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An review

***( )( )

This massive, huge tome clocks in at 378 pages, 1 page front cover, 1 page inside of front cover, 1 page editorial, 3 pages backer-list, 2 pages of ToC, 1 page SRD, 1 page advertisement, 1 page back cover, leaving us with 367 pages of content, so let's...

...wait. I can't really convey the illusion of spontaneity here. Why? Because I have written and deleted this review 3 times as I'm writing these lines. This is quite literally one of the hardest reviews I have ever written, mainly because conveying my stance on Deep Magic is pretty ambiguous and prone to misinterpretation.

But let's start at the beginning. This book is beautiful. Thanks to one particularly helpful gentleman, I managed to pledge by proxy over him (didn't have the bucks when the KS ran...) and when this book's physical copy arrived in the mail, I was utterly blown away. Not only did I receive a massive, gorgeous stitch-bound hardcover, it was in gorgeous full color and sported some of the very best pieces of artwork I've EVER SEEN. The matte paper helps create an illusion of an "old" tome and the superb, copious artworks render this book so beautiful, it even mops the floor with quite a few Paizo-books. Yes, that gorgeous. The layout, with its parchment-look, its subdued, unobtrusive glyphs further enhances this. Deep Magic is one of the most mind-staggeringly gorgeous books I've ever had the pleasure to read and both artists and layout-artists have been up to their A+++-game. Kudos!

Then, I went on and started reading beyond the forewords and the introductory short story by Ed Greenwood and after them, yes, I was utterly blown away and totally in the mind-set for the things to come:

The first we see would be the respective magical traditions. Old time fans of Kobold Quarterly and Kobold Press will see quite an array of old favorites herein again - from blood magic to fool's summonings, quite a bunch of conceptual goldies can be found herein. At their very best, these new traditions are ridiculously inspired - new ioun stones and ley lines would be two such examples. The latter, for examples, can be tapped by casters with concise rules to tap into their powers - while very powerful, these ley-lines can not only make for interesting tools that can turn the tide of battle and e.g. prevent a TPK or provide unique, cool ways to execute narratives. The transient nature of ley lines and the option to burn them out/change their course places control firmly within the hands of the DM, preventing abuse. That being said, as a DM, I have to decidedly advise against making the numerous ley line feats available for PCs - their balancing is odd/non-existent, with no-save, no-SR 1-round blinding effects and the like not necessarily constituting good resources to place in player hands.

The fool's summoning tricks go a different way - beyond interesting, more risky, but also more powerful summoning tricks, a copious amount of spells receive flavorful modifications and reskins - which brings me to another point. These traditions sport unique effects, and the same holds true for chaos/wonder magic, with distinct, odd effects and abilities rendering the experience of playing the respective schools pretty interesting. Alas, not all of the traditions herein receive such interesting rules - in fact, quite a few of the traditions adhere to the following presentation: We receive a short fluff-text, spell-lists by caster/level and then, a sample spellbook, including preparation ritual. (And yes, rules for intelligent, living spellbooks can be found herein as well - they are pretty sinister and narrative gold.)Now don't get me wrong, I *love* the inclusion of these books, but all in all, the respective "schools"/traditions, at least partially, feel too rudimentary - there is not enough to set the spells themselves apart, no guidance to develop additional spells for such a school and some classes receive e.g. one exclusive spell for such a tradition - not much reason to pick a tradition. By providing a tighter focus, the traditions could have been infinitely more compelling, more specific...but...on the other hand, we for example receive a complete, new full-blown mythic path with the living saint.

What are living saints? Well, for one, they are chosen of god(s) - what I mean by this is that, like many a mythological leader of religious prowess, these guys experience a highly interesting phase of tribulations, wherein they are severed from their gods and besieged by the whole pantheon - essentially, all gods can tempt the saint towards their ideology and sphere of influence, proposing different spells etc. for obeisance and quests. This can also be used for interesting foreshadowing and over all, the mythic path, intended for divine casters, is pretty much a cool choice with plenty of narrative potential ingrained into the very fabric of the thing, especially due to the numerous spells sporting names of the saints, adding a cool narrative dimension and unobtrusive fluff to these miraculous powers. This mythic path is the first that actually feels like it could have originated in fiction, like it not only provides a rules-escalation, but an actually defining, narrative tool. I adore this path and the resonance of our own world's myths, with obvious references to Christian (sans the ideology, mind you - you can't be offended by this guy) narrative structures that are very ingrained into how we perceive certain myths, this path is a thing of beauty.

Vril, the unique pseudo-atlantean power-source introduced in Sunken Empires (inspired by Bulwer-Lytton's writing) also receives new specialists, both archetype, feat and spell-wise. Converting spells into vril-blasts, for example, is pretty interesting. That being said, careful looks into this system also shows us a couple of somewhat odd choices - the archetypes, for example, are separated and relegated to their own chapter - so instead of looking up e.g. vril magic, you have to know where what can be found. Yes, organization is neatly organized by crunch-type, but in a book this focused on awesome concepts, I think another solution would have been appropriate. Also odd - Ink Magic, in depiction pretty much a tradition, can be found in the chapter on rune-magic. Strange.

But this line of reasoning brings me to the first issue of this book, though it is admittedly one of preference. The traditions as such, as has always been the strong forte of Kobold Press, just BRIM with imagination. They provide iconic, well--crafted concepts that set the imagination ablaze. I know a couple of them from their original books and the fluff, usually, did in some way limit the respective traditions - whether it's the lost magic of vril, the blood magic of some limited tribes/traditions or the lost magic used to slow the progress of the Wasted West's Old Ones...there always was this implied scarcity, this alignment of crunch with philosophies, ethnicities and accomplishments. So the PCs have this powerful spell xyz, BECAUSE they have taken on caster zxy, because they have braved the ruins of Gru'tharkrr...

This book collects all of these traditions and breaks their spells into a massive, huge chapter, dissolving the lines between them and implying by its very organization a general availability not implied in singular presentations - essentially, we have a disjunction of fluff from crunch to a certain extent. Now this means that you have to search the spells in the lists if you want to make a specialist, but have an easier time when just browsing through the book, looking for spells generally available - hence, the implication is that these spells are available freely, akin to how spell presentation works in Paizo's big books. Now don't get me wrong, one could argue that THIS is exactly what this book tries to do, analogue to the big Paizo-books, where you essentially slap down the book and have a general extension of the arsenal. My contention, ultimately, is that this is balance-wise one of the decisions that shoot the book in its metaphorical foot.

In my first iteration of this review, I went through all of the crunch here in these traditions step-by-step - alas, this bloated the review to the point where it wasn't helpful anymore. (And if I'm saying that, with my tendency towards verbose reviews, you'll have an inkling of what a monstrosity this would have become - my guess was 20+ pages - and let's be honest, no one would read that...)

So, Deep Magic does sport, a HUGE chapter of spells, both new and old - all collated and organized by handy spell-levels. This chapter is where my first and second review-attempts broke apart. The first one due to my so far pretty jubilant review receiving a harsh dose of reality, the second because I realized that step-by-step analysis makes no sense, bloating the review. If that was not ample clue - not all is well here. It is only understandable that a vast array of authors will have diverging voices and different mastery of the system and yes, this does show herein. Now before you get the pitchforks, let me state one thing explicitly and clearly - the *concepts* of these spells are WONDROUS. Gorgeous. Superb. They are iconic. They *feel* like magic, not like some energy-colored damage-dealing vehicles. They manage to capture the elusive spirit of what magic ought to be and bring the "magic" back into a game often lost and sorely missed. I'd take the concepts of this book over those in Ultimate Magic and Combat combined any day.

The concepts.

For there is no way around the following statement, no way to sugar-coat it without outright lying. There are a lot of cool, functional spells herein. However, there also is a vast array of spells that would have desperately required the hands of an editor who truly knows rules-language and/or a capable developer. Name the issue and you have a very good chance of finding a representative of the issue herein, quite possibly in a spell that you absolutely love concept-wise.

This chapter almost broke my heart.

Any closer analysis shows ample problems, often to the point of rendering a spell highly ambiguous, unbalanced or downright inoperable - there are examples of authors obviously mixing up flat-footed and touch attack AC. Mechanics more closely related to 3.X-design. Spells that do not allow for saves which should. SR that is ignored when comparable spells allow for it. Contradictions between spell-block and its text. Faulty AoEs/ranges/targets. False spell-block formatting. Wrong save. Damage-escalation. You name it. Damage + no-save stagger at a level where it's ridiculous. Non-sense descriptor-placement. Balance is not even crying in the corner anymore, it is utterly GONE, evaporated into some nebulous dimension. Some author(s) seem to not get the distinction between material components, foci and divine foci. Unspecified bleed damage à la inflict " receives bleed 3" - bleed 3 WHAT? Hp? Attribute? What about a spell generating an AoE geyser-like effect that gets just about everything wrong you can possibly get wrong regarding AoEs? Racial spells that could have simply used focus as a limiting component instead of wonky wording-crutches that try (badly) to cut out other races? Sentences that peter off. Wording so convoluted I can't tell you how exactly a spell works. You name the glitch, it's here - and right next to it, you may see one of the coolest spells ever.

This massive chapter was one of the most heart-rending experiences of my reviewer-career. My first skip through it saw me exhilarated. Closer scrutiny brought disappointment, actual in-depth analysis...well, there's no way around it...pain. Now beyond the glitches, the balance-concerns herein may partially stem from bad design-choices and lack of rules-language development...but at least partially, they also have their origin in the simple fact that the book took the "soft" restrictions that served as a balancing factor before and took them away by smashing all spells into one big chapter. Where before, spells may have been "broken", but rare, the implication here is that they are freely available, exacerbating what might before have been a reward into power-escalation. Now yes, in face of the vast army of issues that plague this chapter, even a change in presentation in the proposed way would be a drop of water in a vast desert of issues and would do nothing to render the formal issues void...but yeah, that would be one exacerbating factor.

And one that extends, alas, to the next chapter. I am a huge fan of runic/glyph magic. Allowing non-casters to learn the powers of rues is one of the most-beloved tropes for me - whether clad in a pseudo-Scandinavian guise or via lovecraftian alignment with aboleths et al.; The very concepts of the runes are powerful, and intentionally so. But once again, stripping these of their fluff, of their direct place within the world, of the achievements required to learn them, renders them problematic. When you have to mimic the deeds of the gods to learn the rune Uruz and then, finally have it, it becomes okay if you can paint it on your shield for a 1/day +20 bonus to overrun/bull rush - chances are, your DM knew what was coming and planned accordingly. If the fluff context is taken away, a ridiculously powerful rune, accessible for 1 feat, remains - and suddenly, we see the system stumble under the weight of one of its foundations being eroded.

I'm not going to analyze the word of power-subchapter, mainly because I consider the base-system introduced in Ultimate Magic just not well-designed. On the plus-side, the awesome incantations pioneered by Zombie Sky Press back in the day receive a significant array of new ones and these tend to be pretty awesome narrative devices.

Alas, the sloppy rules-language of the spells also partially (but thankfully, only partially!) extends to the following chapter, detailing bloodlines and mysteries. What about tentacle-attacks that do not specify as what they are treated? Check. Flawed target/reach-nomenclature...check. Sp, Su and Ex, in some cases, seem to have been determined at random, rendering some abilities utterly opaque. You get the idea. Now yes, the problems are much less pronounced than among the spells, but they are still here. As an additional note - the options among these class options do not feel as though they were balanced among themselves, with power-levels ranging from weak to VERY strong. Still, overall, these options feel relatively operable and easily fixed and the concepts provided are often utterly unique and cool. On a footnote, wizards, oddly, have their arcane discoveries/focused schools etc. in the tradition-section in the beginning, ripping the class options associated with the traditions in half. The problems outlined here also extend, alas and much to my chagrin, to the chapter on archetypes. That being said, the archetype's main flaw remains the focus on the spells/traditions - you can't build a house on sand and these, as compelling as they often are, sometimes do just that - which is a pity, for here, much like with aforementioned class options, the imaginative potential is rather impressive..

The following chapters, thankfully, at least for me, redeemed the book, at least partially - a concise and utterly awesome chapter on the creation of homunculi/leastlings and simple rules for undead crafting as well as nice clockwork templates for familiars et al. make provide significant fun, engagement and narrative potential. Speaking of which - portrayed in glorious artworks, a significant array of iconic, cool NPCs - those that are here, are great and flavorful, but I can't help but feel that one per tradition would have been nice to see.

Part II of my review is in the product discussion, post #319. See you there.

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An review

****( )

This pdf clocks in at 2 pages and is a mini-dungeon. This means we get 2 pages content, including a solid map (alas, sans player-friendly version) and all item/monster-stats hyperlinked to's shop and thus, absent from the pdf.

Since this product line's goal is providing short diversions, side-quest dungeons etc., I will not expect mind-shattering revelations, massive plots or particularly smart or detailed depictions, instead tackling the line for what it is. Got that? Great!

This being an adventure-review, the following contains SPOILERS. Potential players may wish to jump to the conclusion.

Still here?

All right!

The Halls of Hellfire were once a sacred neutral ground, a place for peace talks - now, the halls are a beacon for creatures of pure evil, tainted by the darkness that saw the downfall of this once-sacred space. Now, the lamia of the desert have been drawn to this place and both regular specimen of the feared species as well as a matriarch await the PCs to toy with their minds and break both their bodies and souls.


Editing and formatting are very good, I noticed no significant glitches. Layout adheres to a beautiful 2-column full-color standard and the pdf comes sans bookmarks, but needs none at this length. Cartography is full color and surprisingly good for such an inexpensive pdf, but there is no key-less version of the map to print out and hand to your players. The pdf comes with a nice piece of full-color artwork.

Jonathan Ely's Halls of Hellfire provide a storied locale with per se cool combat encounters and some solid traps. Alas, at the same time, I did feel like this locale fell short of its awesome background story - some tantalizing hints, a bit more fluff, perhaps a series of short haunts - something to make the PCs experience the tragedy of the place first-hand would have gone a long way to make this more than a cool ruin inhabited by some lethal lamia. That being said, this mini-dungeon is by no means bad and well worth a final verdict of 4 stars.

Endzeitgeist out.

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An review

****( )

This module clocks in at 33 pages, 1 page front cover, 1 page editorial/ToC, 1 page SRD, 1 page advertisement, 1 page back cover, leaving us with 28 pages, so let's take a look!

This pdf does sport a psionic psyllabus-page - essentially a handy cheat-sheet that sums up the basic peculiarities of the psionics-system on a handy page - nice for novices to psionics - who also happen to be the target demographic of this module. 11 pregens are provided for the perusal of the players, with all getting their own artworks - while these may not be beautiful, the pregens do sport roughly the same level of optimization, so that's nice to see.

Why eleven? Well, because there are two new psionic races native to the island of Varakt: The first would be the athmer, who get +2 Dex and Cha, -2 Wis, wild talent as a bonus feat, darkvision 60 ft., Run as a bonus feat and +2 initiative, are amphibious and can 1/day unleash a breath weapon of either cold or electricity damage that deals 1d6 damage of the chosen type in a 50 ft.-line. They also get energy resistance 5 to the breath weapon's chosen element, are amphibious and can choose +1 power point as an FCO. Personally, I consider this race to be slightly too strong - either eliminating the Run-feat and initiative or the amphibious racial trait. There is a nice tribal distinction between electricity and cold-based athmer and the fluff of the race is nice.

The second race would be the Hrek, who get +2 Str and Wis, -2 Con, are naturally psionic and gain the FCO-option. They also receive darkvision and can reduce the penalty to Stealth while moving by 5 and can use it while running at -20 penalty. 1/day, hrek can cause iron or steel touched to grow into another object - alas, the ability fails to specify what action this takes. the ability also does not specify the effects on magical equipment, whether this can be used offensively in combat, etc. Hrek are treated as +1 level higher when casting spells with the fire descriptor, for the purposes of the fire domain or the fire elemental bloodline, the flame mystery's revelations and alchemist fire damage-causing bombs. Odd that this does not extend to psionic powers utilizing fire as the chosen energy. Hrek also get a breath weapon and resistances tied to it akin to the Athmer, only theirs is a cone and either fire or acid-based. Very odd here - why can't one choose acid and related class abilities for +1 CL? And why have psionics not been included in that + 1 level? The two races come with age., height and weight-tables. I'm honestly not a big fan of the Hrek either.

But this is a module and as such, that's what I'll talk about next - so, from here on out reign the SPOILERS. Potential players should jump to the conclusion.




Still here? All right! The PCs begin this module stranded on the odd tropical island (fully mapped, btw.) after an assault of goblin pirates wrecked their ship and awake on the lush beach - only to be attacked by sahuagin and promptly, saved by a group of hrek -while pretty friendly, they pantomime to the players the issues and creatures looming beyond the treaded paths. Overcoming the communication obstacle, hampered by the strange crystals on this island, does make for some awesome roleplaying potential that cannot be solved by just one roll of the dice or magic. It should also be noted that awakening to psionic powers also falls into this chapter, which should be interesting for the pregens, whose strange unfamiliarity is explained via this change. Nice way of tying mechanics with the story! Decoding grat, this language, is a task beyond the immediate scope of this module, though nearby pylons and a skeleton of a translator at least help with communication to a point where it becomes kind of functional.

It seems like the annual Suar rains will soon be upon the island - which requires a sacrifice of a so-called pubo - which would be a fatter, dumber and psionically active local variant of the dodo. Alas, beyond this, the issue of the coastal sahuagin complicating hunting remains. Entering the pubo hunting grounds results in hilarious pain - the birds not only have cognitive crystal kidney stones, they also drop explosive excrement. Finding and capturing one of the dumb birds isn't that hard - but why are there no other predators in the area? Well, once a huge, mutated mamma pubo comes running, the PCs will know why. And yes, this beast is very lethal! Following the trail of the unnatural mutation, the PCs can find some interesting hints that someone is engineering troubles - as a conch-shell resounds and denotes another attack. On the way back, the PCs can test their mettle further in combat with both blue aegis and soulknives.

Upon their return, the PCs are made to understand that they'll sacrifice the pubo the next day on the volcano - but at night the blue tribe attacks and steals the pubo they brought - in the case of mama pubo, should the PCs have opted for her, leaving a huge trail they can easily follow and making the hrek look rather incompetent. At the blue's camp, the showdown with the remaining blues constitutes the finale of this module.

As a nice hand-out, sheets for each player-character allow for a nice help regarding pantomime, representing different words they can decode, providing a great, optional way of simulating the communication in grat-pidgin.


Editing and formatting are very good, I noticed no significant glitches. Layout adheres to a beautiful, colorful 2-column full-color standard. Artworks range from the nice cover to thematically-fitting stock-art and the less than gorgeous pregen-artworks. The pdf comes fully bookmarked for your convenience. Cartography ranges from great to okay and provides a total of 3 maps, all with player-friendly iterations.

Mike Myler's great pubo hunt is something I don't get to see often - a genuinely funny module. While it may not be apparent when just reading it, actually playing the pantomime/communication-breakdown is just FUN and this is further emphasized by the hilarious pubo-hunting. This is pretty much a very FUN module that can work perfectly when used with kids - it's not grim or dark or nasty, it's just FUN and even young audiences can appreciate the tone when handled by a halfway decent GM. The supplemental help also is a nice bonus and as far as the adventure is concerned. The great pubo hunt is a module that is just fun - a change of pace and a solid introduction to psionics, though mama pubo can provide a very challenging opponent. So, all perfect? No. Quite honestly, I wished the hunt itself had more detail and the same holds true for the hrek-settlement and the settling-in-period. This module would definitely have benefited from stretching this component longer and not just boiling it down to a short period of relative inconvenience. The finale could also have used more details, perhaps some more terrain features, traps, a map or something like that - anything to make it slightly more distinct, especially after the cool battle against the deadly mutation...

In short, I found myself often wishing that there were less pregens and more adventure herein, probably also since I'm not a big fan of either new race - they conceptually left me unimpressed.

This divide becomes more apparent when taking the exceedingly cool module that is here into account - the module-part here breathes Mike's trademark playfulness and imaginative talent. I contemplated quite a while, but ultimately, I'm going to settle on a final verdict of 4 stars. Consider me excited about the sequels!

Endzeitgeist out.

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An review

***( )( )

This pdf clocks in at 39 pages, 1 page front cover, 1 page editorial, 1 page ToC, 1 page SRD, 1 page back cover, leaving us with 34 pages of content, so let's take a look, shall we?

So, what do we get here? Well, essentially, we get a small collection of thematically-linked encounters - think of them as pretty much a kind of sandbox to fill out: You get the key-scenes and fill in the rest. Got that? All right! As such, the following obviously contains SPOILERS. Potential players should jump to the conclusion.




Still here? All right! Countess Veresovich and Count Krev Ragata have been up to no good: Finding a set of dread scrolls during her travels, the countess plans to conjure forth a powerful entity - alas, and thankfully for the Klavekian metropolis of Mohkba, the players are involved. In the mean and gritty streets of a less savory neighborhood, the PCs witness an obviously incognito noble, said Count Ragata is stabbed and robbed right in front of the PCs - as they navigate the dark and rather gritty (and lavishly-mapped) alleyways of Mohkba, they hopefully manage to track down the assailants and avoid falling to the haunt -in the aftermath, they are invited to nothing less than Veresovich's masquerade ball - perhaps even keeping a mask as suggested by the count.

The masquerade ball itself can be considered a nice array of read-aloud texts and socializing. In any way, the masquerade will probably feature the items sanguineus, now assembled. A set of 3 magic items that collectively can transform the wielder into a vampire also feature herein...though oddly, the countess seems to vanish from the ball and when suddenly, walls of force supplemented by lethal blood vortex haunts lock down the house, things get ugly fast. The assembled nobles find out, the hard way, that the countess is not to be trifled with, as the floor of the ball room collapses and dumps them below the house...

Seeking of the house - there is a nice miniature map, but I don't get why we don't get a properly-sized map - as provided, the map is the one herein you can't properly use. And yes, the caverns below the house also sport a proper, big map - once again, just as useful as the one for the alleyways. So what is going on down in those nasty caverns - well, the countess' is currently engaging in the massive slaughter required for her ritual's success. In order to stop her, the PCs not only have to brave her cultists, they may also have to deal with allies foolish enough to wear the sangineus items and perhaps the vampiric Count Ragata, all while moving past massive blood pools filled with leech swarms - oh, and if you want to - this final encounter does sport mass combat between trapped nobles and cultists - oh, and yes, the daemon the Countess seeks to summon is part of the deal, as are even more, nasty haunts.

Thematically fitting traps further complement this supplement, as do valid pieces of advice regarding mass combat and when to use which rules and the same goes for social encounters.

I should also not fail to mention the presence of multiple magic items, all with significant descriptions, beautiful full-color renditions and lore-sections.


Editing and formatting are very good, I noticed no significant glitches. Layout adheres to a beautiful full-color 2-column standard and the pdf comes with quite a few gorgeous full-color artworks. The cartography is very good and evocative, though I really wished the mansion-map had also been featured in one-page-size to actually be printed out.

Mike Myler, Jonathan Ely, Justin Andrew Mason, Rory Toma and Brian Wiborg Mønster deliver a damn cool vampire-themed set-up of encounters and set-pieces. The encounters themselves are great - every one of them, ultimately, can be considered fun and uncommon with at least one or more neat options/ideas per encounter. That being said, at the same time, this pdf does feel a bit like it has an identity-crisis.

I can get behind the format of roughly, thematically-linked encounters to flesh out - I actually like that. At the same point, this pdf left me feeling somewhat confused regarding the transitions and how the whole master-plan connects - essentially, what we have here is a GLORIOUS adventure, a superb investigation...that was not fleshed out. If you are familiar with The Skinsaw Murders: Think about the Sanitarium Encounter going to the Farmstead going to the Clocktower. You just feel constantly like the sinews that connect an awesome storyline are missing. Now this is partially due to the format, granted, but in this case, it frustrated me to no end.

Why? Because this is a supreme set-up of glorious encounters that get the gorier aspects of horror downright perfect in flavor - the encounters are FUN. The atmosphere is great. The adversaries are cool and the same goes for traps, haunts and items - but in the end, what we get here is a sketch - a sketch of something awesome, but a sketch nonetheless. The encounters do NOT need a fully fleshed out connecting thread - but they imho would benefit immensely from an actual structure being presented to the GM.

A capable GM can make this a full-blown 3-part adventure saga, perhaps even a full-blown AP, and it is inspired in what it delivers - but I wished its components had been connected better. Essentially, we get three set-pieces that are almost required to be run in conjunction, and still, we are left wondering about the transitions and left with a feeling of lack- when a short break-down of the plot, some structure to guide from encounter to encounter and expansions would have made this a legendary 5 star + seal of approval module.

As provided, this is a nice compilation, yes, but one with opaque villain motivations and structure that is held back from true greatness by being too story-driven and unique to work as disparate drop-and-forget-encounters, by being too adventure-like for being a disconnected encounter-collection, and by not providing enough connecting narrative thread for a collection of linked encounters.

Conversely, if judged as an adventure, even as a skeletal sandbox, it feels too unstructured to make the most of its great premises. I figured that running this as written would change my impression - alas, it didn't, it only made me wish more that this had been a full-blown gothic horror saga.

For scavenging purposes, this is an excellent buy, but as a sourcebook or as a DIY-module-toolbox, it falls behind the potential of its easy 5-star-premise. So, if you're looking for some bloody material to craft with, take a look, you won't be disappointed - if you want a full-blown module or drop-and-forget encounters, you may wish to look elsewhere. Still, this remains a solid pdf, one I hope will one day be made into its own, complex, investigation-heavy horror AP. For now, my final verdict will clock in at 3.5 stars - and since I am a fanboy of all the themes evoked, as a person, I will round out. As a reviewer, though, I think I need to round down.

Endzeitgeist out.

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This archetype for the edgewalker-class clocks in at 6 pages, 1 page front cover, 1 page SRD, leaving us with 4 pages of content, so let's take a look!

The motebringer has the same basic class-chassis regarding saves and BAB as the edgewalker - unlike the edgewalker, who oscillates between light and darkness, the motebringer is a specialist of utilizing light - as such, the archetype only receives a radiance pool equal to class levels x2 + Wis-mod - but no shadow pool. Seeing how this means that several of the combo-set-ups that render the edgewalker captivating to play fall away, we thus receive a significant array of infusions, the first of which is gained at second level, +1 at 3rd level and every 2 levels of motebringer thereafter.

This list of unique tricks, ultimately, is here for one reason - to add a level of flexibility the class would have otherwise lost - and I applaud the motebringer for it. Reflexive temporary hit points, high-level poison immunity, energy resistance and the like can all be found herein -as can blinding motes of light that act as replenishing blinding flash bombs. The significant array of choices is interesting due to two further design decisions - at 2nd level, the motebringer receives a mote pool that scales with the level totaling 1/2 of class levels, rounded down -these are spent when infusing aforementioned infusions into the second interacting component - the radiant shawls.

Also gained at 2nd level, radiant shawls constitute pieces of roughly-shawl-like solid light that can be modified with infusions by spending 1 hour. The shawl occupies the shoulder slot and also provides a bonus to AC and a penalty to Stealth-checks - it can be activated and deactivated as a standard action, and yes, the infusions that can be woven into the shawl can, for example, grant temporary radiance pool points to power the waypoints learned. Both radiance and mote pools increase over the levels and obviously, hide in plain sight is not part of the deal for motebringers. The capstone allows for instant modification of infusion loadouts as well as replenishment of daily uses of infusions.


Editing and formatting are very good, I noticed no serious glitches. Layout adheres to a printer-friendly 2-column b/w-standard and the pdf has no bookmarks, but doesn't necessarily require them at this length.

Bradley Crouch's motebringer is a good archetype - it replaces the MAD and combo-playstyle of the edgewalker with a more deliberate planning that makes the motebringer easier to run for less experienced players. While I was weary of a loss in flexibility, the new mechanics and their interplay render the playing experience per se fun. While personally, I draw more satisfaction from setting up combos and the duality of the base edgewalker, the motebringer provides for a fun experience with a different emphasis. I really applaud the fact that this is not a bland +/-2 archetype, but one with a completely different style and for the extremely fair price, this pdf definitely delivers. I know I'll send some light-shawl wearing badasses at my PCs sooner rather than later. My final verdict will clock in at 5 stars.

Endzeitgeist out.

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