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the more I realize that what I really want to experience, through D&D or Pathfinder, is the adventure itself, and not the details of how each little thing can or cannot be accomplished.
That's a fair and valid statement.
Speaking from a DM's perspective, the details of how things are accomplished does have an impact on the adventure I present to my players, so it does matter to me.
Perhaps it has less to do with me being a DM and more with me having a genuine interest on the mechanics or RPGs. Such things always fascinated me somehow, and I love games that present a simple but thematic rule or mechanics that reinforce the theme and feel of the game.
5th ed has a few thematic rules like that which I admire for design's sake (because I haven't played a 5th ed game yet).
 3rd ed and Pathfinder are getting a bit old and heavy now, but it has quite a few key design elements I love. The triple saves of will/fort/ref was good mechanics and a good "innovation" IMHO.
I not a fan of players insisting on playing evil (or acting like immoral ass**** or playing "neutral-badass" just to impress other players).
I find the enjoyment of doing depraved things disturbing at best, loathsome in most cases.
I can understand (and enjoy) characters struggling against their worst nature, or going into a momentary fit of madness, but there needs to be an intent of redemption somewhere.
Additionally, how would you feel if there was a full on E6 or low magic product?
I would love such a thing as a Player's guide to Low-Magic Setting or something, ideally something official from Paizo (for support) or a quality non-campaign-specific third party product. Almost made it myself, a few years ago.
Basically a product that proposes 2 or 3 different approaches to Low-Magic, with a few alternate rules a la Unearthed Arcana but otherwise assuming core rules.
I have a feeling much of it could be achieved by achieved by giving casters alternate sets of spell lists, pruning spells to match a vision of "how magic works in fictive setting A, B and C" and attributing the RAW core spells accordingly.
Much can also be changed through re-fluffing existent material, but this reskin must be guided with a certain vision of things.
I wished that had been created.
Game Master Scotty wrote:
My oldest is almost ready to swim on her own, allowing her mother and I to convert her room to RPG storage.
"So college next yeah eh? Not to put any pressure on you honey, but your mom and I have plans for your room..."
 Oh, and I realise I never congratulated the parents properly, so congrats to Tacticlion and Lady Firedove!
Having a kid in neo-natal isn't easy, but your child is in as good care as you can wish to be. Make sure to give us news when you guys are all under the same roof.
Speaking from experience, keep a budget for (small) treats to buy on the way, if you can afford it. That's going to be a lot of commuting which can become a chore (which you don't want "seeing your baby" to become). A little something for yourself, your better half or the nurse at the hospital can go a long way keeping this joyful.
As mush as wikipedia can be trusted as a reference, the wiki page on science fiction is an interesting read, nothing among other things the difficulty to state what science-fiction means.
So let's see what it has to say on the Steampunk subgenre...
Steampunk is based on the idea of futuristic technology existing in the past, usually the 19th century, and often set in Victorian era England—but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells and Jules Verne, or real technological developments like the computer occurring at an earlier date. Popular examples include The Difference Engine by William Gibson and Bruce Sterling, Leviathan series by Scott Westerfeld, Bas-Lag series by China Miéville, as well as Girl Genius web comic by Phil and Kaja Foglio, although seeds of the subgenre may be seen in certain works of Michael Moorcock, Philip José Farmer and Steve Stiles, and in such games as Space: 1889 and Marcus Rowland's Forgotten Futures. Machines are most often powered by steam in this genre (hence the name). Terry Gilliam's 1985 film Brazil is seen as inspiration for writers and artists of the steampunk sub-culture.
 Brazil and Girl Genius; interesting. They seem to broaden the definition to "science in the past" over than "super steam-powered engine", up to Dieselpunk or alternate history when gas-powered engines replace steam.
Science-fiction doesn't need hard, working science. It just mean that the "fiction" part applies to element of science as well, not only to the plot.
"fictive-science" might have been a better word?
Star Wars is a strange beast, but it can be coined as science fiction because much of what is fictive about it concerns "science". It could be argued that this fictive science is not the main focus of the story and therefore should be another literature genre, but since science fiction and fantasy are often grouped together in libraries / merchandised together / publicized and aimed at the same general public, the marriage of the two genres in Star Wars is a natural one IMO.
James Langley wrote:
I'm just gonna echo some of the things mentioned above, in point form because I'm doing homework with the kiddos...
- Taking care of your family is important. Having fun as a dad is
- At this point you may have to choose your battle. You may not be able to play twice a week, have hockey nights with the boys, hang-out at Moe's pub with Lenny and Barney and sleep-in every morning because you're so darn tired from partying all night. In other words, your college years are gone, but all is not over.
- If gaming is important to you, then make it a priority to play. Tell your wife you want to make it a priority to play. She's allowed to tease you, but let her know you shouldn't have to feel guilty about it (that last point is actually pretty darn important).
- Consider playing outside your house, gaming IS disturbing to baby/kid bed routine (I don't mean outdoors, I mean in somebody else's home). If your house is big enough you may consider soundproofing a gaming room but if your home is more modest, try to find a new host.
- Be ready to make compromise. Sometimes it may mean just playing board games at home with a few friends and sending them home early, or starting at 10pm. Sometimes it means cancelling this week because your wife is at the spa with her sister. Sometimes it means watching hockey with the boys instead, because playoff!
- Point is, your social life might not "just happen" with a 18 month old baby. You'll need to put efforts to maintain it, but its possible and definitely worth it.
I LOVE!!! Girl Genius. Hands down my favourite webcomic, and one of my top comics/mangas/bandes dessinées ever.
It's setting is a bit appart from SteamPunk however (more Napoleonic/Habsbourg Empire era than the typical steam-age Victorian) and closer to the "sufficiently advanced science is indistinguishable from magic" trope than the typical "20th-century-technology-but-running-on-steam" / Jules Verne inspired.
It has to do with suspension of disbelief, the rest is (mostly) irrelevant.
Typical fantasy accept that magic and dragons exist. If you refute that, much of the setting collapses.
In steampunk, you need to accept that steam engines can be LOT more efficient that what we know they can be. Be it purely mad science or a combination of magic and technology, it doesn't matter. If you can can't work with that premise (and I wouldn't hold it against you if you didn't), than steampunk isn't for you.
Same applies to many other settings involving technology. Even if you leave the whole Force thing aside, there's no way we can take Star Wars seriously on a science basis. Steampunk is like that; but in pseudo Victorian Europe.
Fabius Maximus wrote:
My point exactly; the actual pilot, serenity was aired after The Train Job which effectively acted as the "revised" pilot. Something about the network people thinking serenity was too slow paced or something, and so The Train Job was commissioned instead.
Fabius Maximus wrote:
The problem with Rebels is that the second episode was as bad as the first one.
That's too bad. I haven't seen the second so I can't make an opinion.
I find pilots are not often very representative of their series. Usually when I really like a pilot, the series end-up disappointing me. When I thought the pilot was only OK, I often end-up liking the series. Sometimes it has less to do with the episode itself, but in the order or ways that things are introduced for the first time.
That was the case with Firefly. The Train Job was a good episode but a poor pilot IMO. The pilot for The Clone Wars was rather blah IIRC, and the series really picked-up by season two for me.
I don't know how it was for this one, but pilots are often manipulated by three or four different parties. "gotta have humour" "gotta have action" "gotta introduce the characters, but do it quickly". The pilot was also previewed by a test auditory, from which they got feedback and will adjust subsequent episodes (but we still got to see the same pilot)
That was the cover and back description of a book; it was meant to attract our attention but you can't judge its content solely on it.
Making a new RPG seems to be a hip thing to do nowadays; so here’s my own roleplaying game: presenting Journey RPG!
Rather than going all Big Wall Of Text on you, I thought of presenting the game with a FAQ-style Q&A.
Q. So you wrote a RPG?
Q. From scratch?
Q. Isn’t there like 100 other games like that, not to mention Pathfinder RPG, 13th Age, 5th ed D&D and SKR’s new Five Moons game? Don’t you think your timing suck?
Q. So you just woke-up one morning saying “I’m gonna make myself a RPG”?
Q. Whatever. So what is that game’s “particular niche” about?
Q. Oh, historical RPG then?
Q. So no full plates, no magic-user and crappy weapons all around?
Q. Armours? With a “u”?
Q. So, no wizards? (and you forgot to say “eh” at the end, Canadian boy…)
Q. Rune-Casters and Enchanters? Aren’t enchanters a type of wizard?
Q. You mentioned dwarves earlier, so you must have elves and gnomes and halflings and half-orcs as well?
Q. Ok, so we got realistic fighters and all but the most mundane abilities only available through magic… Wait, is this another “martials-can’t-have-nice-things” game?
Q. But I like fantasy superheroes!
Q. So you have five spellcasting classes. What are the others?
Q. No monk?
Q. So five martials and five casters then?
Q. Alright; so the game is all finished and ready then?
Q. And you really think this will interest anyone?
Q. Can’t you keep a blog like everyone else?
Q. Well then designer boy, do you have anything to show yet?
It's really weird to me this whole "RPGs are for girls too" argument.
Yes, I find it weird too, but it doesn't make the fact that RGPs are mostly associated with boys less true.
Especially at this age, girls are more likely to miss on an opportunity to learn about RPGs because this is a boy's club activity (and at this age, boys often play apart for girls and vice versa). The fact that most RPGs are "publicized" around killing monsters and stealing their treasure in order to become better at killing monsters may not attract your typical per-adolescent girl, despite the fact that RPGs have the potential to be much more than that that and equally please girls' interest (which I recognise as different from that of boys, if only as a construct of our society)
I don't want to go into gender stereotypes and whatnot, but it is unfortunate how girls and boys will miss on opportunities to discover new things that could define them as adult individual, simply based on how we presented to them.
Companies are making effort to make RPGs less repulsive to girls, but there is still lots to be done to capture their interest.
Sounds like unbelievable fun! I've come to the realization that there are a lot of these small-publisher games that I can't understand the appeal of in the least.
People around here like to make fum of Rolemaster for some reason, with stories that have more to do with stupid GM than stupid rules. Iron Crown Enterprise wasn't exactly a small publisher either, not until the 90s anyways.
As for the rules of Rolemaster, people have no idea how d20 is the love-child of AD&D and Rolemaster combined. Monte Cook's influence perhaps, who used to work at ICE before going all Planescape at TSR and eventually (co)developing 3rd ed for WotC...
Looks to me that Pathfinder's strength is to give players a whole lot of options, and it seems to me that this is what many Pathfinder players find attractive. There's a certain beauty in systems that are kept clean, streamlined and simple, but Pathfinder's main attractiveness is in the complete toolbox that it provides, like a large collection of LEGO. Not all the parts need to be used in one creation, but they are there and available for further constructions.
As long as Pathfinder's new edition keep this philosophy, and I don't see why it wouldn't, I'm not afraid for their market niche and survival as a thriving RPG publishing company.
That being said, I do believe that some consolidation of rules, streamlining of the "core engine" and elimination of some redundant rules/concept are required at this point, maybe not as much as 5th ed D&D did, and perhaps not in the same direction but some nonetheless. I wouldn't expect a huge leap between what is essentially D&D 3.75 and Pathfinder 2nd ed, but A fresh start would be welcome from my part.
1) The gods actually can't/aren't allowed to due to rules that are above them.
2) The gods ARE meddling and interfering; that's why there are clerics. For whatever reason, that's the best and most efficient way they found to influence the world.
3) The gods are less powerful that they'd like us to believe, and can't split their focus that much. Manifesting would mean thousands of clerics without power and that's would be really bad rep for business...
4) There are no such things as gods; only powerful individual (clerics), the believes and constructs of societies (religions) and a few benevolent/malevolent spirits than answer to divination spells. TIt's just a big mascarade and everyone powerful enough to know that agrees that it's better that way.
yes, I meant transparent, my mistake, which is why I said psionics ought to be transparent as well.
The "serious blow into a less serious one" relates to the massive damage rule. If you have 101 or less total HP, massive damage applies if you take 50+ damage in a single attack; if you take 50+ damage from any single attack, you must pass a fort save-or-die.
Like thejeff, I too believe that it relates to the fact that a hit dealing 20 hit points is a killing blow for a low level character, but only a good scratch for a high level adventurer. The fact that it has more hit points doesn't mean its skull got thicker or that its body contains a higher volume of blood, but that he has learn to turn a lethal blow in a less serious one (i.e. more hit points)
from a purely campaign setting perspective, I think that in a world where arcane/divine magics are perfectly opaque with each other and with all spell-like abilities and most (all?) supernatural abilities across all known planes of existence, psionics ought to be opaque as well.
I think that if the game was less reliant on constant use of magic; it would work. Otherwise, a setting's believability relies so much on its inhabitant's ability to shield themselves from magic, protect their home with magic and dispel magic with magic that the prospect of having powerful psions wrecking havoc in the antimagic zones and whatnot frightens me. I guess i could make an interesting settings where psions double-up the mages and priests for protection against rogue psions, or where psions "traps" are set here and there create a climate of paranoia from the population etc. It would have to be a central theme to the game, but the ramifications of such a setting are daunting...
I am curious - what are the reasons a player has for wanting to play a low magic campaign?
there can be a few
1) Player is tired of the impression of magic-wins-all.
d20/3e/Pathfinder is magic-heavy. In order to function as intended, magic occupies a huge amount of the game. Magic isn't just a useful tool; not having magic is a huge handicap.
Please see this comment as an observation rather than a negative criticism. For most players, magic-heavy is fun. For others, the default level of reliance on magic is just too much. Yet d20 is very strong and flexible RPG engine, and one that most players know, so people want to "fix" it to fit their preferred style of play.
There are two issues at hand here:1) player plays with themes not accepted around the table (sexuality, regardless of gender or sexual orientation)
2) player makes a ungrateful parody of cultural group (in this case gay/lesbian community)
The player's sexuality level is not the only problem; there's also a matter of respect for groups/genders/cultures that are different (although I agree that both are form of lack of respect).
A jerk will be a jerk, but it's worse when its animosity is targeted toward what's different than toward what the jerk really is. Blatant disrespect aside, I can tolerate better those who make a parody of themselves.
my prefered method is every player (even the DM) rolls 4d6, drop lowest. reroll stats under 7, write all arrays on a sheet of paper.
every player is then free to use any of the stats array rolled around the table and asign the stats in order they like. given a typical table of 4 players (+1 DM), there's usually one excellent array, one more spreaded out array for MAD classes, one array with one good stat and one terrible one etc. NPCs created by the DM uses these arays for that campaign too.
this way, players get the thrill or rolling, that player than can't roll a character to save his life still get a decent array, fairness among players is preserved and limited degrees of choice and control is allowed.
Maybe I am old and cynical, but it seemed like we used to play a greater variety of games....
...until 3rd edition and the OGL, which was very successful as a universal system, to the point of almost obliterating everything else.
The last few years saw kind of a game system revival however, and good quality stuff too. I have hopes that people will start diversifying a bit more again.
 however, people had more time to dedicate to games before. I don't care what people say, web 2.0 and wide, reliable mobile connections changed a lot in how/what people do with their free time.
[post-edit] Correction, people have just as much time for games, but entertainment being immediately available, less time is given to social games. AS everything must be optimised these days, specialisation is often preferable to generalisation.
Really, isn't a male witch called a Warlock? Does that not apply in pathfinder?
Sorcerer, hedge wizard, enchanter, warlock... all these are acceptable terms for a male witch. But in Pathfinder, all of these terms actually refer to a class except for warlock, which is why many have adopted "warlock" as the male appellation for witch. But since the name of a class is simply a packaging label for a set of abilities, the only name we need for the witch is "witch" IMO.
Does anyone else find it odd to refer to a character as a gender specific class title?
Your character is not bound to call himself after his/her class. I played barbarians that weren't barbarians and monks that weren't monks but used the classes as building frames for characters concept.
I don't see any issue with your character calling himself a warlock, even if it says "witch" (or druid, or wizard, or sorcerer) under the class entry on the character sheet.
Otherwise I don't find it odd as "witch" perfectly describes the archetype represented by the class.
as far as I'm concerned, it's a feature, not a bug.
I like the fact that discussions can be picked up, and history of threads is preserved.
I do think some kind of warning sign could enhance the forum experience and prevent accidentally replying to a comment written 15 months ago however.
Personally, I kind of like the 240 copper to 20 silver to 1 gold rate. I find it "exotically immersing". Kind of like the "league" and the "yard", or the "mile" and the "foot" (no offense to my American friends, but money is pretty much the only metric system you've adopted. Imperial weight, volume and distance measures are just as arcane as the old imperial pound money system).
I do find it a bit sad that copper and silver exist in the game universe with so few actual use in game play. Adopting the 12 copper to 1 silver, 20 silver to 1 gold could - assuming that market prices are adjusted appropriately - increase the value of silver.
On the other, other hand, the relatively low value of gold allows for treasures with astonishingly large quantities of gold pieces, which is more satisfying than "this little pouch of gold coins is worth more than all your magic items combined!"
He's (yoda) supposed to be a badass with the lightsaber...
Said who? All we knew about him was of a wheezed old master using a cane to walk.
I know it's all about the old kung-fu sensei showing he's still capable of punching you silly, but it was taken way to far for my suspension of disbelief (which is quite big when it comes to star wars). I wish I had seen advanced techniques of economy of movement, precision striking, absolute calm and control in the most stressful situation, force mastery... You know, old master stuff.
Instead he was all over the place like a bouncing ball; showy youngster stuff.
I *liked* the Star Trek reboot.
I understand how movies taken too far away from their source material can be a let down (gods know how I dislike P.J. Lord of the Rings trilogy), but J.J. Abraham's are good movies in their own right.
Star Wars episode I-III are bad all around, even for (the rare) people who are not familiar with the source material. So much ruined potential; it makes me weeps.
This featurette showed us a Star Wars alien who looks like he coming right out of Jim Benson's studio, as opposed to a CGIed clown. For me this is a win.
Lord Fyre wrote:
Agreed on both accounts, but still preferred the rhythm and flow of Tangled. Personally, I found Olaf a bit too much Jar-Jar-ey, but I know he made the movie for boy.
poker chips, glass beads, and/or regular gaming (or tarot) cards usually find their ways in my games.
gummy bears make good goblin miniatures replacement, and players get to eat what they kill...
A gutted out computer and other electronic devices make good combat-grid/map accessories for futuristic games.
Pace has also changed a lot. For homebrewed games anyhow; never played published adventure back then (expect for a bit of the WFRP imperial campaign), so I'm not sure about that.
In my parent's basement, with the same small circle of friends and few contacts with other gamers, games tended to drag a lot more (now combats drags with higher complexity, but that's a different type of drag).
Entire sessions were dedicated to shopping, making plans, exploring wilderness, combing trough ruins (not too fast because of traps), grinding through random encounters etc, without achieving much. Yet we found it fun. I wonder if could go back.
Characters in AD&D took years to level-up. REAL years, not in-game years. Not something I would go back to but it did bring a sense of achievement that newer games don't quite equal.
Ditto with wealth and magic items. Any regular and legit WBL character would have been called "Monty Hall!" foul.
Jacob Saltband wrote:
The 21.2 miles calculation assumes you're looking at something on the horizon. Hills and mountains rising far above the horizon will be visible from further away.
A mountain in the 6000 - 7000 feet range could be seen 100 miles+ away from sea level, and more from 300 feet above.
500 miles seems a bit much 'tough
Refreshing a houserule I posted before, so here it is in point form because long posts are too long.
“These blast points... too accurate for Sand People. Only Imperial stormtroopers are so precise" -Obi-Wan Kenobi, Star Wars Episode IV
So why do they keep missing the heroes then? Because heroes have plot immunity off course; they won’t get hurt unless the story calls for it, regardless how good their enemies are. This houserule attempts to re-fluff hit points as a finite resource of plot immunity rather than a measure of how physically tough character and monsters are.
This houserule has two main goals:
First: “humanize” high level characters who can otherwise withstand superhuman levels of damage, sometimes to the point of breaking suspension of disbelief.
Second: remove the reliance on magical healing in a typical D&D/Pathfinder game.
enough presentation: Plot-Immunity Points
Never read much of the comics, but I've grown fond of the Marvel movies Captain America, and would probably model him if I had to play a paladin.
Personally, I find that the essence of the paladin is more about honour and ethics than about religious devotion.
So I stand diametrically from Umbriere: I'd keep the LG + code thing and toss the whole "pray to a god" thing. Make the paladin's association to a church as mechanically loose and fluff-related as the monk.