Now that D2: Seven Swords of Sin is starting to make it out into people's hands, I'd like to talk a little bit about my favorite part of writing it: designing the city of Kaer Maga.
Going into the project, there were two different ideas for where the adventure should be set. For me, it seemed to call for an urban setting, a crazy city where anything went and the law was sketchy at best. Publisher Erik Mona, however, was eager for Varisia to have an iconic castle, a massive dungeon complex that we could return to again and again as we saw fit. The solution? Push the two together and build a city inside a castle—an enormous Thassilonian ruin of unknown function, to be exact. At this point Erik and the rest of the GameMastery team gave me the go-ahead and, armed with the working title "Dark Market," I sat down to write.
As anyone who's played in one of my adventures can probably tell you, I like to play with morality. To me, the interesting thing about evil is that it's so rarely self-identified as such. One of my biggest peeves in adventures, fiction, or film is what we around the office refer to as "moustache-twirling"—villains that are evil simply because they enjoy being evil. (Shortly after that comes my disdain for boring ol' "insanity" as a villain's motive.) In real life, things are usually much more gray and fuzzy—no evil deed exists in a vacuum, and even the most "evil" people I can think of tend to have reasons why their actions make sense in their own minds.
This aesthetic was at the front of my mind when writing about Kaer Maga. To me, all big cities are by definition neutral—get enough people together, they'll balance each other out. In Kaer Maga's case, this neutrality is the result of a free market taken to the extreme, an anarchist, libertarian utopia where people are left to sink or swim entirely through their own machinations. While many would look at the gritty streets, where every shameful vice is yours for the purchasing, and call it evil, I'd point out that Kaer Maga is also the freest of the free cities of Varisia. In rooting the city's "evil" in an ideal many of us share, I hoped to make the scene feel a little more familiar and organic.
Along with the questionable morality, it was important to me that Kaer Maga be a monstrous city, a place where we could get a taste of the alien delights that Golarion has to offer and remind the folks who inhabit Varisia that there's far more beyond the mountains than they might imagine. For those purposes, a city of refugees and squatters seemed perfectly poised to capture the sort of cultural mish-mash that I love in places like Star Wars' Mos Eisley or China Miéville's New Crobuzon. Knowing that I wouldn't have space in a 32-page adventure to truly detail many of the residents, I took a page from some of my favorite sci-fi and fantasy authors and tossed in a bunch of allusions and off-hand references with only the barest explanations. Wormfolk? Bloated Ones? Sweettalkers? When I first wrote those names, at 3:00am in a darkened room, my bleary brain didn't know any more than their names. As soon as I went back and read them, however, my imagination went into overdrive trying to think up what they could be... which is exactly what I hope happens to everyone else. While I couldn't resist from detailing some of them in the Pathfinder Journal for The Hook Mountain Massacre, I promise I'll try to leave at least a few of them alone.
