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Megan Robertson's page

Pathfinder Society Member. 5,569 posts (5,866 including aliases). 519 reviews. No lists. No wishlists. 1 Pathfinder Society character. 2 aliases.

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An RPG Resource Review


Beautifully illustrated and presented, this is a massive adventure that takes the party into the realm of shadows and embroils them in the chaos and intrigue that accompany the transistion between the Summer Court of the Queen of Night and Magic and the altogether darker machinations of the Winter Court of the Moonlit King. You cannot trust the Fey, never more so than here...

It all begins as the Moonlit King discovers that House Stross no longer holds sway in Zobeck (he's a bit behind the times, poor dear) and so all the arrangements and treaties that he had with House Stross are now null and void. Unsurprisingly, he's rather cross about it all!

The adventure itself is constructed as five segments that would take a party from 7th to 11th level in the course of some 30 encounters (although they need not have them all to complete the adventure successfully). The key to it all is a neat mechanic for determining Status - because the Fey are nothing if not snobbish and elitist, and if you are of insufficient Status they do not care how reasoned your argument is, how strong your sword arm is or even how big your bribe might be! A party that successfully rises in Status will get their audience and be able to put their case to the Moonlit King.

All starts abruptly as the party is called away from whatever they might be doing in Zobeck to aid a senior cleric who is being attacked - in his very temple, no less. A tough fight is followed by a quest to find out why the poor priest was being attacked and this will lead the characters into the adventure proper. A series of strange events beleaguer the people of Kobeck, and so it all begins.

To succeed, the party needs to be smart and diplomatic as well as adept with spell and sword... and that's before they venture onto the Shadow Road and attempt to navigate their way through the Courts of the shadow fey! Then they will really need their wits about them! Strange things happen in the shadow realms. The encounters reflect this well, with some truly memorable and outright wierd events to throw at the party. This is where the Status mechanic comes into play: everything they do (or omit to do) affects the party's standing: to the level that some encounters only become available as they rise in Status to a sufficient level.

The Court is massive and the party will be able to roam around, and perhaps interact with those denizens who deign to actually notice them. Eventually (we hope!) they will gain sufficient Status to be treated as guests rather than intruders, and the place comes alive about them. There is a great feast, the menu of which is part of the adventure in itself... and then it's time for the Duelling Season. The fey, it seems, love their duels. Mechanically, a Quick Duelling system is provided - and of course it also links back to Status.

The climax of the adventure comes when the party gains an audience with the Moonlit King. And the outcome? There are several possibilities, including supplanting him and taking over the shadow realm! The most likely conclusion sees the party returning to Zobeck, with many tales that mere mortals may find hard to believe!

Much is twisted, distorted, wierd... and as GM there is a lot to keep track of, so prepare well. Everything's well-presented (apart from a tendency for the text and the fancy borders to encroach on one another at times, so the odd word is hard to read), and most of the information is just where you need it. The PDF version is well-bookmarked, if running from a book you may want to put in some markers of your own.

Bringing out the sheer otherness of the fey, this adventure is like none other and should provide a memorable element of your campaign.

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At first glance, this is an odd book. It's a collection of various snippets about Midgard... yet it makes more sense as you leaf through, for here are some of the legends, the stories Midgardians tell around the fire... the stories that one day your characters might feature in as they in turn create their own legends. For legends inspire heroes - whilst if you are the GM, maybe they'll spawn ideas for adventures of your own which you can use to help the party write its own tales that are worth the telling.

First of all we are introduced to Abderus, the first mage-lord of House Stross. If you have already got deep into the fabric of Midgard, you'll know what House Stross is (they're the former ruling family of what is now the Free City of Zobeck if you are wondering), but there's some more history here than hitherto published and a few spells that Abderus is said to have developed. This sets the pattern, a weaving-together of stories about people, places and events and relevant game mechanics which you can make use of in your own games. Items, spells, monsters, feats... all sorts of stuff, even some full character write-ups of those who still might be around. It's quite hard to keep track of it all!

Many entries have a 'using this legend' section with ideas for making use of that particular legend in your own plotlines. These may only be a sentence or two, but there are a lot of them and most could spawn an entire adventure (or more) depending on how you choose to use them. To use these to best effect, you'll need to seed the legends - how else will the characters know to act upon them else?

There are all manner of hidden delights. Perhaps a paranoid wizard might cast Incantation of the Uttered Cognomen Overheard, a delightful little spell that not only notifies you if someone's mentioned your name, you also get to see his location and surroundings. Or perhaps you fancy chasing Glatisant, the Questing Beast? This bizarre chimera seems to exist solely for the purpose of being pursued by young adventurers! Or maybe you would like your journey shortened by Hune the Doorlord? He can open a mystical door between anywhere and someplace else - if you can pay his price.

There are legends here indeed. Use them wisely and more shall be written... but an index of all the goodies tucked away in these pages would have helped! That aside, it brings Midgard to life, for only a place that is rich and deep has such legends to be told.

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This is a collection of information and adventures that really brings home the 'otherness' of the Midgard campaign setting... and the brief introduction highlights this, speaking of the epic adventures to be had when exploring remote and exotic islands at the far ends of the ocean. In Midgard, oceans do have ends, or at least edges, because the world is actually flat!

In this supplement, the geography of the Western Ocean is laid out ready for exploration, with sections on the Greater and Lesser Islands. Adventure seeds and notes to aid you in making it exciting to explore and scattered throughout and there are several complete adventures at the end, as well as new monsters and items to be used as you see fit.

The first section looks at the Greater Islands, beginning with Barsella, a free city billed as 'the city at the end of the world'. It's a major trading port and a haven for explorers - and it's governed by a council of seafaring families who understand that burning need to take ship and see what's over the horizon. Of course, there are wildly-differing reports of what is to be found over the horizon and many of the ships which venture out into the blue fail to return. Those that do, however, are filled with massive wealth and their crews have many a fantastic tale to tell, so there is never any shortage of vessels seeking to brave the trip or crews to sail them. There is a map of the city and details of notable locations and the people to be found there. One interesting feature is Saints' Lot, where many people who have survived shipwreck are to be found: they are termed 'Saints' by the townsfolk. Or perhaps you'd rather explore the caves underneath the city? A few regional traits and some adventure seeds finish off the city description.

Next comes the Isle of Morphoi. Despite tall cliffs and no ports, it is home to some very interesting inhabitants... a rich and strange lot they are, and is that a goddess I see lurking amongst them? Be wary, there are strange magics about as well... again, there are notes on locations and notable residents, as well as ideas for adventures here.

The next section covers myriad Lesser Islands, each with maps and notes and other useful information about them. They all have a tropical feel - think Pacific islands or perhaps somewhere like the Maldives - with beaches and coral atolls abounding. Some islands are volcanic and others display temporal instability! There is even one 'island' that is a great sea-beast which swims the ocean, making mapping its location rather difficult... and upon occasion it dives. Whenever there are strange occurrences or effects, the relevant game mechanics are supplied. And then there is the edge of the world itself, complete with Terminus Island and what lies beyond and below...

The Monsters section presents a selection of strange beasties that are to be found on the islands or in the waters around them. Perhaps you'd like to catch a prismwing, a beautiful yet dangerous bird, lightweight but with a wide wingspan and a long needle-like beak. Tall tales have been told about ferocious totem poles that lumber across clearings chasing the unwary... or are they true? Or have you heard the one about the giant made of bronze filled with a fiery ichor that serves as its lifeblood? The items that follow are equally strange and linked in to the setting.

Finally, there are five full-blown adventures which focus on the themes of exploration and discovery. They could be used as the framework around which to build a campaign set in the Western Ocean, beginning with a 1st-level adventure set in Barsella then taking the party to visit many of the islands described here in successive adventures, ending with a 9th-level one that could end with the characters as major players in the region or founders of a colony of their own. Hints are provided for what could go on between the set adventures with options for exploration, trade or even a spot of piracy. The adventures are exciting, with plenty going on and opportunities to exercise the brain as well as the sword-arm (one is a muder mystery and anoter a search for a ghost ship, yet another involves a daring rescue). Many a song could be written or tale told about those who navigate them successfully.

Overall, if you like nautical adventures and exploration, this is an ideal resource mixing setting and adventure. My one complaint is that there is no overall map of the Western Ocean, although individual islands and locations are well-provided with maps and plans. Beautifully-presented and jam-packed with ideas for adventure.

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Designed as a supplement to the Northlands sourcebook, this short PDF has a lot packed into its pages.

The section headings can be a bit confusing until you realise that they refer to the chapters in Northlands. First up, to go with material in Chapter 1 of that tome are some delightful short thumbnail sketches of 'guests at the feast' - ten characters who will add colour to any gathering. Designed for role-playing, if you decide that you want stat blocks for any of them you will have to attend to that for yourself, although in most cases you are at least told what class they are. Next, should you run a Thing there are several adventure ideas: people who have come to place a particular issue before the Thing or who otherwise might attract attention.

Next comes a section on magic, which references Chapter 4 of Northlands. There's the concept of 'reskinning' magic, tweaking existing spells to fit in with the style and atmosphere of the North, with several examples to show you what is meant. There's a new artefact and several wondrous items which all fit the legends of the North too... or just the environment. How about a pair of snowshoes that leaves no tracks?

Finally, there is further material aimed at Chapter 6: Bestiary of the Northlands book. Again it looks at reskinning monsters, with a lengthy list of ideas, and presents some new beasties as well. Strange deadly creatures called frostveils and the sea wolf, a vicious and aquatic creature with the body of a shark, the neck of a snake, the face like a wolf and mouth of dragon's fangs... or so it is said. Barbarians may take their rage powers from the Way of the Sea Wolf if they wish.

Some nice material to add to your game if you are using Northlands and some may be of use if you have your own 'lands of the frozen north' setting, but it is closely bound up with the Northlands of Midgard.

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The foreword explains the origins of Midgard as Wolfgang Baur's own home game setting that he's been building since he was 14, and how it is amazing even to him to see the piles of scribbled notes and sketched maps that he ran games from turned into a full-colour proper book! Like many gamers I've long enjoyed creating my own worlds to adventure in, but few of us have the talent, perseverence and opportunity to share them with anyone other than their gaming group. This one is replete with a depth that comes of some 25 years of dreaming, writing and playing, jam-packed with lots going on never mind what adventurers might be doing yet plenty of opportunities for them to get involved or carve their own path. Just what you want in a campaign setting!

Chapter 1: Welcome to Midgard gives a high-level overview of the world. It's a place with a rich history of heroes that has fallen on dark times, a place waiting for new heroes to arise. For anyone who might think that this sounds like many other campaign worlds, seven differences between Midgard and 'standard' fantasy settings are laid out. For a start it is flat. In a quasi-mediaeval world, you might expect plenty of people to think that their world is flat, but this one really is flat. With edges. There are ley lines, utilised by the elves. Dragons are linked to the elements, and enjoy ruling whatever they can get their claws on, as well as the traditional dragon pursuit of amassing a good hoard. There are novel races, each with their own history and place in the world, as well as the standard fantasy human, elf, dwarf and so on. Personal prestige is important. The deities meddle with what goes on in mortal life. And it's not a static place. Boundaries between kingdoms change. Dynasties rise and fall. The party may have a chance to influence - even instigate - such change, but happen it will whatever they do.

The epic sweep of Midgard's creation (or at least, what is known and surmised about it) is then explained. Naturally all deities claim to have made it, but it's likely that they are lying. The creation myth told by the Northlanders is probably closer to the truth, but who knows? Races came and went, kingdoms rose and fell, a succession through giants and then elves until now when, although the other races are still around, humans take a more prominent role. Naturally the succession has rarely be peaceful with rebellions and wars... and if battlefield strife was not bad enough, the wizards cut loose too and waged war with arcane powers, leading to great swathes of devastation. And then the dragons and the vampires emerged to stake their claims... Ending with events of the last hundred years, the chapter finishes with a discussion of time, planets and dates. Flat or not, Midgard has a sun that rises in the east and sets in the west, not that anyone knows just what happens to it when it is not in view. There are moons and planets around as well. Naturally there are quite a few festivals and holidays to celebrate.

Next is Chapter 2: Heroes of Midgard. This provides details about the major races and assorted minor ones to be found in Midgard. It includes fascinating snippets and a wide range of variation within races, depending on where they hail from - things that create a diverse society and plenty of options for those seeking to create characters truly embedded in the lands from which they come. Humans, dragonkin, dwarves, elves, the gearforged, kobolds, and minotaurs make up the major races, and whilst some are well known, those that are not are described in sufficient detail to empower players who wish to experiment with a novel race for their character. There are seven minor races as well, ones who - as well as being less familiar as player-character races - are only found in specific parts of the world. There's a note on languages, and then it's on to a collection of Midgard-specific feats and traits. No matter where your character comes from, there is a range of traits that he can choose between, all providing distinctive regional and racial flavour.

The book goes on to describe the seven major regions of Midgard, geographically and culturally distinctive, with each getting its own chapter. In the middle of the world is Crossroads, then there are the Rothenian Plain, the Dragon Empire, the Seven Cities, the Wasted West, the Domains of the Princes, and the Northlands. Each has a wealth of description and some detailed maps to help you get a feel for the lay of the land. Crossroads can be a bit of a melting-pot of cultures, and at its heart is the Free City of Zobeck, which already has a sourcebook and an adventure collection of its own. Here there are brief notes and its coat of arms (the blazon is not quite right, the shield is not quartered but divided per pale - the full blazon is per pale gules and or, a gearwheel counterchanged if you really want to know!), plenty for a brief visit although if your game is going to spend much time there, get a copy of the Zobeck Gazetteer. Of particular note are references to magic unique to Zobeck, the Clockwork School and the School of Illumination Magic. The discussion moves on to trade, with loads of detail about trading companies, trade routes and so on, then to mercenary companies and many other locations that are to be found in the Crossroads area. The sheer wealth of detailed information packed in here is quite amazing... it spawns adventure ideas, never mind being useful if you already have reason to tread these lands. Numerous kingdoms, organisations, individuals and locations are all here...

And so it continues through chapter after chapter until all seven regions are described. As you read, the roots of Midgard begin to show: Middle European folk tales and legends, often the darker nightmare-inspiring end of things. But there is much more. A cluster of halflings around the great World Tree of Domovogrod, nomads roaming vast plains with a 'city on wheels' that travels around, as nomadic as the people it serves. There are spreading forests and towering mountains, strange customs and stranger titles... never mind the beings bearing them. Every region has distinctive spells, equipment and more. Throughout, there are suggestions for adventure, rooted in the people and places you are reading about at the time. The richness of this setting is matched by how integrated it is: sometimes you read of a campaign world where it seems a human world with other races tacked on because a fantasy world ought to have them: here they belong, as integral a part of the setting as any other creature.

After the regional chapters, there is a chapter detailing the pantheon of Midgard. It takes things much further than the usual list of deities and the domains over which they have influence, though. These gods are properly mysterious, they and their ways cannot be understood and categorised by mere mortals. Sometimes aloof, they can be jealous - it's said that the best way to attract one god's attention is to worship another one! - and are said to interfere in mortal affairs. Through a system of 'masks' deities are able to walk the land and meddle in whatever takes their interest. Mechanically, there are new domains and spells and the concept of the pantheistic priest. This novel cleric worships the five gods designated as the major powers wherever he lives, each week chosing one of them to venerate and receiving access to the appropriate domains. The underlying reasons for why the gods of Midgard are as they appear are explained, but this is a matter properly for the GM: even their clerics and most fervent devotees do not know! There's a lot of material here, enough to keep the keenest student of theology busy. Finally, an Appendix provides resources for those who'd like to use the Midgard setting with the AGE system rather than Pathfinder.

It's the sort of world that you feel that you could take a lifetime exploring it and still feel that you have only scratched at the surface. This is a book to dip into, to browse through, to read again and again. Whether you like to prowl in the woods, roam vast plains, travese deserts or trudge through deep snow, there is adventure and excitement and things to see and do at every turn. Primarily a book for GMs, there's a series of Player's Guides to the different regions available, if you want your players to learn more about where their characters are without giving away too many secrets. In sheer depth and richness, this setting is hard to beat - and one wonders just how so much is packed into 'only' just under 300 pages!

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