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Trey's page
1,493 posts (1,547 including aliases). 4 reviews. Aliases: Grumpy Trey, Alt subroutine E; then {sum}, Wuvvy, J.D. Jinglepockets, III, menacing crowd, Kool-Aid Man *, Corey Spondint, BellaSebastian.
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Trey:
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Threadmortis Doombringer wrote:
flash_cxxi wrote:
Solnes wrote:
Solnes Fallacy...Infamous thread killer!
Stop stealin' my thunder... I'm the Thread Killer 'round these here parts missy. ;)
I have slaughtered virtually every thread except 5 and killed about 4.5 pBp's too
low S-O
that's what it leads to
low S-O
I was afraid to post in the old days as it was WaY too fast and furious, then I posted and killed
Folsomnias Threadmortis
Threadmortis shot a thread in Reno just to watch it die.
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What boggles my mind these days is the variety of ways you can do things. When I got started with multitrack recording, unless you had access to a Synclav or Fairlight or something, the synth made the sound, which you played live, then went onto an analog cassette or reel-to-reel or something.
Now everything can live on the computer, with just a weighted controller keyboard, or everything can live on the keyboard workstation, or you can make a mix of somewhere in between.
So I guess it comes down to things like whether a person wants to do effects in the keyboard or in Logic, or both, whether all sounds are to come from the keyboard, or whether some are going to be modules installed into Logic, and so on and so on.
If you want to drop me a line, I can see if I can be any help in sorting through the sales material, but unfortunately, I have not paid much attention to this stuff for the last nine years, so I'll probably just sound like those dudes back in the 80s who kept rattling on about how classic Hammond B3s were when I was trying to check out the Roland Juno (It can make a sound like a helicopter? Radical!)
Anyway, nice job on the RPGCountdown. Cool format and a really good idea for a podcast.
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Gotta go to the store for that, I think. You can whittle it down a bit by looking at features, but these critters all have different personalities, and no matter how good one is, if the way it handles sound doesn't mesh with how you do music, you can end up bummed out because you've got a great rig and can't seem to do a damned thing with it. Any reason why Korg, specifically? I loved the M1 (I know, ancient history), then later, bought an N1. Great rig, but I can't seem to do a damned thing with it.
:-)
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