RainyDayNinja's Untitled Campaign (Inactive)

Game Master RainyDayNinja


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Male Human (Varisian) Songhealer Bard 4

Well, it's really up to the DM, to say who is close to the bars. If Rekkstuff is, I'll heal him. If not, I'll heal who is available.


Male Half-Elf Urban Barbarian 1/Archaeologist Bard 3

Might have just been rendered a moot point, anyway. God I need to take Power Attack at 5th.

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Jordon, I assumed you could reach Tobar, but I guess if you want that to go to someone else, go ahead.

Victor, make a PCC for that natural 1.

Rekkstuff makes a mighty swing into the flank of the lion, but the creature was blocking him from the view of the audience, and they boo their disapproval at the poor spectacle.

Unfortunately, Rekkstuff failed his PCC by enough of a margin that their attitude slips to Unfriendly.


Male Human (Varisian) Songhealer Bard 4

Okay, I'll heal whoever is being focused by the lion at the time of my turn. So... Tobar was the last target.

Trying not to use the knowledge of his stabilization check here.


Male Half-elf Unarmed Fighter 1/Bard 4
RainyDayNinja wrote:
Victor, make a PCC for that natural 1.

1d20 + 4 ⇒ (3) + 4 = 7


Male Half-elf Unarmed Fighter 1/Bard 4

I'm getting a little confused as to whose turn it is, so feel free to timewarp this post into the future if need be. Basically, unless something changes, Victor just keeps performing and hacking.

1d20 + 8 ⇒ (17) + 8 = 25
1d8 + 5 ⇒ (2) + 5 = 7


Male human Soundstriker Bard 4

Roger, feeling a little angsty and delirious from blood loss, decides to try his own weapon on the ferocious lion. Move action: move and draw dagger, or just draw dagger, depending on distance, Swift Action: Arcane Strike, Standard: Attack!

Attack1d20 + 3 ⇒ (19) + 3 = 22
Confirmation1d20 + 3 ⇒ (13) + 3 = 16

Damage:1d4 + 2 ⇒ (1) + 2 = 3
Crit Damage:1d4 + 2 ⇒ (3) + 2 = 5

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Victor's failed PCC causes the audience to slip down to Hostile.

Roger thrusts his dagger into the lion's flesh, causing it to roar in anguish.

The lion lets go of Tobar and bites at the source of the pain it its side.

Bite attack: 1d20 + 12 ⇒ (4) + 12 = 16
Damage: 1d8 + 7 ⇒ (5) + 7 = 12
Grapple: 1d20 + 18 ⇒ (2) + 18 = 20

Before anyone else can react, an over-eager Victor leaps ahead of his bandmates and strikes at the lion again, drawing one final scream of anguish before it collapses.

The lion is defeated! I was actually getting worried there for a second (a couple of days in real time). I need Roger and Victor to make PCC checks (for the crit and vanquishing respectively) to determine the crowd's attitude at the end.


Male human Soundstriker Bard 4

PCC1d20 + 7 ⇒ (6) + 7 = 13

That's not good. :/

Roger, barely conscious, returns to playing his bass.

1d20 + 10 ⇒ (5) + 10 = 15

That's not too much better. Being disabled really takes it out of you, I guess.

HP:0/24

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Well, nevermind your check Victor. You guys just automatically "lost" the performance element of that combat. At least you survived.


Not in use

Tobar remains motionless on the floor... waiting to see the reaction of the crowd before he makes any move to rise.


Male Half-elf Unarmed Fighter 1/Bard 4

Lucky for us that lion didn't know how to full-attack!


Male Human (Varisian) Songhealer Bard 4

Jordon waits tensely to see what happens next: do they lift the cage? Or will they try to keep Squealy Nord here indefinitely? Will the crowd around him beat him to a pulp for cheating against the lion?

Find out in the next post of Battle of the bands!

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The gnoll chieftain raises a hand to silence the booing of the crowd. Standing up, he shrugs off his cloak and approaches you. With the cloak gone, you can see the huge broadsword strapped to his back. However, when he is about halfway to the stage, Vinny blocks his path, jumping up and down to catch his attention.

"If you'll excuse me," he pleads, "they weren't prepared for this particular... brand of performance. They're musicians. You like music, right? You know, 'la la la?'"

The chieftain considers for a moment. "If you say so. We will see what they can do, but they had better be good."

The mechanism above you rattles as the cage is raised back up to let Jordon back on stage.

OK, you've got a 4 song set, but the DC is of course going to be higher this time. You've got some time to cast spells and make any skill checks you think might help.


Male Half-elf Unarmed Fighter 1/Bard 4

I'm going to cast unseen servant (duration 2 hours, so should be plenty for the concert) so that I can have it do some special effects when I'm not busy talking us up. In the first song, I'll have it toss handfuls of dust through the flame of a prominent torch/fire bowl thing to make it flare up as I finish my intro. Then in the second and third ones, I'll have it wave a couple of torches back and forth in time with the music during one of the more rhythm-oriented parts of the song. For the finale, I'll have it take a pair of torches and wave them around in fast, circular motions as it moves back and forth in front of the stage.

EDIT: Also, if it would help, here's a Knowledge(Local) check to see what kind of songs they might like:
1d20 + 5 ⇒ (4) + 5 = 9

EDIT 2: Balls.


Male human Soundstriker Bard 4

Roger, although in some pain, devotes himself to the show, trying to block out all distractions.

Can I get a little healing? I don't feel being disabled is going to be good for my playing. Also, casting Dancing lights occasionally during the performance to accentuate solos, be it on the keyboard, guitar, or what have you.


Male Half-elf Unarmed Fighter 1/Bard 4
Roger B. Right wrote:
Can I get a little healing? I don't feel being disabled is going to be good for my playing.

Cure Light Wounds:1d8 + 2 ⇒ (6) + 2 = 8


Male human Soundstriker Bard 4

Thanks. That's much better.


Not in use

Tobar's ears spike slightly when he hears that they are to do a real gig... with like playing and music and marginally less blood. Remaining on the floor, he gives Rekkstuff a surreptitious wink to show that he's on the ball when it comes to getting ready for the rocking.

Hiding arcane gestures and quietly mouthed words, Tobar uses Prestidigitation to exaggerate the bloodstains on his armour and pale his skin. Calling upon his Haunted Fey Aspect to make his appearance even more spectre like - he then picks up his flute with his spell and holds it about two feet above his head, slowly rotating.

When the music starts, Tobar lowers the flute to his lips and begins playing along with Rekk's lead. Rising from the ground like a zombie returned to life purely for the enjoyment of the gnolls he makes his movements jerky and rolls his eyes back into his head to further the effect.

Sleight of Hand: 1d20 + 8 ⇒ (18) + 8 = 26 to hide the spellcasting
Disguise: 1d20 + 10 ⇒ (8) + 10 = 18 to make me look like one of the walking dead

Song 1: 1d20 + 16 ⇒ (7) + 16 = 23
Song 2: 1d20 + 16 ⇒ (9) + 16 = 25
Song 3: 1d20 + 16 ⇒ (11) + 16 = 27
Song 4: 1d20 + 16 ⇒ (2) + 16 = 18

If he feels like a song hasn't gone over well, he starts coughing violently and moves a prepared packet of red dye to his mouth. Then, as he looks at the crowd with a demonic visage upon his face, he yells a line in Infernal "jou tyd het gekom ....bring die bloed reën" your time has come.... bring the blood rain vomits the blood all over the front two rows of spectators.


Male Half-elf Unarmed Fighter 1/Bard 4

Oops, forgot to do my actual Perform checks. Here they are, sans any bonuses that might be gained via our preparations:

Song 1: 1d20 + 12 ⇒ (1) + 12 = 13
Song 2: 1d20 + 12 ⇒ (5) + 12 = 17
Song 3: 1d20 + 12 ⇒ (19) + 12 = 31
Song 4: 1d20 + 12 ⇒ (19) + 12 = 31


Not in use

If needed to save a second song:

At another point in the performance when the crowd mood seems to dim, Tobar surreptitiously casts produce flame. Grinning a wide flame filled grin he chuckles before bringing his flute to his lips and 'playing' gouts of fire out over the gnolls heads (being careful to not actually singe any of them).

Tobar can release three gouts of flame that fly out up to 120ft over the heads of the audience.


Male human Soundstriker Bard 4

I forgot my checks as well.

1d20 + 10 ⇒ (13) + 10 = 23
1d20 + 10 ⇒ (2) + 10 = 12
1d20 + 10 ⇒ (5) + 10 = 15
1d20 + 10 ⇒ (5) + 10 = 15

Dang. Not good. Not good at all.


Not in use

Lastly, if anyone misses a check by just 1 - Tobar can burn a Timely Inspiration to give it a little bump


Male Human (Varisian) Songhealer Bard 4

Sorry I'm not posting; it's finals week. I'll be back into the swing of things soon.

Jordon regains his composure after the heated fight, first dishing out cures and then fixing his customary makeup to its usual emotionless mask. He calms himself, knowing well that the gnolls will likely kill and eat them if he fails like last time. He summons a new piano (this one a small red toy piano with Spectral Hands across the back of it, with stilty legs so it is at chest level) and joins in on the first song.

If any huge flukes happen, Jordon casts memory lapse on the gnoll chieftain, to get him to forget it.

First, two CLW's, for anyone, just in case things turn sour:

1d8 + 3 ⇒ (4) + 3 = 7
1d8 + 3 ⇒ (2) + 3 = 5

Next my four performances *crosses fingers*:
1: 1d20 + 9 ⇒ (5) + 9 = 14
2: 1d20 + 9 ⇒ (13) + 9 = 22
3: 1d20 + 9 ⇒ (18) + 9 = 27
4: 1d20 + 9 ⇒ (10) + 9 = 19

Well, it isn't a 1, but the first song still sucks. Guess I'm rather nervous and jittery from the combat.


Male Half-Elf Urban Barbarian 1/Archaeologist Bard 3

Performance TIIIIME. Sorry for the delay, I'm working on getting together a google doc and was hermiting until done. then I remembered I should probably at least keep up with the PbPs.

1. 1d20 + 15 ⇒ (4) + 15 = 19
2. 1d20 + 15 ⇒ (12) + 15 = 27
3. 1d20 + 15 ⇒ (6) + 15 = 21
4. 1d20 + 15 ⇒ (3) + 15 = 18

And perform (Sing) to aid our main singer.

1. 1d20 + 10 ⇒ (9) + 10 = 19
2. 1d20 + 10 ⇒ (14) + 10 = 24
3. 1d20 + 10 ⇒ (16) + 10 = 26
4. 1d20 + 10 ⇒ (3) + 10 = 13

..could be worse, could be better.

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After a rocky start, still weak from loss of blood, you manage to get the crowd warmed up and going along with the flow of the music. They "ooh" and "aah" at the gouts of flame and spurts of blood, but on the last song, Rekkstuff and Roger got a little too absorbed in the music. In the middle of Rekkstuff's solo, he crashes into a distracted Roger, and their instruments clatter to the ground with a twang.

The crowd boos and hollers at the band, drowning out the sound of even those with their instruments still in hand. The chieftain strides down the aisle and grabs Vinny, lifting him up into the air.

"You promise culture and entertainment, and these are the buffoons you bring with you?" He tosses Vinny onto the stage. "All of you are a disgrace to this court!"


Male Human (Varisian) Songhealer Bard 4

Jordon doesn't say anything to the gnoll, waiting to see what happens next.


Not in use

As a last ditch effort Tobar moves forward and gives Vinny a desultory kick "Strong chieftan, this one failed to tell us the details of the gig. We came expecting to play music first and were instead pitted against a lion - so when our time came we were unsure and unready."

"SQUEALY NORD! does NOT disappoint, and I assure you that if you let us give a matinee come morning you will be left sockless as we will have rocked them clean off!" angling for a chance to give it a second try tomorrow.

Diplomacy: 1d20 + 14 ⇒ (18) + 14 = 32

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The chieftain grunts, and gestures to some of his retinue. "Very well. You can have a room for the night, then after you've rested you can play again. But be warned that I do not tolerate failure for long."

A group of gnoll soldiers escorts you down dank and dark tunnels until you reach the end of one branch, full of heavy iron doors set into the stone. They shove you into one of the rooms, and shut the door behind you, which closes with a loud ka-thunk.

The room is bare except for a few benches carved out from the walls, and the only light comes through the small barred window in the door, where torches hang sparingly on the wall. The door is locked.


Not in use

RainyDay - can I assume that it shall be a musical performance, and not a being eaten by a lion performance?

Wiping sweat from his small brow, Tobar dispels the magic that has enhanced his appearance and takes a heavy seat. "Righto boys, for better or worse we've got another shot at the blaggards tomorrow - so we best pull out all the big guns for the next performance... or they might chuck another couple of lions at us."

Knowledge (Local): 1d20 + 12 ⇒ (6) + 12 = 18
Using Heraldic Expertise Re-roll
Knowledge (Local) #2: 1d20 + 12 ⇒ (9) + 12 = 21 Specifically to get some insight as to what style of music the gnolls would like to hear.


Male Human (Varisian) Songhealer Bard 4

When "escorted" to the dank cell of a room, Jordon wipes off the now smearing face paint from his face and sighs. He looks to the little wannabe manager and, with a tired look on his face, says, "You are not booking us any more gigs, little man." He cracks his knuckles and contemplates their situation, which seems to be rather dire right now.


Male human Soundstriker Bard 4

Roger collapses on a bench. "This is why I didn't want to do a gig for gnolls. They're Gnolls. Completely unpredictable, and meaner than Rekkstuff."


Male Half-elf Unarmed Fighter 1/Bard 4

*glares at Vinny*

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@Tobar: You recall that gnollish music tends to use a lot of [insert musical jargon here. Seriously, what do I know? +2 to everyone's perform checks next time].

Anyone want to make any other knowledge checks?


Male Human (Varisian) Songhealer Bard 4

How about Knowledge (religion) to figure out which god they worship as primary badass? Whoever I come up with, I'll paint his/her symbol onto my cloak, as well as the cloaks of the others.

Knowledge (religion): 1d20 + 6 ⇒ (17) + 6 = 23


Male Half-elf Unarmed Fighter 1/Bard 4

I got nothin', guys.


Male Half-Elf Urban Barbarian 1/Archaeologist Bard 3

"...So. We got two options. Either we rock the hell outta these guys tommorrow, or we escape into that good night, never come back, and never speak of this again. Ever."


Male Human (Varisian) Songhealer Bard 4

Jordon ponders Rekkstuff's two choices, and seriously considers running off with the poor performances the band has been putting out recently. However, he declares, "No, we shall stay, and we shall show them what makes a true metal band! Now are we mice, or are we Squealy Nord?"

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@Jordon: You remember that gnolls all worship Lamashtu, the goddess of misshapen creatures. Dedicating your performance to her will make the crowd a little more appreciative.


Male Half-elf Unarmed Fighter 1/Bard 4
RainyDayNinja wrote:
@Jordon: You remember that gnolls all worship Lamashtu, the goddess of misshapen creatures. Dedicating your performance to her will make the crowd a little more appreciative.

So if my introduction and various narrations include venerations of said goddess, I'll get some kind of bonus?


Not in use

Hearing from Jordon that the gnolls worship the Mother of Monsters herself, and combining that with his own knowledge that they have an endearing love of death metal / polka mash-ups Tobar brings the band in close "Righto boys, let's get to planning..."

Ok, death metal polka with liberal mentions and allusions to a demonic god that gave birth to all the monsters of the world.....


Male Human (Varisian) Songhealer Bard 4

If only someone would actually write and perform this song...

Jordon, now knowing that the gnolls love death metal polka thanks to Tobar, declares that he shall instead play an accordion, and after fashioning the cloaks to bear Lamashtu's symbol, conjures an accordion and begins practicing. The distraction helps get his mind off the fact that they'll likely die if their performance tomorrow is sour.

Can I count an Accordion as a Keyboard instrument? I think it's the most applicable category for them.

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Sure, you can count Accordion as a Keyboard. But you don't really need to change what you play to get the bonuses. It's just for flavor. Anyone else want to do something before the matinee tomorrow?


Male human Soundstriker Bard 4

I can't think of anything to do. There's probably something I could do, but I can't think of anything.


Not in use

Ready to move onto pre-show description and Perform checks.

Roger could combine what Jordon and Tobar know to get a workable description of Toothy McMange the only gnollish musician who ever made a popular song so that he could take his appearance using disguise self? He had a short but explosive career that ended with an incident involving a doorman, a cucumber, half a pound of mango and a small daschund... Notable for a missing left ear and pronounced overbite.... and an overpowering stench of wet fur.


Male Half-Elf Urban Barbarian 1/Archaeologist Bard 3

All Rekkstuff knows how to do is smash things and be a sneaky pete.

We don't need a sneaky pete, and smashing things is out.. so he'll be sitting out and practicing and tuning his guitar. And sleeping at some point probably.


Male Half-elf Unarmed Fighter 1/Bard 4

I don't think I've got anything else to do for prep.

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In the morning (at least you assume it's the morning), a key scrapes in the lock. Gnoll soldiers lead all of you with your instruments back through the caves to the amphitheater, where another, smaller crowd is watching with only moderate interest.

Alright, you get another set of Perform checks, four of them again. All of your checks are at +3 from those knowledge checks you did.


Male Human (Varisian) Songhealer Bard 4

Jordon conjures a shiny new red accordion and begins playing with a flourish.

Perform 1: 1d20 + 12 ⇒ (10) + 12 = 22

Perform 2: 1d20 + 12 ⇒ (3) + 12 = 15

Perform 3: 1d20 + 12 ⇒ (17) + 12 = 29

Perform 4: 1d20 + 12 ⇒ (18) + 12 = 30


Male human Soundstriker Bard 4

Perform Checks:

1d20 + 13 ⇒ (7) + 13 = 20
1d20 + 13 ⇒ (13) + 13 = 26
1d20 + 13 ⇒ (4) + 13 = 17
1d20 + 13 ⇒ (19) + 13 = 32

During the third song, Roger, hearing his playing slip a bit, vanishes mid-performance. Soon, balls of light spin around a spot on the other side of the stage, spinning faster and faster, condensing into a humanoid-shaped glow, and giant sparks flow from his strings as he breaks into a finger-burning bass solo.

If the solo's not okay, I'll just return to playing, a bit harder than before.

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