard fiction is a 'standard' and interwined with the rpg's. The one of the differences I noticed, is the sense of history. I live in a heavy urbanized area, called Ruhr area, yet I have just a stroll of 10 minutes to the original wall of the city, which is about a 1000 years old. Everywhere around us is a legacy of the history and if I like to know how something medieval worked, it just takes a short trip and I find some of the original things.One other thing I noticed, is the difference of distances, places in Germany are not far away. The next country is never more then 350 miles away. This means most of times a different language, a different culture, another point of view.
Another thing is that (please, don't be offended) that americans seems to have a high threshold on violence and a low on sex. So you see here more naked flesh and less violence. Another thing is about patriotism, if you would show the same patriotism that is normal in USA in Germany, you would immediatly be branded as Nazi.
About classic mythology, I like to visit the places from where some stories come from and soak the 'feel' of this places.
We (our rpg group) discussed the difference of flavor sometimes and agreed, that some of things mentioned above make things for players and the characters different.
Jonathan Drain wrote:
My experience is that especially young players enjoy role-playing. But I got more girls then boys at the table, so maybe it is a gender thing.
After rereading the thread I found out what really bugs my players (and me as DM) in Dungeoncrawls. I have more then a yard of 3.5 Rulebooks with dozens of characterclasses and there are thousands of prestigeclasses, but if I go on a dungeoncrawl there is just the fighter, the trap detecter, the healer and the use-magic-to-kill-things-quickly characters. It is like showing all the possibilities and then tell to go back to the standard. Frustrating is right word.
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