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I know we're entering Shameless Plug Town*, but did you Kaer Maga fans know that THE REDEMPTION ENGINE is set there? I do a fair bit of expanding on the details from CITY OF STRANGERS in that one, as well as in Pathfinder #63: The Asylum Stone.
*Welcome to Spoilertown! Population: Me.
W E Ray wrote:
That's because Absalom is destined to be Erik's opus, and he refuses to do anything in half measures. One day he'll reveal his glorious city-child, and all will quail in love and fear...
Actually, I designed Verces to be consistent with an astronomy paper I read once about tidally locked planets and how the weather might not be as extreme as you'd think, though I sadly no longer have the link.
But yeah, there's certainly still a fair amount of magic and handwavium going on in the setting. I was heavily *inspired* by real science, but ultimately, "how much fun would it be to adventure here?" was my primary concern. :)
As has been mentioned, Opparal from King of Chaos is an LG paladin and one of the three POV characters, and I think of Drelm from Stalking the Beast as lawful good, so there are definitely some folks around already who likely fit your bill.
That said, I've already purchased a novel starring an LG paladin and a GG* cleric from Gabrielle Harbowy, so if you're willing to wait a little bit, I think I've got the novel you want pretty much made to order. :)
Hey, thanks Darkborn! I hope you enjoy the novels--I think I'm honestly better at those than adventures, though I'll admit that I had a lot of fun designing my Emerald Spire level. Once you read Death's Heretic, you'll know why I absolutely *had* to have proteans in my level... :)
Also, to the book club as a whole: A book club should absolutely be an author-free space so that people can voice their honest opinions without feeling like jerks. That said, if the book club covers a given author's book and has questions, I suspect that many of the authors who hang around these boards would be happy to stop by and answer them, provided they're in a separate forum so we're not stepping on toes.
Have fun, everyone!
I also think it's worth noting that Associate Editor Judy Bauer, like all our editors, has had significant influence on the development of the game and our setting. Speaking as someone who's been both a developer and an editor (and a customer service person, and a website person...) at Paizo, there's a lot more overlap between the jobs than people might think. And Judy has extra influence in that she's in charge of hiring all our freelance editors—folks like Lyz Liddell and Christina herself, who you may have seen in the credits in the last year.
This is not to say "Oh, we have some women on the team, we're covered." Not at all. We're still a long way from gender parity (and even farther from an ideal racial distribution) on our creative staff, and it's one of the reasons we've been trying so hard to get the word out to people who feel underrepresented in the industry. I just don't want the contributions of folks who are already here to get overlooked.
Congratulations to all of the finalists, and kudos to everyone who participated! It take courage to sit down and write a story, and even more to submit it for critiquing, so everyone who wrote for this contest clearly has that first and most important part of being a professional author.
As always, it was an honor to be involved. And though this is my last year as final judge, it's *not* the last year that the final round will involve a special Paizo judge. Stay tuned... ;)
To speak to the latter: I'm not saying that *all* fan entitlement is valid. If you expect a happy ending, or past tense, or whatever, and an author chooses to do something different, that's totally fine by me. The point is not that everyone gets exactly the book they want or expect, only that if your selling point is "check out this awesome story arc!" rather than "check out this great standalone book!", it's reasonable for fans to expect you to provide what you sold them on, rather than simply a portion of it.
For instance, if we went crazy and decided to stop publishing Iron Gods at the third volume, a lot of people would be justifiably upset. The whole idea of an AP as we've promoted it is that it has a six-volume arc. Could it be continued beyond there? Sure, and we encourage people to do so, but we're always careful to wrap up the main arc in the volumes we publish. Even though each volume is a great adventure on its own, our advertising focuses on the larger story, and thus we have an obligation (in my mind) to provide it.
Now, that doesn't mean anybody should go to jail, or that GRRM owes people refunds if he doesn't finish, or whatever. This isn't about legislation. The discussion of social contract is really just about recognizing *why* fans might feel a certain way, and admitting that there's validity to it, rather than just waving it all aside and claiming those readers (who are the exact people who supported you as an author) are somehow immature, which is what I feel some authors do.
What should we as authors lose if we violate those expectations? Nothing but our good name with readers. But in this business, until you're as big as GRRM, your good name is all you have...
Thanks for the awesome discussion, everyone!
(P.S: Books that mess with reader expectations or have incomplete-feeling conclusions are just fine. I like the "looking off into the distance" endings, and it's fine if we never see what happens after our hobbit protagonist sails off with the elves. If GRRM wants to publish a one-page book that says "And then everyone dies when the Klingons attach King's Landing," that would be fulfilling the social contract, albeit maybe not in *quite* as good faith as it could be. It would also make him a pretty crappy artist, but that's its own issue.)
That is absolutely not true.
While Calex is right that we don't discuss why anyone is let go, let alone our employees' gender/sexuality/etc. (talk about a breach of confidentiality!), to my knowledge this claim is completely baseless.
That said, I *do* challenge anyone to read Crystal's awesome write-up of Shardra and call it hamfisted. She did a rad job.
EDIT: When I say we don't discuss our employees' personal details, I mean as a company. Many of us at Paizo are pretty publicly GLBTQwhatever, and if individuals want to talk about it, that's totally cool. :)
I wrote an essay over at SF Signal about what series authors like George R. R. Martin owe their fans (partially to rebut Neil Gaiman's famous "George Martin is not your b&+*@" post), and I thought some of y'all might have opinions on the issue. While Paizo doesn't publish epic novel series, the parallels between something like that and Adventure Paths are numerous. :)
*slow, stunned clapping*
Ha! That would be lovely, but I think a proper omnibus would require THREE Salim novels... ;)
Okay. "This orange has offended me!", the adorable arbiter, and Muffin Hat have put Death's Heretic up in the same "hilarious moments" bracket as things like the turkey drop in Dresden Files.
Yay, thank you! Also, Muffin Hat wasn't even in the book's outline--I was just writing away one morning, and suddenly he popped up and everything went off the rails for a few pages. Afterward, I was wondering if he was too silly, but he made me so happy I decided to leave him in. :)
captain yesterday wrote:
fair enough:) what is your favorite non core race to play as?
That's a tough one! I'm really fond of tengu--I'm currently playing one named Artemis Kraugh--but Associate Editor Judy Bauer's grippli Chitl the Amazing! \o/ (you have to punctuate it by throwing your arms in the air) cracks me up every time. :)
I really enjoy races and characters that lend themselves to the absurd!
Archpaladin Zousha wrote:
This is always my fear with presenting prestige classes for use with in-world organizations! So let me clarify once and for all by saying that you DO NOT, IN ANY WAY, NEED TO TAKE THE PRESTIGE CLASS OF THE SAME NAME TO BE PART OF AN ORGANIZATION. Many Knights of Ozem are just normal paladins, etc.
captain yesterday wrote:
1) Currently unknown!
2) Yes and no. There are definitely creatures with the robot subtype on those worlds, but probably not the specific robots from Inner Sea Bestiary (as those are tied closely to the specific ship that crashed in Numeria). That said, those specific robots are likely really useful in simulating the wide variety of robots out there!
James, as a writer how do you go about getting inspiration for a novel?
Pacing. I stand up a lot when I write.
No, seriously, that's it. The thing about inspiration is that it's not this magical thing. At least not for me. We like to romanticize it as a bolt out of the blue--and I'll even do that in interviews sometimes, in order to skim past the boring parts--but the truth is that I find some tiny little seed that seems promising, and then build from there in a very logical manner. The seed can be anything: a detail in a sourcebook, a philosophical concept, an idea for a neat cinematic scene. And then I ask "who" and "why" and "how" and "so what?" until I've got a solid idea. I may take several of those nascent idea dough-balls and smash them together, then frantically spin out BS to explain the result. ("I want to write about angels and devils. I also want to write about the Caulborn. How can I do both in the same book and have it still make sense?")
In a very real sense, my novels are half me trying to talk through a philosophical argument I find interesting, and half me trying to find a plot that justifies all the neat creatures and places I want to write about. :)
Honestly, I was stuck on where to go for the second book, when Erik mentioned in passing, "Sutter, why don't you write a novel about Kaer Maga? It's probably the place in Golarion you're best known for." And as soon as the words left his mouth, a light went off in my brain, and suddenly we were off to the races. :)
Being an editor makes me a waaaaay better writer, in that I get to spend all day learning from the successes and mistakes of the folks I'm editing. :) Every time I correct a stylistic convention in someone's manuscript, I'm reinforcing that lesson in myself.
I think that every writer should try editing and vice versa, both for the education and to get a taste of what it's like on the other side of the table. Certainly I think that being a writer makes me a nicer editor--I know firsthand how hard it can be to be a writer, and always try to treat authors well, even if I have to reject them!
Ross Byers wrote:
Is there anyone who would disagree with Idris Elba for the Pathfinder movie?
Interestingly enough, I *did* have a cast member of The Wire in mind the whole time I was writing this—but it was Clarke Peters, not Idris Elba. (Because really, Lester is the coolest character in that whole show.)
But Elba's a close second. ;)
Erik Mona wrote:
Just a note that we actually *do* have an illustration of a male lashunta coming out in the forthcoming People of the Stars (which went to print before this conversation started).
While the sexual dimorphism/"brutish male and attractive female" bit did indeed come from Almuric, I hope folks who read the lashunta's write-ups in various sources noticed that (unlike in Howard's books), both genders are portrayed as intelligent and scholarly, with the women as strong-willed, politically savvy leaders. In this way we hoped to subvert some of the classic pulp tropes. (Of course, some of the art--like the Distant Worlds cover--is still very pulpy, but many of our other illustrations of lashunta move away from that and try to portray them in a more practical/realistic light.)
I'm not saying there's not a problem with hypersexualization of women in Pathfinder--it's something we work to correct every day. I just hope that the lashunta are seen as more than simply "hot women on dinosaurs," since in my imagination their society is so much more!
Archpaladin Zousha wrote:
Honestly? I'd pick whichever one interested me most, or choose at random. As I said, I view rules as guidelines and inspiration in my home games, so I don't really spend much time worrying about whether I've made the "right" choices as long as folks are having fun!
Archpaladin Zousha wrote:
Hmm... I'd say just figure out a character concept or motive that you're interested in that has nothing to do with the class, then figure out how to accomplish that via the class. Are you the former head of the royal guard? Are you a searching for a way to avenge your brother? Are you trying to feed your family, or uncover the secrets of the universe, or advancing the cause of your god? All of those can be fine rogues (or wizards, or clerics, or...).
If you're really stuck, try taking the stereotype of one class, and playing it as a totally different class. ("He'll be the sneaky guy... but he's a wizard!")
1) Probably Rahadoum (no surprise there), but I'm also deeply attached to a lot of the sections I did a bunch of work developing, such as Kyonin, Belkzen, Varisia, and Hermea/the Ironbound Archipelago.
2) I'm interested in all of them, of course, but at the moment I'm really taken by Casmaron. I'm actually in the middle of presenting a new city there, Ular Kel, in the web fiction that's running right now!
3) Jurassic Park. ;)
The Redemption Engine was my own idea, but what you describe is almost *exactly* how I ended up writing Pathfinder #63: The Asylum Stone. :D
I realize that this thread basically is an AMA, but if anyone here is a redditor, I'm doing an AMA tonight over at r/fantasy! Come ask me questions and make me feel even specialer*!
*As Managing Editor, I am allowed to declare things words as I see fit.
Archpaladin Zousha wrote:
Okay, so the Kellids are the Celts and the Ulfen are the Germanics, according to what I can see. Who are the sort of nomadic tribes, like the ancient Roxolani or Scythians on Golarion? Who are like the Celtiberians, like the Arevaci or Lusitani?
We haven't really tried to match historical analogues directly with our barbarian tribes... To be perfectly honest, it was more "Okay, so the Ulfen are Vikings, and Kellids are Conans..."
Just dropping in to point out that the new web fiction series which started today is chock-full of gay romance. (It's basically the story of Aladdin if both he and Princess Jasmine were men.)
Don't mean to spam, but I thought some folks here might be into that. :)
Link: Boar and Rabbit