Robert Hawkshaw wrote:
I have mixed feelings about the properties changing hands without pre-orders being fully honoured. How do I prove that I haven't received a refund? etc. Also, its very early here but I keep having flashbacks about bona fide purchasers and equity and such wrt to accepting property you know people probably have a claim against.
But I've been marking exams all Christmas so I'm in an Issue spotting frame of mind
Fire as She Bears was never offered for sale and no pre-orders exist; so, Rite Publishing and the esteemed mister Russel are not involved in any pre-order mess.
For the KUG? Well, its sort of like this: Nick stated he was going to put out Razor Coast then shut down. My information indicates this property would never be published, ever.
Nick told me he believes he returned all the pre-order money for this product. I believe he believes that. I'm not in a position to assess the quality of his record keeping.
Since this is a not-for-profit venture on my part, I plan to give anyone who simply tells me they made a pre-order a free PDF of the product. Period. Honor system. Could lots of people "rip me off"? Sure. Do I care? No. So there is no need for anyone to prove anything to me about a refund. You tell me you made a pre-order and didn't receive a refund, I give you a pdf. No questions.
You want the print version? The price will be whatever my cost was to produce the book -- so it doesn't include Nick's art, etc. - not a red cent more. For costs that vary by the number of units sold, I'll apportion them across a low number of units on a per unit basis. Not sure what that number of units will be, but I'll publish it in advance.
My goal is to price the print volume more cheaply than the early price, at the same time that the size of the book has tripled. By not making a profit, I hope to set the price such that a person who pre-ordered and then also buys the new POD book receives a book at a combined reasonable price. Not sure if that made sense, so here's an example:
If my new KUG book is worth paying $20 for at market, and the pre-order price for Nick's version was $11, then I plan to try my best to hit no more $9 for the new book (if per unit cost is $8, then its $8). That way if a pre-order person buys both, they still receive solid value for their money -- despite buying twice. Will I succeed at this attempt? No idea yet. Does this plan make sound, for-profit business sense? Nope. Not a lick. And not the point.
Side note: those numbers above are not the prices, just an example. I simply don't know what the price will be yet.
Will I be totally transparent along the way and try to provide people an independent means to verify what I'm doing? Sure will. Maybe access to whatever invoice the POD of choice gives me? Not sure yet, but I will try to figure it out as I go.
A game changer will be if Nick provides me with his paypal records and, in the event he is mistaken, any money he took for the KUG. Then I can simply honor the pre-orders.
I'm willing to pour time and sweat into this. I'm willing to call in favors, and I'm even willing to lay out some of my own money -- despite having neither an ethical or legal obligation of any sort to do so -- because I think the creative value is there and the sweating writers at least deserve their audience. I'm also haunted by the lack of creative closure. However, I'm not willing to create an open funnel into my wallet and take a bath for trying to pitch in.
Here's the alternative: I'll give this back and people can keep chasing Nick. If that emerges as a consensus on this thread, I can absolutely go that route. The absolute worst darn thing would be to further anger or disappoint the very fans and good Paizoans I'm hoping to please!
I hope that plan (such as it is) makes sense. If there are logical flaws in the approach or any issue that occurs to any of you, please share. I'm very open to whatever helps me get this right.
PS The difference between versions (the original Nick took pre-orders for and the one I plan to put out) will simply be more material by the same authors. A lot more.
PPS This will definitely be an art-lite book, but if anyone knows a cartographer good with Astrosynthesis or space mapping in general, please let me know :)